For the downright dazzling opening ceremony of the 2008 Beijing Olympics, world-famous film director Zhang Yimou utilized the form of a basic painting scroll as the quintessential backdrop for his techno-savvy take on 5,000 years of Chinese cultural history. As it unfurled, Zhang’s mammoth 95-by-381-foot roll became the perfect prop…

In the 1930s, in what can only be considered the first official culinary performance art piece, Mexican émigré painters Leonora Carrington and Remedios Varos passed off tiny tapioca pearls dyed with squid ink as caviar to their surrealist buddies. In 1992, photographer Sandy Skoglund immortalized Britney Spears’ favorite comfort food…

Besides the notion of ultimate creation, God and painting clearly have something in common. For the past 60 years or so, both have been declared dead and buried innumerable times by the usual suspects. But to paraphrase Mark Twain, the demise of both has been greatly exaggerated. Scottsdale Museum of…

“Josh Greene: Some Parts Might Be Greater Than the Whole,” a current offering at Arizona State University Art Museum, is a work in progress. Literally. Greene’s project is the second installment in ASUAM’s “Social Studies” series, an ongoing series of exhibitions — if they can be labeled as such —…

“Eleven French Artists. One Revolutionary Event,” screams the headline for Phoenix Art Museum’s self-proclaimed blockbuster, “Masterpiece Replayed: Monet, Matisse & More.” PAM’s current offering is a traveling exhibition of work by easily recognizable 19th-century French masters originated by Baltimore’s Walters Art Museum and first shown there in 2007 under the…

If you’re looking for razzle-dazzle, interactivity, or anxious introspection in an art experience, don’t bother seeing ASU Art Museum’s “Carl Andre/Tim Hawkinson,” a bare-bones exhibition featuring four pieces of art by two sculptors from two different generations with two diametrically opposite views on the meaning of art. Putting these particular…

Not long after I arrived in Phoenix, a strange site appeared as I traveled north on the 51. The Pots Along the Freeway were like a divine apparition to a suffering saint. First, I noticed a mammoth old-fashioned campfire coffee pot standing watch over oncoming traffic. Then I sighted a…

With some notable exceptions, you won’t find the folk art now appearing in “Great Masters of Mexican Folk Art” at Phoenix Art Museum popping up in your average Mexican mercado. Having beaten the bushes in backwaters all over Mexico for various forms of folk art for 25 years, I feel…

I got a bead on the overall quality of art shown this past First Friday in downtown Phoenix when I ended up rating a trip through the funky, skanky Hermanos Drive-In Food Market on Grand Avenue the real high point of the evening. So maybe I’m being just a bit…

As a native SoCal girl with roots still sunk deep into Southern California and its crazed cultural scene, I was really looking forward to seeing “southwestNET: PHX/LA” at Scottsdale Museum of Contemporary Art. Touted as a fresh look at urban life in Phoenix and Los Angeles, it was to feature…

Pantyhose with cotton crotches, old cut-up tablecloths, Hopalong Cassidy, Cesar Romero. Yup, Mesa Contemporary Arts certainly has selected a strange mixture of materials and subject matter for its “Two-Person National” exhibition, purportedly its very last before MCA bids adieu to its old location in Mesa Arts Center’s venerable Leave It…

Just a quick scan of the home-based studio of installation artist Heidi Hesse confirms that this native German has a serious thing for the Statue of Liberty, among other classic American icons. The 42-year-old artist, who grew up in the rural outskirts of Cape Town, South Africa, and a small…

Trust me when I say that “Landscape in the Fireplace: Paintings by Pedro Alvarez,” an exhibition of 40 large mixed media paintings by the Cuban artist currently on display at Arizona State University Art Museum, may be your very last opportunity to see so much of Alvarez’s work — particularly…

Better double-time it to Shemer Art Center on Camelback if you want to see “Land: Unconventional Approaches to Landscape” — billed as an exhibition that’s “pushing the boundaries” of the Phoenix municipal gallery — since it’s only going to be up for a mere two weeks. Considering the safe, watered-down…

Putting a face to the name is the name of the game in “Bill Jay: Photographers Photographed.” The exhibition, now on display at Segura Art in downtown Mesa, pairs black-and-white images of internationally renowned artist-photographers taken by Jay over a 35-year period with a characteristic photographic image made by each…

Though white-bread Scottsdale may seem like an improbable venue for an exhibition about African-American hair and its vast implications, it’s actually the perfect place for “HairStories,” one of the current offerings at the Scottsdale Museum of Contemporary Art. This hit me as I was following several SMoCA docents who were…

Picture a painting, suffused with a golden glow, in which naked men and women writhe in what appears to be a bed of gleaming black lava, like tortured souls in purgatory waiting to be released into heaven. In the foreground, a man with an amputated leg is helped to the…

Several years ago, I was soundly excoriated in the pages of this newspaper by a seriously disaffected letter writer from the arts community. She was incensed about a review I wrote concerning a downtown art gallery event that I found less than, shall we say, aesthetically enriching. In fact, she…

An artist usually has to be stone cold dead before his work is ever shown in the Musée du Louvre in Paris. Photographer Joel-Peter Witkin, however, has managed to escape the bureaucratic guillotine and now stands among the handful of living artists whose work has been deemed important enough to…