Ellen Page Kidnaps an Infant in Tallulah, but She Means Well

Ellen Page’s complicated onscreen relationship with children continues in Tallulah, which reverses the Juno dynamic — this time her title character wants a kid who isn’t hers. Orange Is the New Black scribe Sian Heder makes her directorial debut with the sympathetic indie, a maternal character study that loses its…

Teenage Headbangers Get a Music-Biz Crash Course in Breaking a Monster

Going viral guarantees little beyond having your fifteen minutes of fame reuploaded to YouTube in ever diminishing quality, the original video (and its impressive view count) eventually lost to time and/or takedown notices. That makes Unlocking the Truth’s second act as a signed band doubly impressive: The teen group is…

A Comparatively Nuanced Faith-Based Drama, Risen Still Preaches to the Choir

The centerpiece of Hail, Caesar!’s mid-century Hollywood satire is the eponymous film-within-a-film itself, an overwrought biblical epic in which a skeptical Roman centurion played by George Clooney has a literal come-to-Jesus moment. Risen, whose plot can be described in exactly the same way, never inspires one of its own. Co-writer/director…

I Laughed at Dirty Grandpa, AMA

Call it a dissenting opinion if you must, but Dirty Grandpa has sporadic moments of hilarity: the spontaneous “USA! USA!” chant that erupts after an out-of-his-mind Zac Efron announces to spring breakers that he’s just unknowingly smoked crack, or Aubrey Plaza commanding as foreplay that Robert De Niro, as the…

I Am Ali Offers New Footage but No New Insight

Few people on the planet have ever been as good at anything as Muhammad Ali was at boxing; fewer still have the outsized charisma to match that talent. It doesn’t seem much of an overstatement to say that The Greatest is also one of the more fascinating men of our…

The Purge: Anarchy Is a Fun House-Mirror Look at American Class War

If the Saw series taught us anything, it’s that every quasi-inventive genre movie is fated to become a yearly franchise with increasingly diminishing returns. The Purge practically cried out for this treatment from its premise alone: James DeMonaco’s film had a big idea — a near-future in which “any and…

Godzilla and Flowers: The Films of Kim Jong-il

When he died in December 2011, Kim Jong-il left behind more than a dynastic regime and a closet full of drab pantsuits. Jong-il, who ruled the hermetic North Korea from his father Kim Il Sung’s death in 1994 until his own passing 17 years later, was a noted cinephile and…

Why You Have to See The Master in 70mm

In Los Angeles, when a film is referred to as “70mm” it usually means that the Aero is playing 2001 again. New releases in the format — which, as implied by its name, is a type of film stock larger and more expansive than standard 35mm -— are relatively rare…