Baby, Get Back

Doug Sulpy and Ray Schweighardt’s book Get Back: The Unauthorized Chronicle of the Beatles’ Let It Be Disaster contains the sort of minutiae that gives a hard-on to the hard-core. The 332-page book, published last year, is less a narrative than an autopsy constructed from bootlegged outtakes made during the…

The Man of Ink

Before others could reject him, Michael Chabon had convinced himself no one wanted to read an epic novel about comic-book creators, mythical Jewish monsters called golems, New York in the 1930s, daring escapes from Lithuania, Nazis, and the Empire State Building’s elevator system. He wanted to write the book–desperately, one…

The Man of Many Face

It has often been written of Chris Guest–or, if you prefer, Fifth Baron Christopher Haden-Guest, son of diplomat Peter Haden-Guest, who could once vote in Parliament–that he has the demeanor of cold stone and the temperament of the dead. He possesses, one often hears, an impenetrable façade, that of the…

Call It ‘The Offender’

There’s no getting around it: The Contender is the most offensive movie of the year. It pretends to be high-minded even while it slings mud and semen at the audience in its attempt to make its bludgeoning point, which is: If a woman wants to ascend to one of the…

Jackie Robinson of the Jews

Too often baseball players are reduced to statistics, hollow numbers that resonate with the fetishist who drifts off to sleep counting home runs and career batting averages. Baseball demands such precision: It’s a team sport, yes, but ultimately it’s man against man, record against record, history against history. Look no…

The Dr. Is In, Out, In, Out…

Richard Gere, as Dallas gynecologist Sullivan Travis, has never been more likable onscreen, perhaps because he’s never been more human, more vulnerable, more there. After so many years of so many duds, after so many years of playing ladies’ man to little girls (and the recent Autumn in New York…

Shut Up, Jeremy!

Right now, someone at Epic Records’ New York offices is laughing, thinking about the two fools at New Times who shot off their mouths and shot themselves in the foot. I’ll admit, it sounds stupid now: Listening to 25 live albums . . . by the same band . …

“Look! I Made This!”

A cold breeze blows through an open window, and a football game silently unfolds on the television screen. The old man sitting on the couch regards the game with mild interest, though not long ago, football was his passion, a way of pocketing a little scratch during those long stretches…

Limited Engagement

Meet the Parents has just enough class to make for prestige pop: Robert De Niro as star, Randy Newman as composer, Blythe Danner as wallpaper, Ben Stiller as schmuck. It has just enough “comedy” to qualify as crowd-pleaser: sight gags (Stiller chasing a cat across a roof before setting fire…

Slobberbone

The best thing about being a fan from way back is experiencing the delight of listening to a young band become better than you ever imagined. It’s easy, after all, to fall in love at first sound; there’s the thrill of getting turned on to a singer or a song…

David Bowie

David Bowie is the Peter Sellers of rock ‘n’ roll: He’s all blank slate, the chameleon who adapts to his surroundings without actually adopting an identity. He commits only to schlock, tailoring the disguise — mod rocker, dickless spaceman, fashion faux pas — to fit the delivery, which is somewhere…

Rock and a Hard Place

John Wesley Hall believes justice is a myth taught in classrooms, a fable found in law books, as imaginary as the unicorn and the mermaid. The Arkansas attorney mentions case after case in which he represented an innocent who wound up imprisoned or, worse, executed; in the course of a…

Grid and Bear It

Remember the Titans — based on a true story about how a football team brought together the segregated town of Alexandria, Virginia, in the early 1970s — is the first film from producer Jerry Bruckheimer’s Technical Black production company, which is meant to offer more contemplative and slower-paced films than…

Backstage Past

“This song explains why I’m leaving home and becoming a stewardess,” says Anita Miller (Zooey Deschanel) to her well-meaning, overbearing mother, as the soundtrack begins to swell with the low hums of Paul Simon and Art Garfunkel. Just a few seconds earlier, Elaine Miller (Frances McDormand) had insisted she wouldn’t…

Almost Famous

At first, you don’t want to admit it, because it seems somehow wrong–just too easy. After all, the woman on the other end of the phone line is not that woman seen every Sunday night on HBO, lamenting the sad, sorry state of her love affairs. She’s not an actress…

Hook, Line and Stinker

It’s unfortunate the title Being John Malkovich has already been taken, as it’s a far better one than Bait — and far more appropriate, to boot. As Bristol, a computer expert, wily thief and cold-blooded killer, Doug Hutchison is the human sampling machine. His is a routine cobbled together from…

A Fan’s Notes

Almost Famous is the movie Cameron Crowe always wanted to make–and the movie he tried to keep from making as long as he could. The writer-director insists he didn’t want to make a film about his wonder years as a Rolling Stone writer in the 1970s, because he didn’t want…

Silent Gunning

This is the beginning of The Way of the Gun you will not see, because it was written but never filmed: Two men, Parker and Longbaugh, urinate in an open grave in front of mourners, beat up a priest, steal organs meant for transplant and shoot a dog. The introduction,…

School’s Out

A month ago, R.J. Cutler thought he found a home for his child, one that would coddle and nurture his baby until it was ready to stand on its own two legs without wobbling or falling. A month ago, it all seemed so simple to the Oscar-nominated producer-director, who was…

The Band

For far too long now, The Band has rested on the dusty shelves of musty intellectuals who treat the works of Robbie Robertson, Levon Helm, Garth Hudson, Richard Manuel and Rick Danko as though they’re history lessons instead of rock songs. Punch up one wonderful Web site devoted to The…

Kids’ Play

What you see before you — two brothers sharing a stage in front of the adoring handful, two boys singing songs about football, their grandfather’s birthday and doing the dishes — is the opening few minutes of any episode of VH1’s Behind the Music, the happy tale before it mudslides…

Write and Wrong

Success is relative in Hollywood, like a third cousin twice-removed who doesn’t recognize you at family reunions, and doesn’t care to. Fame is so fleeting it has a month-by-month lease. Six years ago, Christopher McQuarrie was as famous as any screenwriter on the backlot known as Los Angeles. He had…