In her first stab at narrative drama, writer-director Shainee Gabel has managed to assemble a superstar cast and a seasoned technical team. She spent five years on the project, adapting an unpublished novel written by the father of a friend, working with a clarity of vision and an admirable goal:…

When did we first encounter a feel-good film that united delinquent kids, a devoted (if professionally frustrated) teacher, and the transformative power of music? Was it Julie Andrews? Could it have been the spirited, softhearted Maria and her Austrian brood, trilling their way up the hills above the abbey? If…

“24 hours. 350 miles. His girlfriend’s kids. What could possibly go wrong?” In the case of Are We There Yet?, here’s the short answer: a flaccid screenplay, bratty kids stripped of depth and personality, a single joke replayed in every scene, unearned attempts at sentiment, and a bizarrely whitened backdrop,…

A Very Long Engagement, the new film by French director Jean-Pierre Jeunet (most famously of Amélie), will have its fans. For one thing, there’s no denying its beauty, an onslaught of gorgeous tableaux, painstakingly arranged and shot through filters to exclude colors that don’t suit (i.e., anything other than sepia…

There is something very important to know about Enduring Love that is not apparent from the title: It’s a thriller. More specifically, it’s a creepy, twisted, overproduced, and often intelligent psychological thriller with an ending all too loyal to the genre. Director Roger Michell (most recently of The Mother, a…

When was the last time you saw Paul Giamatti? And when the film ended, did you realize how much you would miss him? It was just last year that Giamatti played the hilariously beleaguered Harvey Pekar in American Splendor, a role that he occupied with slumped, head-hanging perfection. Yet as…

How does Mike Leigh do it? The years pass; film fashions come and go; Hollywood churns its commercial pap. Careers sparkle; others fizz; whom the gods would destroy, they first make famous. Meanwhile, over in England, Leigh makes his films, tracking the intricacies of the lower-class family with the patience…

The first exceptional drama of 2004 is here, and it only took, what, six months? Perhaps unsurprisingly, The Mother comes from British writer Hanif Kureishi, who penned the gritty, South Asian-in-London marvels My Beautiful Laundrette and My Son the Fanatic. On the other hand, its director is Roger Michell, lately…

Imagine it’s a weekday morning, and you’re at a trade conference in Finland. You’re sleepy, maybe a little jet-lagged, as you prepare for the next speaker. He’s a representative from the World Trade Organization, and he has come to talk to you about “The Future of Textiles.” First, he presents…

The very best thing about A Dirty Shame, a giddy sex farce from John Waters, is the credits. What’s not to love about a list of characters that includes “Sylvia Stickles,” “Marge the Neuter,” “Fat Fuck Frank,” “Cow Patty” and “Tire Lick Boy”? The soundtrack, too, bears comic fruit, with…

Whatever is worthwhile about The Hunting of the President — a new documentary on the right-wing attack dogs that conspired to bring down Bill Clinton throughout his presidency — the film is plagued by a single, damning problem: It was made by Harry Thomason. Thomason is an über-F.O.B., a very…

Oh, Janis. Oh, gorgeous, outrageous, soul-ripping, rockin’ bluesy mama Janis Joplin. She’s a volcano. She’s a tsunami. She’s a fearless, reckless, raging American beauty. Watch her tear open her chest to reveal her hot, pulsing wounds. Watch her rage with burning, glorious light. Watch her smile that sweet Janis smile…

In We Don’t Live Here Anymore, an overwrought domestic drama about a pair of entangled couples, Peter Krause plays philandering writer Hank Evans, struggling to produce as he propositions female students at the college where he teaches. Blithely pretentious, fretful only over his writing, Hank observes from a distance as…

In Victorian England, 40,000 novels were published every year. Of the few that have endured, perhaps none is more worthy of a film adaptation than William Thackeray’s Vanity Fair, if for no other reason than this: It’s a chore to read. Clocking in at 850 pages, with frequent excursions into…

Those of us who have grown up in the United States may be weary of our country’s claims of freedom and opportunity. Faced with a wobbly quote from our leader attributing terrorism to envy, we might roll our eyes, aware of a reality far darker and more complex. But there…

Garry Marshall is at it again. The director of Pretty Woman, Beaches and the original Princess Diaries has returned to peddle his particular brand of überschmaltz in The Princess Diaries 2: Royal Engagement, in which he disguises an insidious worship of wealth and privilege as a “feel-good” comedy about a…

The opening moments of The Door in the Floor are not promising. A little girl stands on a chair in a hallway of photos, pointing at the images and speaking about them. Soon, she is joined by a middle-aged man, probably her father, who takes her on a tour through…

It’s charming. It’s hilarious. It is perhaps the most beautifully crafted, lovingly rendered portrait of extreme geekitude ever to grace the screen. It’s Napoleon Dynamite — the first feature film from 24-year-old Brigham Young University student Jared Hess — and, if there is any justice, it’s going to be huge…

Beware the exclamation point. When found at the end of a title, it almost inevitably signals a level of self-hype rarely justified by the content of whatever it hopes to name. In the case of the movie Saved! — an amusing, if facile, comedy about a good Christian girl gone…

The setting: an institutional high school in the affluent suburbs. The protagonists: two boys — intelligent, charming and smoldering — with typical suburban lives, including intact families and plenty of spending money. The plot: carnage. Assembling pipe bombs from ingredients purchased at Home Depot and commandeering shotguns slipped from the…