Charlotte Gainsbourg: IRM, in “Nothing Not New”

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

OK Go: Of the Blue Colour of the Sky in “Nothing Not New”

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

Memphis Rocker Jay Reatard Dead at 29

Memphis rocker Jay Reatard died in his sleep early this morning, reports the Memphis Commercial-Appeal. He was 29. Goner Records, the Memphis label that released records by Reatard and many of the projects in which he played, including The Reatards and Lost Sounds, released this announcement this afternoon: “It is with great…

Eels: End Times in “Nothing Not New”

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

Spoon: Transference in “Nothing Not New”

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

Editors: In This Light and On This Evening in “Nothing Not New”

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

Surfer Blood: Astro Coast in “Nothing Not New”

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

Yeasayer: Odd Blood

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

Nothing Not New: Cold War Kids

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about…

Nothing Not New: Vampire Weekend

Welcome to “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Why? Because in the words of his editor, Martin Cizmar, he suffers from “aesthetic atrophy,” a wasting away of one’s ability…

Nothing Not New: Scanners

Welcome to the first installment of “Nothing Not New,” a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Why? Because in the words of his editor, Martin Cizmar, he suffers from “aesthetic atrophy,”…

Top 10 of 2009: Jay Bennett

The Dutchess and the Duke, Sunset/Sunrise The songs by this husband-and-wife act from Seattle remind me of tunes the late, great Lee Hazlewood might’ve written. They share the same spare, timeless instrumentation and production, and flatly expressive vocals that convey melancholia without being morose…

My Name Is Jay Bennett, and I’m a Guitarist From Chicago

Would the “real” Jay Bennett have been disappointed in me? The late guitarist was, by all accounts, a free-spirited soul who appreciated mischief and who didn’t shy away from good-natured troublemaking. He might’ve gotten a laugh out my misrepresenting myself — had I taken my many chances. The real Jay…