A parked sports car with steamed-up windows rocks from side to side. There’s a lot of sex in That Old Feeling, but that’s about as graphic as it gets–the film is rated PG-13. That was okay with me–I wasn’t panting for a close-up of Dennis Farina and Bette Midler getting…

There’s one stand that every film about the quagmire in Northern Ireland is willing to take: that there’s been enough killing. Sometimes, like in A Prayer for the Dying, it’s said out loud–“Thur’s bin enoof killin’.” Sometimes, as in The Crying Game, In the Name of the Father, Some Mother’s…

So the Academy has once again shut you out of the Best Director category on the technicality that you haven’t actually made a movie? Hollywood philistinism, of course, but there’s always a chance at next year: This weekend, Arizona Film Society is once again presenting the Hollywood Film Institute’s two-day…

John Singleton’s new film, Rosewood, chronicles a shocking and little-known incident in the history of American racism–the destruction of the title village and massacre of many of its black residents by a white mob. A moderately prosperous hamlet in the pine forests of western Florida, Rosewood came under attack in…

If all you knew about lesbians was what you saw in movies made by lesbians, you’d have a pretty dreary picture of the lifestyle. Most of us know a lesbian or three who actually has a sense of humor, whose idea of socializing extends beyond sitting in a semicircle with…

On the run from a professional assassin in Shadow Conspiracy, Washington, D.C., insider Charlie Sheen stops to make a furtive cell-phone call right in front of the Lincoln Memorial–out in the open, in front of God and Honest Abe and everyone. It’s a brilliant tactical move, since the Lincoln Memorial…

As with The Crow a few years back, a grim, real-life shadow hangs over Gridlock’d that’s hard to ignore while watching it. Both films are swan songs for stars who died too young and left beautiful corpses: Brandon Lee in the former, and Tupac Shakur in the latter (although Shakur…

The first movie Hamlet was played by a woman–Sarah Bernhardt, in a 1900 short of the duel scene. Plainly, Hamlet has been as open to interpretation in the cinema as it has been in the theater. Of the dozens of film versions, ranging from cross-dressing intrigues to psychological case studies…

Beavis and Butt-head, the slow-witted, lewd-minded, giggling, teenaged sofa reptiles from MTV, may be the most acquired taste in current pop culture–for adults, at least. At a quick glance, your reaction may be revulsion at the crude animation and the repetitive gags. But let the show’s subtle rhythms work on…

I’m a great fan of the original Star Trek show and at least one of the films (The Wrath of Khan, of course). Kirk, Spock and McCoy may not have been complex characters, but they were authentically mythic–Kirk was a smug trickster Ulysses, McCoy a crabby Sancho Panza sidekick, Spock…

A homeless man stumbles into a New York fish market and asks for a glass of water. The owner’s wife gives it to him, and then, with a strange, sudden urgency, invites him home for dinner. Over her husband’s mild objections, by the end of the evening she’s offered him…

For the past five years, Valley Art Theatre has been gracing our community with Spike & Mike’s Sick and Twisted Festival of Animation, an annual collection of cartoons that bursts at the seams with scatology, sex, sacrilege and sophomoric shock. The 1996 edition is now playing, and though it has…

The astonishing documentary Paradise Lost: The Child Murders at Robin Hood Hills starts with a crime that seems unreal, apocryphal: the murder of three 8-year-old boys, one of whom was sexually mutilated, in the small town of West Memphis, Arkansas, in 1993. The filmmakers, Bruce Sinofsky and Joe Berlinger, let…

Thrillers that involve a threat to the nuclear family almost always have a reactionary subtext. Fatal Attraction, The Hand That Rocks the Cradle and Cape Fear leap to mind. When a director of Ron Howard’s guilelessness makes a film like Ransom, about a rich guy trying to best the man…

A few weeks ago, I saw a preview for William Shakespeare’s Romeo & Juliet. A woman in the row behind me remarked, “He must be turning over in his grave.” Shakespeare, she meant. Well, why not? Turning over in one’s grave is part of what Romeo & Juliet is all…

The swing in Swingers is in the music and the talk–the self-consciously hip chatter of young men cruising clubs and dancing to big bands. Yet the story of this low-budget romantic comedy unfolds not in the ’20s, ’30s or ’40s but in the ’90s, this decade in which style seems…

During the MTV Music Awards this year, Dennis Miller cracked that a band he was introducing was “so hip and alternative that Steve Buscemi tried out for a part in it.” Buscemi is to American independent film of the ’90s what Peter Lorre was to wartime noir–the signature character actor…

Trying to decide whether the Million Man March was good or bad, heartening or depressing, can give you a headache. At the center of the ambiguity is Nation of Islam leader Louis Farrakhan, the march organizer. It’s a stretch to believe that the anti-Semitism and xenophobia attributed to him in…

Last year, Arizona State University’s Gammage Auditorium hosted a special showing of Sergei Eisenstein’s masterpiece The Battleship Potemkin, accompanied live by the Phoenix Symphony, performing a score cobbled together from various Shostakovich works. I wrote about the event, focusing mainly on Potemkin’s importance in film history, and on the validity…