Too many movie tie-in collections put profits before cohesion. Tunes by widely disparate performers, most of whom just happen to record for companies affiliated with the film studio, wind up being tossed together willy-nilly in the hope that one of them will stick, thereby inducing fans to purchase all the…
OneRepublic’s Colorado connection is mighty tangential. Tulsa-born lead singer Ryan Tedder and guitarist Zach Filkins met while attending high school in Colorado Springs, and guitarist Drew Brown is from Boulder. But local fans had little to do with their rise to prominence. Indeed, the band’s been based in Los Angeles…
Eagles Don Henley, Glenn Frey, Joe Walsh, and Timothy B. Schmit may all love music, but they don’t make it collectively unless there’s a mammoth payday involved. Maybe that’s why this set, which is being released through a profit-maximizing deal with Wal-Mart, seems inspired more by commerce than art. The…
It’s lucky for Kid Rock that he’s an egomaniacal dipshit, because otherwise, his music would be about as memorable as a Molly Hatchet eight-track sans “Flirting With Disaster.” Still, the former Mr. Pamela Anderson’s good-humored salutes to his own cocksmanship — not to mention his skill at Xeroxing classic boogie…
There’s so much about Coheed and Cambria’s work that cries out for ridicule, especially the ’70s-art-rock-derived instrumental wankery and the skyscraping, get-your-Geddy-on vocals. Somehow, though, the act’s latest release works in spite of itself. No World for Tomorrow represents the final chapter of “The Armory Wars,” the epic tale of…
Magic is being hyped as Springsteen’s rocking return to his classic period, and that’s understandable: The album contains lotsa familiar musical totems, not to mention lyrics about driving a highway until the road turns black, and a diner on the edge of town (bet it’s dark there). But while Boss…
Mavis Staples may be 68 years old, but the righteous fire that distinguished so many of her rich, bottomless vocals during an extraordinary 50-plus-year career continues to burn brightly. When asked why the songs of struggle that make up We’ll Never Turn Back, her moving new CD, need to be…
Every music lover has a line beyond which material that had been intriguing becomes self-indulgent. On In Glorious Times, the Museum members don’t just cross this line; they flip back and forth over it like Carly Patterson on angel dust, daring listeners to decide from one moment to the next…
Ryan Adams was needled throughout 2005 for releasing three CDs’ worth of songs without seeming to consider whether the tunes met his standards. In interviews, Adams shrugged off such criticism, but lo and behold, he waited more than 18 months — an eternity for him — to release Easy Tiger,…
The men of Linkin Park seem awfully insecure. Minutes to Midnight is stuffed with take-us-seriously gestures, including the presence of producer Rick Rubin and liner notes that couldn’t be needier if they’d been written by Sally Field. For instance, the Parkers reveal in a footnote to “What I’ve Done” that…
Although Fall Out Boy lyricist/dreamboat Pete Wentz is inveterately verbose, his words don’t mask profundity, and that’s a big reason for his band’s success. A lot of emo acts have a limited audience because of all that freakin’ emotion. But instead of turning songs into platforms for pain, Wentz eschews…
“I write my life as it progresses, as it gets worse — whatever,” says Aaron Yates, who headlines Friday at the Marquee Theatre under his nom de plume, Tech N9ne (Blaze Ya Dead Homie opens the show). “I’m like a fan inside this cat called Tech N9ne who writes this…
The thinking-man’s-metal tag that hangs on Isis seems bad for business, but guitarist/vocalist Aaron Turner and his comrades don’t appear to mind. After all, the jacket of their new CD includes the quote (“Nothing is true, everything is permitted”) that inspired the album’s title, as well as a quasi-footnote conceding…
Massive Attack’s Robert del Naja, a.k.a. 3D, was initially known not as a musician, but as a teenage graffiti artist — yet his connection to Bristol’s underground naturally attracted him to the Wild Bunch, a DJ-driven sound system that paid homage to the Jamaican party-givers whose impromptu toasts helped birth…
Mike Patton should have worn out his welcome by now. After all, the guy’s got more side projects than he’s got sides. Yet the Good General’s music is usually interesting enough to justify its existence, and Peeping Tom’s debut is no exception. Despite the disc’s artsy concept (Patton and his…
Toby Keith may not really be a dick, but he plays one on CD. He generally comes across as ultra-smug, as if flaunting his popularity in the faces of intellectual elitists was half the fun of success. Yet the attitudinal aggressiveness that dominates White Trash is vastly preferable to the…
Chicago’s Carl Mitchell, a.k.a. Twista, isn’t a musical or lyrical innovator, but he’s got the fastest tongue in hip-hop, and his quick spitting — and the collaborators he’s attracted as a result — helps explain why his career’s on the upswing after nearly a decade in the game. His verbal…
I’ve seen the future of hippie music, and it’s called Sound Tribe Sector 9. Moreover, this phrase isn’t nearly as much of a backhanded insult as it initially appears. Sure, the Atlanta-based quintet is beloved by the I-swear-hemp-underwear-doesn’t-itch crowd. But unlike acts that spend their careers trying to rewrite “Sugar…
An Angle’s Kris Anaya knows how to stick to a theme. The name of the latest disc by his “band” (a rotating lineup of pals and co-conspirators) is We Can Breathe Under Alcohol, and to make sure no one thinks the title was chosen at random, he kicks off “Green…
The headline on the Franz Ferdinand feature in the July 30 NME reads: “Our New Album? It’s Like Nothing You’ve Ever Heard!” Well, no. In truth, Better sounds like plenty you’ve heard, either during the early ’80s or in the year-plus since the Scottish band’s debut hit these shores. Strangely,…
Anyone silly enough to believe that music journalism is populated exclusively by deep thinkers will be quickly disabused of the notion after thumbing through the Jucifer clip file. Most articles about the combo mention that it sprang from the same Athens, Georgia, scene that produced R.E.M. — an act that…
Because Los Angeles is a music-industry center, a lot of artists from the area devote themselves to conformity — yet for some strange, unexplained reason, SoCal’s underground hip-hop scene remains a bastion of originality. The Shape Shifters epitomize this contradiction. Featuring mouthpieces Akuma, AWOL One, Circus, Die, Existereo, Life Rexall,…
