Citizen’s Arrest For Wayne Kramer’s Tasteless Crossing Over

Haven’t we been here before? The inbred mutant offspring of Crash and Babel, writer-director Wayne Kramer’s Crossing Over treats the subject of illegal immigrants coming to (and from) Los Angeles with the same vulgarity that Kramer brought to his 2006 children-in-peril thriller Running Scared, this time (barely) concealed under a…

Sundance 2009: Less Money, Fewer Hits

What is the shape and size of a human soul? Does it look like a chickpea? A gumdrop? A pet rock? And if you could somehow extract your soul from your body, what would be left? Would you still be you? These are among the concerns taken up by writer-director…

In The Wrestler, Mickey Rourke Climbs Back in the Ring

“I hated the ’90s. The ’90s fuckin’ sucked,” says professional wrestler Randy “The Ram” Robinson early on in The Wrestler — and he should know. Over the hill and past his prime — his steroidal body a palimpsest of battle scars, his graying hair dyed a Nordic blond — Robinson…

Tom Cruise and Bryan Singer on Valkyrie

It’s July 20, 1944, and Adolf Hitler has been assassinated — the victim of a bomb blast organized and executed by a cabal of high-ranking German army officers seeking to wrest control of the country away from the Third Reich and, with luck, bring an end to World War II…

Brad Pitt Ages in Reverse in The Curious Case of Benjamin Button

The Curious Case of Benjamin Button is certainly curious — a modest F. Scott Fitzgerald story, about a man born in the twilight of life and gradually regressing toward dawn, that has been adapted into a two-ton, Oscar-season white elephant. Directed by David Fincher from a screenplay by Eric Roth,…

In Gran Torino, Clint Eastwood Finds Salvation

Walt Kowalski growls a lot — a dyspeptic rumble that wells up from deep inside his belly when he catches sight of his midriff-baring teenage granddaughter text-messaging her way through her grandmother’s funeral, or when his good-for-nothing son and daughter-in-law suggest that he sell his house in a gang-infested corner…

In Slumdog Millionaire, Bollywood Meets Hollywood

Who Wants to Be a Millionaire? Well, who wouldn’t in this economy, even if the currency in question is rupees and winning the loot means being pegged as a fraud, getting a firsthand education in “enhanced” interrogation methods, and having to relive some of the most painful moments of your…

In Synecdoche, New York, Art Imitates Life Imitating Art

If you traveled the length of John Malkovich’s medulla oblongata, hung a sharp left at the desk where Beckett’s Krapp recorded his last tape, and walked through the adjoining door of the interstellar hotel room at the end of 2001, you might end up somewhere in the vicinity of Charlie…

Oliver Stone on W. and the President Who Would Be John Wayne

Sitting in the back of the restaurant at New York’s über-chic Royalton Hotel in an orange polo shirt and khakis, Oliver Stone looks out of place among the bed-headed hipsters otherwise casing the joint (unless, perhaps, he’s instigating his own, retro-Yale fashion trend). Given that the perfectionist director, who has…

Miracle at St. Anna: Spike Lee’s WWII Drama Is an Epic Bore

On some level, you’ve got to hand it to Spike Lee. There are probably less than a handful of directors working in Hollywood today who could put together the financing for a three-hour war movie lacking any marquee names and performed largely in Italian and German with English subtitles. Spielberg…

Will Ferrell doesn’t wanna grow up in Step Brothers

I haven’t seen much at the movies in the past two years that has given me as much unbridled comic pleasure as the sight of Will Ferrell as the win-at-any-cost NASCAR driver Ricky Bobby, calling on Jesus, Tom Cruise, and Oprah Winfrey to put out the psychosomatic flames engulfing his…