Cults’ Brian Oblivion on Changing Expectations and Getting Dark on Static

There’s no more sun in Cults’ eyes. The Manhattan-based indie-pop act best known for the cloyingly sweet singles “Go Outside” and “Oh My God” have returned with Static, a departure from what set sights on them in the first place. The only familiar part of their aesthetic is the album cover itself, placing vocalist Madeline Follin and vocalist/guitarist Brian Oblivion’s silhouettes at the forefront. Most everything else, however, is different.

Mathcore Great The Chariot Lives Out Its Final Days

Diehard fans of Southern mathcore outfit The Chariot know what’s happening. They know that after a 10-year run the band is finally going its separate ways. The Chariot is a little over two weeks out from their last show ever, taking place in vocalist and founding member Josh Scogin’s hometown…

Father John Misty’s Josh Tillman on Fearlessness and the Human Condition

Josh Tillman sighs into the phone, taking a breath before launching into a personal sentiment that’s a signature of his tell-all take to his music — something he’s fond of exploring rather than simply talking about his inspirations. As the man behind Father John Misty, the psych-folk act that’s followed his work with both Fleet Foxes and his previous solo project J. Tillman, he’s no stranger to plumbing the depths of philosophy to create his own narrative.

Animal Collective’s Geologist on How Arizona Shaped the Band

Animal Collective, the once-Baltimore based electronic-psychedelic act consisting of Avey Tare, Deakin, Geologist, and Panda Bear, seems to be in a constant state of flux when the band’s entire catalog is taken into perspective. From the combinations of the most disparate electronic and acoustic musical elements on 2000’s Spirit They’ve…

Psych Metal Juggernaut Kylesa Hits Their Stride

Affixing labels is often a bane and a blessing for a band. For Savannah, Georgia’s Kylesa, the esteemed Southern psych-metal act that helped usher in the first waves of indie’s acceptance of sludgy, off-center metal, pigeonholing is hardly an option. There’s just too much to process, too many edges being…

Kylesa

Affixing labels is often a bane and a blessing for a band. For Savannah, Georgia’s Kylesa, the esteemed Southern psych-metal act that helped usher in the first waves of indie’s acceptance of sludgy, off-center metal, pigeonholing is hardly an option. There’s just too much to process, too many edges being…

Fall Out Boy Is Releasing a Punk Album: Here’s Why It’s Legit

Punk has always been made to be atypical in both approach and presentation. In 2013, however, few would expect Fall Out Boy, the once-TRL darling pop-punk five-piece, and Ryan Adams, one of the most prolific genre-crossing musicians of our generation, to come together to release a hardcore, punk EP. In this case, the presentation, approach and the collaboration is anything but expected.

As if made in a perfectly hasty, indirect response to the vitriol spread by once-loyal fans (myself included), “Love, Sex, Death” is the perfect foil to Save Rock and Roll as the actual rock ‘n’ roll that needs to be resurrected. Given their radio success with mega-hit “My Songs Know What You Did In The Dark (Light ‘Em Up),” Fall Out Boy’s upcoming PAX AM Days is finally the unlikely harbinger of the same message they set out to spread.

It’s hard to determine who to chalk this reinvigorated reincarnation of the band to. Adams, always the prolific eccentric, is no stranger to the hard stuff, writing under his black metal project Werewolph and releasing 2010’s space odyssey thrash concept album Orion. But while Adams as known in the mainstream scope as the voice behind “that ‘Wonderwall’ cover” and the uncannily-timed video for 2001’s “New York, New York,” he’s made significant ventures into hardcore and punk with The Finger, formed in 2002 with Heart Attack’s Jesse Malin.

Caught a Ghost’s Jesse Nolan Melds Motown with the Modern World

In a town whose notoriety is soullessness itself, it comes as a surprise that Caught a Ghost is a Los Angeles-based band, best labeled as a modernized take on Motown with enough funk to move the hips of even the most jaded music critic. It’s the most recent project of self-taught producer and songwriter Jesse Nolan, who unabashedly belies his sunny Southern Californian roots with his full-throated crooning.

