Heath Ledger and Abbie Cornish play unbelievably gorgeous heroin junkies in Candy, a don’t-try-this-at-home melodrama adapted from Australian author Luke Davies’ aptly billed “novel of love and addiction.” Essentially, the film is Requiem for a Dream with a lot less of that overrated indie’s shooting-gallery pizzazz, although director Neil Armfield…

Milestone in Motion Picture History: On Halloween weekend, 2006, Saw III grossed $34.3 million to become the Iraq war era’s bloodiest chart-topping torture movie whose victims don’t include Jesus of Nazareth. God or Jack Valenti only knows how this work of pure entertainment got away with an R rating “for…

“I guess it doesn’t matter where I begin,” reasons the adult narrator of Running With Scissors, the inevitable Oscar contender adapted from Augusten Burroughs’ wacky memoir of coming out as a gay teen in his adoptive guru’s carnivalesque commune. “No one is gonna believe me anyway.” No one? In fact,…

Among documentary muckrakers, Kirby Dick may not be as righteously indignant as Michael Moore or as brilliantly droll as Nick Broomfield. But say this for the maker and star of This Film Is Not Yet Rated: He’s not afraid to soil his hands to get the story. Rummaging through the…

The old Lucas/Spielberg stunt of turning B-movie peekaboos into E-ticket thrill rides remains the industry standard — to the virtual exclusion of other multiplex fare, particularly when school’s out. But as not every kid who remade Raiders in Super 8 either gave up the dream or morphed into Michael Bay,…

Slipped into the summer movie season like acid in your Happy Meal, Richard Linklater’s A Scanner Darkly is a blockbuster of counterprogramming. No matter that the dude from The Matrix is its star — or would be, if he weren’t half-hidden under a thick swath of digital paint. Linklater’s return…

For an industry in decline, print journalism has done a fashion publicist’s job of staying in vogue, particularly among the more stylish of career-seeking college grads. Never mind telling these BlackBerry-toting eager beavers that even an unpaid gig in the field is as rare as a winning lottery ticket: The…

With ice caps melting, sea levels rising, and Poseidon sinking fast, this is no environment for any disaster movie — particularly a real one — to take our interest for granted. Thus An Inconvenient Truth, named for the super-bad news of global climate change, isn’t just another lefty doc for…

Trotted out like ol’ Trigger whenever there’s a movie with saddles and six-shooters, the term “revisionist Western” would surely be a cliché if there were enough Westerns to warrant its use more than every few years. Fact is, any movie in a genre as depressingly out to pasture as the…

Like the Grand Ole Opry plopped into a fragrant barn at the county fair, Garrison Keillor’s A Prairie Home Companion befits its roots in frosty Minnesota soil through its worldview, Buddhist by way of Scandinavia: Life is about suffering. The wind chill is below zero and so is your spouse;…

Amid brutal competition from A History of Violence, Caché (Hidden), and Last Days, the top prize at last year’s Cannes Film Festival went to L’Enfant (The Child), a Belgian drama about a 20-year-old hustler who sells his infant son like a bag of weed. The makers of this provocative movie,…

Mission: Impossible III finds Tom Cruise downplaying the world’s single greatest piece of action music in deference to an Age of Fear vibe that’s a lot more grueling than rousing. Seems Lalo Schifrin’s adrenaline-pumping “dum-dum-dum-dum-dum-dum” is now as dated as the Cold War from which it sprang; maybe the star-producer…

The Darwinian theory that schlocksploitation must tighten its twist of the nuts with each new release will be tested strenuously for years — or at least several weeks — by Hard Candy. A pointedly s(l)ick cross between Oleanna and I Spit on Your Grave, thrown like raw meat to Lions…