In the Company of Men is about Chad (Aaron Eckhart) and Howard (Matt Malloy), two thirtysomething white-collar execs who have recently been passed over for promotions and rejected by their girlfriends. En route to a six-week business trip at the home office, Chad, the bristlier and wilier of the two,…
Excess Baggage, Alicia Silverstone’s first feature from her First Kiss Productions, turns out to be a rather shaggy and uninvolving jaunt. As Emily T. Hope, the moneyed teenager looking for love from her emotionally distant single dad (Jack Thompson), Silverstone pouts a lot while trying to wring our sympathy. Even…
In G.I. Jane, Demi Moore’s Naval Intelligence officer, Lieutenant Jordan O’Neil, is recruited as a test case to be the first female Navy SEAL. She gets a buzz cut and loses her period. She endures the indignities of the male volunteers snickering at her in the food line. She rolls…
The cops in Cop Land carry on like a bunch of goombahs. On the take from the Mob, they mimic the Mob. The fuzzy line dividing cops and crooks is the subject of many a strong police movie, but Cop Land goes a step further–it says there is no line…
Not satisfied with the president you have? Here’s Harrison Ford’s James Marshall in Air Force One: Vietnam war hero, straight as a ramrod, devoted husband and father. We first see him delivering a speech before a roomful of Russian dignitaries. Departing from the prepared, wishy-washy text, Mr. President fire-breathes his…
A lot of ink has been shed in the press lately about the “seriousness” of the new Robert Zemeckis film Contact, starring Jodie Foster as an astronomer who receives humankind’s first extraterrestrial message. Forrest Gump made Zemeckis a guru; now he’s being primed as a philosopher king. Is it rude…
The special effects in the sci-fi comedy Men in Black are an orgy of animatronics, mechanical effects, practical effects, miniatures, computer enhancements, makeup–the whole shebang. The film’s mishmash of tones, from goofball to horrific, is equally all over the map. It has its cartoonish side, but it also has its…
The title of John Woo’s Face/Off is meant to be taken literally. John Travolta and Nicolas Cage play adversaries who swap faces. Here’s how: FBI agent Sean Archer (Travolta) has been single-mindedly tracking terrorist nut Castor Troy (Cage) ever since Castor’s botched assassination attempt six years earlier, in which he…
Bring earplugs to Batman & Robin. A pair of noseplugs wouldn’t hurt, either. The fourth installment in the Batman franchise is one long, head-splitting exercise in clueless cacophony that makes you feel as though you’re being held hostage in some haywire Planet Hollywood while sonic booms pummel your auditory canal…
Not only is The Lost World: Jurassic Park the sequel to the most popular movie ever made, but it is also the first film Steven Spielberg has directed since 1993’s Schindler’s List. He has finally won his Oscar and achieved Great Artist status in Hollywood’s pantheon of the Righteous, but…
In Children of the Revolution, Judy Davis plays Joan Fraser, an Aussie communist who sleeps with Joseph Stalin–their tryst kills him–and, unbeknown to anyone, has his child. Davis takes her character through almost 40 years of agitprop hellfire, and she has scaled her performance big. The movie, however, is rather…
In The Fifth Element, the all-knowing, all-powerful Supreme Being of the Universe turns out to be Leeloo (Milla Jovovich), an orange-haired babe in a skimpy, Band-Aid-thin mod outfit who speaks in a kind of Slavic scat and cries a lot. It’s as if the filmmakers started out to make a…
If you’re hankering to see a movie that sends up swinging ’60s London and Carnaby Street and vintage James Bond movies, don’t bother to check out Austin Powers: International Man of Mystery. What the movie mostly sends up is its star and screenwriter, Mike Myers. That’s not all bad: Myers…
New-to-movies subjects are hard to come by, but Traveller has one: the inbred world of Irish grifters living in the backwoods of the American rural South. Clannish con artists descended from Irish tinkers, they fan out across the countryside pulling bogus home-repair jobs on unsuspecting, mostly elderly folk, and rake…
Volcano is set in Los Angeles, and audiences get high watching the city crash and burn. For L.A. haters, Volcano could prove a peak experience. You don’t even have to hate L.A. to enjoy it–love/hate will do. That’s why the film closes with Randy Newman’s “I Love L.A.,” a facetious…
Remember this joke? Question: Want to know how you can lose 10 pounds of ugly fat? Answer: Cut off your head. Well, according to the press kit for 8 Heads in a Duffel Bag, the average human head–dead and drained of blood–weighs 4.4 pounds. I can’t imagine the heads of…
Kevin Smith is an impassioned jokester. The young writer-director double-whammies the audience by filling in his stick figures with thick brush strokes. His first film, Clerks, was a no-budget goof featuring an entire miniature universe of slacker goons, but its main protagonist was a sweetly jerky, lovelorn convenience-store employee who…
When Val Kilmer walked away from the Batman franchise, it was only a matter of time before he offered up his own competing brand. The Saint isn’t just his answer to Batman–it’s a full-length commercial for all the Saint movies to come. There’s a breezy effrontery in the ploy; Kilmer…
Norman Mailer begins The Fight, his great book on the Muhammad Ali/George Foreman “Rumble in the Jungle,” by writing of Ali: “There is always the shock in seeing him again. Not live as in television but standing before you, looking his best. Then the World’s Greatest Athlete is in danger…
Marvin’s Room, starring Diane Keaton and Meryl Streep as sisters who reunite uneasily for the first time in 20 years, is one of those movies about people who confront the choices they’ve made and become better people for it. Adapted by the late Scott McPherson from his popular 1992 play…
The ingredients are familiar: Donnie Brasco stars Al Pacino as a Mafia soldier and Johnny Depp as an FBI undercover agent who infiltrates the mob. But there’s a twist. Based on a true story, the film is a grunt’s-eye view of the Mafia, and it’s not remotely “operatic” or Scorsese-ish…
In Absolute Power, Clint Eastwood plays Luther Whitney, a master thief who burgles on little cat feet. He’s as stealthy as the Pink Panther pilferer, though not nearly as amusing. Luther, you see, is presented to us as an artist. We first see him at the National Gallery dutifully copying…
