Fatal femmes

The following is a list of women who have been raped, mutilated, tortured, enslaved, crippled, or murdered–and quite often, all of the above. In some cases, these women have also suffered miscarriages, been rendered infertile, contracted horrific diseases, and gone insane. Some of them have even been killed twice, perhaps…

Dawn of the Dead

This was to be a column extolling the daring and inventiveness of a very groovy Sci Fi Network television show called good vs. evil, in which two dead men, a fro-sporting, cool-spouting brutha and his pale-faced partner, try to save the souls of those who have made Faustian deals with…

The Final Cut

Peter Becker is the most important man in the movie business, even though you have no idea who he is. Becker himself would not cop to such a description; he, like few else in the business called show, does not put himself before the work. To describe what he does…

Net Loss

Love & Basketball is divided into four quarters; thank God there’s no overtime. The directorial debut from writer Gina Prince-Bythewood, who once penned scripts for A Different World and Felicity, is a film built upon transitions so weak and obvious it’s astonishing the entire thing doesn’t collapse on itself. You…

Geek love

The voice-mail message begins with the caller identifying himself in a clear, sharp tone: “Hey, this is Chris Thompson, executive producer of Action and Ladies Man, and I hear you’re trying to get a hold of me…” Long pause. “For some ungodly reason.” Then, in a split second, the voice…

Fatman and slobbin’

A mildly retarded man who works in a grocery store believes he is Batman, the Dark Knight on a mission to free Gotham City from the clutches of The Joker. An actress playing the role of Wonder Woman becomes a spokeswoman, then scapegoat, for the Commie witch-hunters working for the…

The Redemption of Bret Easton Ellis

Even if you have devoured every word about the cinematic adaptation of Bret Easton Ellis’ 1991 novel American Psycho, about a Wall Street yuppie obsessed with using skin-care products and devouring the entrails of prostitutes, you have not read this one particular fact. And it is a fact. No one…

Shock Portfolio

It’s quite possible that American Psycho is a brilliant movie. It’s also quite possible that it’s a dreary, obvious chop-’em-up dressed in Alan Flusser suits and Ralph Lauren boxers, drenched in Pour Hommes after-shave, all to disguise it as bracing satire on the greed-is-good ’80s. The option audiences choose to…

Squeaky Queen

From its opening moments, The Road to El Dorado looks and sounds oddly out of time, as though it were removed only yesterday from a time capsule sealed and buried in 1972. With its Peter Max visuals and Elton John vocals, it’s a decidedly unhip piece of work — Starlight…

Cult of the Darned

Not so long ago, The Skulls would have starred Tom Cruise — but in which role? He could have been either lead; the one he didn’t choose could have landed in the lap of James Spader or Rob Lowe. One can easily imagine Cruise as Luke McNamara, the beefy, rough-and-tumble…

Plain Folk

There are more people outside the club than in it. Dozens of them loiter about as they try to catch a whiff of what’s cooking behind those closed doors. They lean against the outside walls, putting their ears to the bricks to hear just a little of what’s going on…

Cups and Roberts

The film is called Erin Brockovich, but it might as well be titled Julia Roberts. Never before in the actress’s erratic career has a film been so custom-made for her; it’s as though a screenwriter has been replaced by a seamstress who knows Roberts’ every curve. No matter that she…

A Heartbreaking Work of Death and Embarrassment

A man in his 30s sits down to write his autobiography. He knows that doing so is a rather silly proposition. After all, what does a man in his 30s know? What has he lived through worth retelling? What experiences can he recount, what knowledge can he impart, that others…

2000 Wan

The creationists are going to have a field day with this one. Oh, it’s not as though it’s possible to spoil the plot for you: The trailers for Mission to Mars reveal everything but the end credits. It would be almost impossible to set foot into the theater without knowing…

Plan 9 From Garry Shandling

Garry Shandling does not have a face for the big screen. He has a mug that seems to spread to the edges of the theater; it’s like an approaching storm front, a sky full of billowing clouds roaring in from the north. And it’s a face built for two emotions:…

What Ails Him?

It would be so easy to dismiss The Cure as a band that has outlived its usefulness, that exists long beyond its expiration date. Its best, or at least best-known, moments live in another time, one long since past — the 1980s, to be precise, back when “Let’s Go to…

Desperately Seeking Susann

The subject matter is surely the stuff of which can’t-miss movies are made: Jacqueline Susann, author of the best seller Valley of the Dolls and other jerk-off (pardon, “maddeningly sexy,” to quote Helen Gurley Brown) classic lit. There was nothing at all pedestrian about the woman who was regaled in…

Various artists

This probably seemed like a good idea back in the old days, when the world gave a steaming crap about Oasis: Bros Noel and Liam Gallagher would assemble and bookend a tribute to their rave fave that isn’t spelled B-E-A-T-L-E-S, then release it a month before their own long-awaited third…

Oh, Mann

If Aimee Mann had sold one album for each word written about her, she’d make Alanis Morissette look like the struggling indie artist she probably ought to be. Nobody gets more press for having done so apparently little: one hit a very long time ago (“Voices Carry,” back when Mann…

The Forever Frown

It only grows bigger the further away it moves; object in rearview mirror may be smaller than it appears. After all, it was only one album, one small collection of songs — many of which have been officially released over the years. Who’s to say how the world might have…

Still Swingin’

Once, during the early 1980s, Ray Benson and Asleep at the Wheel tried to escape from the enormous shadow that had blanketed the Western swing band since its 1973 debut album, which featured the immortal Bob Wills cut “Take Me Back to Tulsa.” The Austin-based band had run into a…

Flinch KISS

Do not be fooled: Gene Simmons, Paul Stanley, Ace Frehley and Peter Criss receive top billing in Detroit Rock City, but KISS doesn’t actually appear in the film until its final three minutes. And when they do show up, clad in their de rigueur leather-and-greasepaint get-ups, it’s simply to perform…