Spike Lee returns to the Brooklyn neighborhoods of his most famous works — including the celebrated Do the Right Thing — with Red Hook Summer, and an early shot suggests that this trip home has reinvigorated the director. Tracking his protagonists as they navigate a courtyard in the projects, meeting…
After 10 years, seven movies, six Defense Against the Dark Arts teachers, four directors, two dead parents, one grating house elf, and incalculable amounts of CG wizardry, pubescent growing pains, budding romances, and apocalyptic fire and brimstone, we’ve finally arrived: Bespectacled Harry Potter (Daniel Radcliffe) squares off against amphibian-faced Lord…
The path of post-superstardom is a treacherous one for big-screen comedians, paved as it is with second-rate opportunities for dramedy schmaltz (See: Robin Williams in Patch Adams), wretched remakes (Steve Martin’s Pink Panther retreads), and talking-animal kiddie crap (Eddie Murphy’s Dr. Doolittle do-overs). Mr. Popper’s Penguins finds Jim Carrey choosing…
After having sunk into self-important tedium with its two most recent overstuffed installments, Pirates of the Caribbean seemed destined for permanent burial at sea. And yet the soggy franchise and Johnny Depp’s foppish rapscallion return again for On Stranger Tides — to search for the fountain of youth, no less,…
Anthropomorphizing its animal stars to a borderline-dubious degree, Disneynature’s nonfiction African Cats situates itself in Kenya’s Masai Mara National Reserve, where two four-legged mothers valiantly struggle to provide for and protect their young. On the northern side of the river that divides this gorgeous but pitiless land lives aging lioness…
A gleeful celebration of nonstop doping, Limitless offers up a dim Better Living Through Chemistry fantasy that refuses to rain on its own pill-popping parade. With long, disheveled locks and matching facial scruff, novelist Eddie (Bradley Cooper) struggles with writer’s block until he runs into his ex-brother-in-law, Vernon (Johnny Whitworth)…
Who said animation should look real? Robert Zemeckis, for one, though as evidenced by Disney’s recent closing of his ImageMovers Digital studio, he increasingly appears to be alone in that sentiment. Mars Needs Moms stands as the potentially final Zemeckis-produced motion-capture effort, and, like The Polar Express, Beowulf, and A…
