Al Pacino, Barry Levinson, and Philip Roth Stare Down the End

There’s something bracingly honest about The Humbling, Barry Levinson’s movie about a 67-year-old Shakespearean actor, played by Al Pacino, who, after being struck with crippling anxiety, gets his mojo restored — some of it, anyway — by a manipulative muse (Greta Gerwig). Based on the 2009 Philip Roth novel of…

Blackhat Is Another Exercise in Style but Not Much Else

Anyone who loves Michael Mann movies, or even just the idea of Michael Mann movies, accepts that film style is a language and something more, a way of thinking, feeling, and looking that goes beyond basic plotting, dialogue, or character motivation. I can tell you pretty much everything that happens…

A Most Violent Year Never Quite Summons Rough Old New York

The world needs fewer tasteful movies about distasteful things. It definitely doesn’t need J.C. Chandor’s A Most Violent Year, in which Oscar Isaac plays a nouveau-riche heating-oil baron in early-1980s New York, striving to maintain his principles amid industry corruption and generally scummy behavior. Isaac’s Abel Morales skulks through most…

Ava DuVernay’s Urgent Selma Speaks to the Now

Describing Ava DuVernay’s quietly remarkable Selma to a friend, I caught myself referring to the Civil Rights Era as a historical event, a thing of the past, and then backtracked. The killing of Michael Brown, Eric Garner, and Tamir Rice at the hands of police officers — not to mention…

Reese Witherspoon Hoboes Through the Winning Wild

For reasons that are perhaps understandable, stories about women finding themselves — or their voices, or their inner courage, or any number of things that are apparently very easy to mislay — are big business. But even if Cheryl Strayed’s hugely successful 2012 memoir Wild: From Lost to Found on…

Horrible Bosses 2 Is the Comedy the First Should Have Been

The third-greatest scourge of the earth, right after online comments sections and bedbugs, is the unfunny comedy sequel, which may be why you think you should skip Horrible Bosses 2. The miraculous surprise is that Horrible Bosses 2 isn’t terrible at all. It’s looser, breezier, more confident than its 2011…

Jarvis Cocker and Pulp Go Home in an Engaging Doc

When I was a kid in upstate New York, I’d hear Petula Clark’s “Downtown” on the radio — a song about the promise of glittering lights, “movie shows,” and all the excitement and dazzle adult life had to offer — and revel in the anywhere-but-hereness of it all. That’s not…

Dumb and Dumber To Is Missing the Original’s Magic Idiocy

In the mid 1990s, self-appointed cultural gatekeepers used to wield Peter and Bobby Farrelly’s Dumb and Dumber as proof of the deterioration of film artistry. Those people hadn’t, of course, actually bothered to see the movie, and thus had no sense of its peculiar, sweet-spirited, un-toilet-trained brilliance. Times have changed,…

Showbiz Drama Beyond the Lights Is Familiar Yet Cutting

Tales of fame and its trappings — and the way they’re never enough to build a life — are as old as show business itself. Maybe for that reason, almost any story about discovering the hollowness of fame is often written off as a cliché. But what’s the difference, really,…

Stephen Hawking’s Marriage Makes for Wise but Glossy Drama

If the universe is infinitely finite, an entity whose mystery is knowable only through an evolving progression of theories and equations, it’s nothing compared to a marriage. Every marriage or long-term partnership is knowable only to the people inside it — and sometimes not even then. The Theory of Everything…

Whiplash Offers a Painful and Joyous Jazz Education

Jazz isn’t dead. Miraculously, there’s always a small but steady stream of young people who continue to fall in love with this most dazzling and elusive American genre, spending hours, days, and months running ribbons of scales and memorizing Charlie Parker solos in the hopes that some of the alto…