KEYS TO THE HIGHWAYA GOOD OLD BOY SINGS THE GREAT OLD TUNES

Until recently, Wild Bill Baldwin could be found in the cramped, countrified confines of downtown Scottsdale’s Rusty Spur Saloon, doing his one-man-band thing. Baldwin was a fearsome vision, what with his dark, woolly beard and long hair, both flecked with gray; his menacing shades and extra-wide-brimmed hat speared with a…

KEEP ON ROLLIN’

The night before our Saturday-afternoon talk with the Kentucky HeadHunters, the boys played a gig in Baltimore, Maryland. It was the kind of show their growing cadre of fans has come to expect: energy to rival or best any hormone-driven thrash punktet; massive doses of homemade, hot-from-the-barbecue Southern rock; plus…

RIBS REVISITEDCOUNTRY MUSIC SIMMERS AT HERNDONS’ HANDLEBAR-J

Nestled deep in the Mercedes jungle of north Scottsdale sits a little-bitty ol’ piss-ant country place that has not only survived the region’s creeping hoity-toityism, but has thrived. And so has one of its favorite sons. The Handlebar-J and its previous incarnations have held country court at the same location…

BACK IN BLACKJOHNNY CASH TAKES HEART FOR THE NINETIES

Don’t blame Johnny Cash for his unusual silence in the Eighties. For ten years, the outspoken Cash searched for a place between the growing neo-country Nashville and the wholesale, creased-denim twang crowd of Music Row. His attempts at balance were met with lukewarm reviews. Finally, in 1988, heart surgery looked…

THE YEAR OF LISTENING DANGEROUSLY

Prowl through our hit list of 1990’s killer tunes, lyrics and riffs 1. FASTER PUSSYCAT Rubaiyat “You’re So Vain” (Elektra). For anyone who’s ever secretly desired to headbang to Carly Simon, here’s a chance to get off royally. 2. JANET JACKSON Rhythm Nation: 1814 “Black Cat” (A&M). Doing her best…

MARY, MARY, QUITE CONTRARY

Just a few years ago, Mary-Chapin Carpenter was a staple on the respected Washington, D.C., folk scene, the launching pad for Emmylou Harris, among others. Freshly graduated from Brown University with a degree in American civilization, she found herself in the early Eighties rattling around the capital mope scene, strumming…

SHIP’S AHOY!AFTER YEARS AT BAY, PIECES OF FATE FALL THE PIRATES’ WAY

Bands just don’t get much less glamorous than the Pirates of the Mississippi. Sure, they’re sitting pretty now with a chart-happy debut album, fueled by a driving cover of Hank Sr.’s “Honky Tonk Blues,” but Nashville’s grimiest-sounding country band spent a good part of the late Eighties, literally, in the…

THE BOOGIE MEN

Each spring for the past half-dozen years, Tex-Mex surf-rockers Joe “King” Carrasco and the Crowns have spent a week on Texas’ South Padre Island. Located a hurled jalapeno from Matamoros, Mexico, this Gulf Coast isle is Texas’ answer to Fort Lauderdale during spring break: Yearly, more than 60,000 cerveza-soaked collegians…

ROCKIN’ ROOKIEDOUG STONE ROLLS FROM NOWHERE TO NASHVILLE

In the mid-Sixties, a country newcomer named Doug Stone warmed up for Loretta Lynn. But instead of immediately reaping the success surely coming to an unknown who’d opened for a legend, Stone quickly dropped out of sight. The fledgling singer vowed never to give up on his career, though, and…

RECORDINGS

Where the Heck Is Mr. Fun? (Or Up and Down the Donut With Frank) (Local tape) Galen Herod has always come off like a lovable spaz on stage, regaling audiences with herky-jerky post-new-wave songs and bad jokes. Where the Heck Is Mr. Fun? is a take-home version of Herod, packing…