I Am Love: Tilda Swinton’s Got to Be Free

As unrepentantly grandiose and ludicrous as its title, Luca Guadagnino’s visually ravishing third feature suggests an epic that Visconti and Sirk might have made after they finished watching Vertigo and reading Madame Bovary while gorging themselves on aphrodisiacs. That it works so well — despite frequently risible dialogue (“Happy is…

La Mission: Macho Meets Homo in this Laudable But Terrible Film

Macho meets homo in the laudable but terrible La Mission. Watered-down Jungian analysis meets a GLAAD-approved weepie in Peter Bratt’s second feature, starring brother Benjamin (who also produces) as a swaggering, neck-tattooed macho who will finally realize the damage his rock-hard masculinity has caused during a funeral for a teenage…

Just Wright Is Just Wrong

Another movie, not as awful or deluded as this one, might one day find better use for the easygoing vibe between Queen Latifah and Common, the stars of Just Wright, a romantic comedy (for the ladies) with basketball and cameoing NBA players in it (for the fellas). That absolutely no…

The Last Song: Hannah Montana Gets Upstaged by Sea Turtles

The script, costumes, and props of The Last Song work hard to establish Miley Cyrus’ dramatic-role bona fides as the 17-year-old crosses over from G to PG: Her character, constantly sneering high school grad Ronnie Miller, sports a tiny nose stud, stomps on the beach in Doc Martens, believes meat…

The Blind Side: What Would Black People Do Without Big-Hearted White People?

Another poor, massive, uneducated African-American teenager lumbers onto screens this month, two weeks after Precious and obviously timed as a pre-Thanksgiving-dinner lesson in the Golden Rule. But unlike the howling rage of Claireece Precious Jones, The Blind Side’s Michael “Big Mike” Oher (Quinton Aaron) is mute, docile, and ever-grateful to…

Matthew McConaughey Is Scary Bad in Ghosts of Girlfriends Past

Two weeks after jowly Matthew Perry transformed into pretty Zac Efron to relive his adolescence in 17 Again, Warner Bros. releases Ghosts of Girlfriends Past, another backward and backward-looking child-is-father-to-the-man rom-com, with Matthew McConaughey, who, 18 years Efron’s senior and slightly butcher, has just a few more years of prettiness…

Sidestepping Sports Movie Clichés, Sugar Hits the Sweet Spot

Anna Boden and Ryan Fleck have transformed some of the saggiest, most clichéd genres with smarts, non-screechy politics, superb acting, and visual beauty. Though, on paper, its premise could have easily elicited groans, Half Nelson — their 2006 feature debut (that Fleck directed and the two co-wrote) about a white…