For most of the last year, Mark Oliver Everett, a.k.a. E, the singular talent behind the Eels, has been in his basement studio working on Blinking Lights, a two-CD set crammed with 33 tracks — more than an hour and a half of music. A few high-profile names pop up…

Hinson was raised a fundamentalist Christian, but by the time he was 19, he’d descended into his own private hell of addiction, jail and homelessness. During his downward spiral, he kept writing lyrics and composing tunes on borrowed instruments, and his dark odyssey is now brought to life with a…

If you think the theme of sex, drugs and rock ‘n’ roll has been played out, a single listen to Gogol Bordello will restore your faith in the power of music to jolt you out of complacency. Gogol’s lead singer, songwriter and chief maniac, Eugene Hutz, and his cohorts continue…

With some 25 years of hindsight, the work of X sounds more and more like folk music “turned up to 11,” to plagiarize a phrase. These musicians may have been extreme in their attitude and energy, but their intelligent lyrics and acidic humor marked them as populists as well as…

By calling itself Robbers on High Street, this Brooklyn band dares you to guess its influences, and many of them are fairly obvious. There’s snarling guitar reminiscent of the Kinks, vocal harmonies inspired by the Beatles, and a lead singer who could double for the Zombies’ crooner Colin Blunstone. What’s…

Shooter is the son of Waylon Jennings and Jessi Colter, and knows expectations can scuttle a career before it starts. Sound too much like dad and you’re a sellout; sound too different and you’re being ornery. Shooter left Nashville for Los Angeles, hoping to avoid the inevitable comparisons, and put…

The Swedish cats in Mando Diao have spent a long time with their British Invasion albums. On Bring ‘Em In, their debut salvo, their Beatles-meets-Yardbirds take on Brit pop combined an uncanny gift for melody with a fuzzed-out twin guitar attack. This time, the influences are more diverse, but the…

In the language of analog recording, “wow” and “flutter” were terms used to describe the distortion common to the recording process. The title of The Kills’ second album is obviously ironic, because the duo’s powerful, stripped-down sound is built on a foundation of fuzz, feedback and distortion. Hotel, a highly…

Los Lobos exploded out of the barrios of Los Angeles in 1983 with and a time to dance, a seven-song mini-album that meshed Mexican folk music, blues, rock and R&B into a unique sound, long before the terms “Americana” and “roots rock” were standard music lingo. In the early ’90s,…

If you were driving cross-country in the ’50s and ’60s, you prayed for sundown, because after dark, you picked up the signals of outlaw Mexican radio giants XERB, XEG and XERF. Long before the FM revolution, the X stations played an eclectic mix of honky-tonk, blues, Texas swing, norteño, and…

Texas-born maverick Roky Erickson is one of the great insane geniuses of rock ‘n’ roll. Shortly after “You’re Gonna Miss Me” became a huge hit for the 13th Floor Elevators, Erickson pleaded insanity to prevent doing hard time for a petty marijuana bust. After three years of shock therapy in…

Sound Tribe Sector 9 produces elaborate live shows combining innovative visual effects with a sound that draws on elements of rock, electronica, jazz and hip-hop. Playing live and in real time, the band scrambles up an inimitable souffl that’s wildly appealing to both dancers and space travelers. The 20 tracks…

The ominous grooves that Shivaree creates for its tales of treachery, frustrated sexuality and emotional defeat sound like the music escaping a carny sideshow tent after midnight. Eerie hints of tango, girl-group R&B, spaghetti Western guitar and musical saw all drift through the music’s disjointed landscapes, weaving a spell that…

It’s been decades since Chuck Berry merged country and blues pickin’ to write the book on rock ‘n’ roll guitar, and while white Nashville and black Memphis are in the same state, sharing the same cultural roots, you’d never know it unless you’re a roots-music fanatic. Jesse Dayton may not…

“It’s all downhill from here,” Eryn Young declaims on “The Last Migration,” and the band makes good on its threat with a sinister disc overflowing with bleak melodies and an atmosphere fueled by an unlikely mix of electronica and Americana. This husband-and-wife team occupies a space somewhere between the Handsome…

Junior Kimbrough was a bluesman from the north Mississippi hill country, far enough from the delta to escape the encroachment of most modern conveniences. It was there, removed from outside influences, that Kimbrough developed his wild-ass, uncontrolled style, with rhythms full of unexpected twists and turns and a primal vocal…

In the popular imagination, Grammy equals fame and fortune, but it’s unlikely most people reading this will know the name of Grammy-winning troubadour and storyteller David Holt. Holt (an O Brother alumnus) plays washboard, banjo, guitar, harmonica, spoons, bones and other instruments, sometimes all at the same time, with a…

The Gourds have been confounding audiences with their catholic musical taste and solid musicianship for almost 10 years. They play credibly in any style you’d care to mention — folk, blues, swamp rock, country — and delight in showing off their range. The title tune is a take on the…

When it comes time to reinvent themselves, most guitar heroes just start putting out the same old trash in a flashy new can. Steve Turner, lead guitarist of Mudhoney, took a decidedly new tack by stepping forward as a singer-songwriter with a ’60s-tinged folk-pop sound. There are still times when…

If the Carter Family had intermarried with the Addams Family, their children might have grown up to start a band called Blanche. The band’s stripped-down sound is based on the early country style that folkies call Old Time music, but Blanche puts its own art-rock spin on the genre to…

Guy Blakeslee, a.k.a. Entrance, plays left-handed on conventional guitars turned upside down, just like Jimi Hendrix. Blakeslee has also developed his own unique style, a blend of blues, rags, field hollers, ragtime and primordial Midwestern American church music that at times comes close to the sound John Fahey called “American…

The Dustys specialize in the archaic sounds of the ’50s and ’60s, with emphasis on the dance-happy backbeat that used to be the hallmark of the hit single, bouncing from rockabilly to jumpin’ jive, barrelhouse blues, hard-core honky-tonk and other roots-heavy forms. Lead vocalist Billy Joe Huels has a larger-than-life…