In his Confessions, St. Augustine admitted that his prayer for sexual purity had often taken the form Da mihi castitatum et continentiam, sed noli modo–“Give me chastity and continency, but not yet.” Augustine’s candor puts to shame that of William Boyd, author of the comic novel A Good Man in…

John Candy, who died during the filming of Wagons East!, was a great movie comedian who never quite made a great movie comedy. Sadder, even, than the failure of the mostly feeble Wagons East! to break that streak is watching Candy’s weary, joyless performance. This may be his only film…

The first few shots in Natural Born Killers are of creatures to which the title can be applied without moral judgment. A hawk glares at the desert; a rattlesnake gazes into the camera with a dull, ill face. Then the scene shifts to a roadside diner, where the central characters–Mickey…

Several people walked out of the Barcelona screening I attended. I could only assume they disliked the talkiness and slow pace of this mild comedy of manners, which recounts the romantic adventures of a couple of Americans living abroad in the early 80s. There’s a fine touch of irony to…

Allison Anders’ first solo directing credit, Gas, Food, Lodging, about a single woman raising two daughters in a small Southwestern town, was overrated. It was pretty to look at, but dramatically thin and clich. Her new film, Mi Vida Loca, is even better to look at, and it has a…

Not having read the books, I can’t say if the film versions of Tom Clancy’s Jack Ryan novels have been faithful. Based on the content of the movies, I can see no evidence that unfaithfulness would constitute a crime against world literature. This was especially true of The Hunt for…

My Life’s in Turnaround, a low-budget movie by two slacker types about two slacker types trying to make a low-budget movie, is subtitled Based on a True Story. This same joke was the punch line of Mel Brooks’ most neglected film, Silent Movie. The hero (Brooks) is a director who…

After human beings, the cinema probably doesn’t have a greater visual subject, among living creatures, than the horse. I say this as no particular horse fancier in real life, but as an admirer of horses in movies, a medium far more suited to the beauties of the species than painting…

Out of every five people you meet, four feel that their mothers and/or fathers were wretched failures as parents. The sentiment can be kind of funny when you hear it from some stupid kid, but it isn’t funny at all when–as is often the case–it has dogged and haunted the…

After seeing Foreign Student, you may want to talk yourself into the idea that it’s a put-on of some sort. Intended as a weeper of the “Ah, my lost youth . . .” variety, it centers on Phillippe, a young Parisian guy who comes to a college in rural Virginia…

Comedy director Andrew Bergman, who broke in working on scripts for Mel Brooks, is gifted but uneven. In 1990, he wrote and directed The Freshman, a piece of glittering nuttiness built around a beautiful, career-consummating performance by Marlon Brando. The film could only have been the work of an audacious…

With movie adaptations of John Grisham potboilers, the third time has proved the charm. The Firm was limp, and The Pelican Brief wasn’t brief enough. The Client is nothing remotely special, just a routine legal melodrama with some major improbabilities flopping around in it. But director Joel Schumacher, abetted by…

Hooray for Hollywood, I guess. From what other source can one see Jamie Lee Curtis and Tia Carrere, both in slinky evening wear, having a yowling catfight in the back seat of a black limousine with a dead driver speeding toward a blown-up bridge while a helicopter descends from above?…

The beauty of This Is Spinal Tap, Rob Reiner’s first and best work as a director, was that it simultaneously zapped the pretensions both of a species of pop music and of a species of cinema. Heavy metal got an affectionate working over from the film, a sham documentary supposedly…

At the beginning of Forrest Gump, a tiny white feather flits in the breeze above Savannah, Georgia. As the credits end, the feather comes to rest on the ground, between the sneaker-shod feet of the title character, who’s waiting at a bus stop. This sequence illustrates the theme of the…

Over at Disney, they’ve been brushing up on their Shakespeare the last few years. Think about it–The Little Mermaid had characters named Ariel and Sebastian, as in The Tempest, and Aladdin had a trouble-making, tale-carrying villain named Iago. Even in the Gallic Beauty and the Beast, the brute Gaston’s toadying…

“You either go mad or you learn about metaphors.” Allie Light, who made this remark, has done both. Years after being hospitalized for extreme depression, the San Francisco woman became a filmmaker. Her latest is Dialogues With Madwomen, and in addition to directing this unconventional and touching documentary, she is…

I am obliged to consider . . . that the assertion that men are turned into wolves and back to themselves again is false, otherwise we must also believe in all the other things that over so many generations we have discovered to be fabulous. –Pliny the Elder, Naturalis Historia…

If there was one legendary figure of the Old West who could unambiguously be called a good guy–and there probably wasn’t–Wyatt Earp is surely not the fellow. This sometime lawman, sometime criminal wasn’t actually despicable, like Billy the Kid (although reports suggest Earp had less charm). He was a person…

Indians in the movies go back about as far as movies themselves. While there’s been enough consciousness-raising in recent decades that only the most naive audience members could still believe that the movie Indians–both noble and savage–we’ve all been brought up on are accurate reflections of real Native Americans, the…