FIDLAR: “We Just Wanted To Play Loud”

To musical purists, Los Angeles’ FIDLAR isn’t all that complicated. To the Urban Outfitters, vinyl-collecting teen set, FIDLAR could be seen as intimidating. To the dirty, denim-clad, skateboarding, chainsmoking neo-angst kids, FIDLAR is a voice. Acronymic for Fuck It Dog, Life’s A Risk, the band, in all aspects of their…

After Texts from Bennett, Mac Lethal Keeps Rapping Forward

Mac Lethal is very, very excitable. The Kansas City, MO rapper, label owner, and former Rhymesayers artist has good reason to be, however — he’s still in the wondrous honeymoon stage of fatherhood with his six-month-old son, he’s recently authored his first book, and he’s one of the Midwest’s most…

Every Time I Die’s Keith Buckley Keeps It Light While Staying Heavy

“I’m just looking for a sign.” Keith Buckley, vocalist for establish metalcore act Every Time I Die, is a composed character, having fronted one of the most beloved metal acts of the past 16 years. He’s conducted symphonies of straight-edge moshers meeting in the pit with hardcore veterans and beer-swilling…

Boston’s Bad Rabbits Create Their Own “Post-R&B” Lane

Salim Akram talks really, really fast. As the guitarist for Boston’s Bad Rabbits, a five-piece self-proclaimed “post-R&B” act with a reputation for a boisterous live show, Akram has a lot to say about the medley of influences and the band’s unique background, and rightfully so: Many music outlets aren’t quite sure how to categorize them. Currently touring behind their first full-length release, American Love, Bad Rabbits possesses that cross-cultural appeal that places their sound somewhere in the midst of modern-day funk and R&B stylings while retaining the weight of hardcore. It’s not an easy balance to find.

The Balcony Scene to Make Phoenix Debut at Crescent Ballroom

Folk musicians, for the most part, have it rough. Blindly thrust into the Dylan-esque pantheon, the overarching image of a folk-based singer-songwriter is that of the introspective introvert that shyly picks at an acoustic guitar before gracefully exiting whatever forum he holds. Yet when you’re young and influenced by the croonings of Damian Jurado and David Bazan, both exceptionally dynamic musicians in their own right, you’re bound to take a different approach to such a storied genre. Justin Moody, operating under the moniker The Balcony Scene, is such an example, having recently returned to his native Arcadia after spending the majority of his teens in Prescott. Breaking out of the coffee shop mentality for the first time, Moody is making his biggest debut yet with Tempe powerhouses Dust Jacket and Sundressed tomorrow at Crescent Ballroom.

Prescott’s Whisperfest Draws Phoenix Bands, Supports Yarnell Firefighter Families

Located just an hour and a half north of the valley, Prescott is better known being a premier Christmas getaway than for its artistic community. With a population composed of more retirees than the average small town, it’s safe to assume that its music scene is also a little dated. The introduction of Prescott’s first DIY, nonprofit festival, Whisperfest, is looking to change that for good.

Tyler Bryant and the Shakedown Use the Blues to Hang Tough

Musical prodigies seem to be as common as the YouTube searches on which they can be found. Parlaying that precociousness into a career is a task in itself, and doing so while in the vein of a genre as storied as the blues takes more than just talent. For Tyler Bryant of Tyler Bryant and the Shakedown, the 22-year-old guitarist has transformed from the preteen shredder on the Internet into the frontman of a full-blown rock outfit.

John Mayer May Have Been An Asshole, But That’s Over Now

Check the hashtags on Twitter or Tumblr, folks: John Mayer is back. This might make some pop culture enthusiasts’ skin crawl, yet for those who remember the glory days of Grammy wins, number-one albums, and the brilliant resurrection of true blues with the John Mayer Trio, the guitar god has yet again arisen.