Poppy Hybrids

“I thought it was garbage,” says guitarist Kenny Florence, recalling the first time singer/songwriter Adam Baker let him hear the new songs he’d been writing as Annuals. “The first few songs, I really didn’t like. And he’ll admit to you that they’re just not that great,” Florence says. “But then,…

Queer Eye

For nearly 20 years, the Queers have made a crude pop art of thrashing through their most infectious songs with the reckless abandon of a hardcore band — a really funny hardcore band that worships the Ramones and The Beach Boys. They actually cover the Beach Boys in one of…

Shooter Jennings

Having a musical legend you call dad can be a blessing and a curse. On the one hand, you don’t have to go on American Idol to get the industry’s attention. On the other hand, you kind of have to spend your whole life selling records in the old man’s…

Space Rock Time Bomb

When Ryan McKay was in his early teens, he took his girlfriend to check out some regional band that had achieved a certain local-hero status back in his home state of Illinois, and afterward, they all went back to party in the band’s hotel room. Which was great until the…

The Who

Okay, so that comeback album never quite came back, stalling out on the quality trail somewhere between It’s Hard and Roger Daltrey’s latest solo album. And the band’s down to two crucial members from the glory days of “Substitute” and “I Can See for Miles.” But if The Who can…

The Autumn Defense

Since striking out on their own as The Autumn Defense, Wilco bassist John Stirratt and multi-instrumentalist Pat Sansone have seen their soft-rock side compared in Rolling Stone to Wilco’s Yankee Hotel Foxtrot and the slower side of Big Star. But the lead-off track to The Autumn Defense’s new self-titled effort…

Bloc Party

How do you follow a million- selling debut effort that music mag NME named “Album of the Year”? If you’re Bloc Party, maybe you throw in some moodier moments and send out for strings on a couple of tracks without abandoning your roots in twitchy, postpunk angularity. And, well, it…

The Apples in Stereo

Robert Schneider is up to his usual tricks on The Apples’ first album in five long years, assembling effervescent pop gems from the echoes of his favorite records of the psychedelic ’60s (with the occasional nod to Electric Light Orchestra and, possibly, the Partridge Family). It’s hard to say what…

Anti-War Monger

The first glimpse we get of John Lennon in action on The U.S. vs. John Lennon DVD (Lions Gate) is a rare live performance of “Attica State” at a rally held to protest the 10-year sentencing of John Sinclair, a fellow radical, for offering an undercover cop two joints. Now,…

The Good, the Bad & the Queen

The opening track wastes no time living up to everything this latest reinvention from the desk of Damon Albarn promised — Danger Mouse pushing the post-Lee Perry echo like The Clash in Sandinista! mode, with pulsing reggae bass from The Clash’s own Paul Simonon and Albarn at his soulful best…

In-Between Green Days

If there is a downside to the huge commercial comeback that American Idiot spawned for Green Day, it’s the way that comeback only reinforced the notion that the band had somehow lost its bearings after Dookie sold, like, 40 billion copies — when, in fact, the records from the oft-neglected…

Best of Both Worlds

David Lowery lost his share of fans when he followed his days at the helm of one of independent rock’s most willfully eccentric acts — Camper Van Beethoven — with Cracker, a far more conventional roots-rock band in slacker-rock clothing. Of course, as often happens when your second act is…

The Shins

The Shins have gone heavy on atmosphere, light on the rocking on Wincing the Night Away, which only makes it that much more effective on those rare occasions in which they do kick it in — more than two minutes into the opening track, for example, where chugging guitars take…

Lily Allen

The first words out of Lily Allen’s mouth here are on the song “Smile”: “When you first left me, I was wanting more/But you were fucking that girl next door.” So yeah, she’s got the cheeky British attitude that did so well for Lady Sovereign. But despite its lilting reggae…

Jonezetta

So you say you’ve been holding your breath in the hopes that some young band would put out a record that sounds even more like the great lost Duran Duran album than The Killers’ Hot Fuss? Well, in that case, you should breathe and check out Popularity, Jonezetta’s hook-filled Tooth…

Clinic

The members of Liverpool’s Clinic are up to their surgical masks in Nuggets-worthy psychedelic splendor here, from the bass-driven pulse of an opening track whose instrumental section could practically pass for The Yardbirds paying tribute to the Far East, to the dark narcotic haze that hovers over “Gideon.” On “Animal/Human,”…

Gorillaz in the Animist

What’s cool about Gorillaz is you don’t need Jamie Hewlett’s animation to appreciate the genius of the music. But what’s even cooler is the way that animation steals the show on any number of the highlights in the awe-inspiring Gorillaz compilation DVD Phase Two: Slowboat to Hades (Virgin Records U.S.)…

My Morning Jacket

By the time My Morning Jacket dropped the reverb-laden Southern art-rock classic Z in late 2005, they’d reached the point where Rolling Stone could safely proclaim them America’s answer to Radiohead. But for many longtime fans, the quintessential MMJ experience will always be the live show, which explains their latest…

Nas

The cover shot shows Nas about to drop a black rose into hip-hop’s open grave. But this is more a wake-up call than a eulogy, as though he’s saying hip-hop may be going down, but it’s not going down without a fight from Nas, who pronounces it dead here with…

The Walkmen

It’s hard to say why anyone would think to cover Harry Nilsson’s Pussy Cats, a cover-heavy oddity whose appeal is based more on the spirit of friendship and drunken abandon producer John Lennon was able to capture on his way to passing out than on what he and his drinking…

Cream Cropped

Watching the members of Cream retrace their steps, from Eric Clapton talking Ginger Baker into letting Jack Bruce join the band in 1966 to their acclaimed reunion in 2005, you have to wonder how they made it through a conversation, let alone two years of constant tours and classic albums…

The Other Elvis

If any good can be said to have come of what Elvis Costello refers to here as “a fearsome chain of events started out by a mean-tempered woman called Katrina and ably assisted by some nincompoops and incompetents,” you could start with Costello’s rekindled relationship with American R&B royalty Allen…