The audience that shows up for a comedy is the most tyrannical of all. Their very presence is the equivalent of a schoolyard bully’s challenge: “Go ahead — make me laugh.” Which is why there’s danger in following up a hit comedy with a sequel, even nine years after the…
Folk music is supposed to be the music of the people. Yet at the heart of Joel and Ethan Coen’s Inside Llewyn Davis, set in New York in the winter of 1961, is a folk singer with no feeling for people. Llewyn Davis, played by Oscar Isaac, is a broke,…
The big problem with pinup queen Bettie Page — maybe the only problem — is that her image inspires so many easy bromides about how she made sex seem fun and playful, and how she’s a great role model for modern women who want to feel comfortable with their sexuality…
The life of Russell Baze, a steelworker in a Pennsylvania town just outside of Pittsburgh, may be drab and dreary, but he’s a good, hardworking man with a loving girlfriend. His younger brother, Rodney, has it tougher: A war vet suffering from PTSD, he hasn’t been able to re-adjust to…
A favorite pastime of those who love Asian film is to carp about Hollywood’s annoying tendency to lay claim to and defile their favorites. But Spike Lee’s Oldboy is the remake that came too late, so benign and unmemorable that not even people who loved Park Chan-wook’s 2003 original will…
It’s possible to love a work of art, a piece of music, or even a comic strip to the point of near-speechlessness. That’s the problem with Joel Allen Schroeder’s heartfelt but largely inarticulate documentary Dear Mr. Watterson, which tries to capture the almost mystical appeal of Bill Watterson’s newspaper strip…
It says something that two of the biggest sensations in young adult literature over the past 10 years have featured heroines who keep more than one guy on the line at a time. No longer do the genre’s bright young women sit around waiting for one Mr. Right to notice…
From the mid-1990s to somewhere around 2006, Hollywood bankrolled a number of romantic entertainments targeted to — though not made exclusively for — black audiences. Pictures like Love Jones, Brown Sugar, How Stella Got Her Groove Back, and Something New provided a showcase for actors of color, a refreshing change…
It had to happen: There’s so much voiceover narration in today’s movies, so much needless verbal play-by-play, that it was only a matter of time before somebody made a picture narrated by that life of the party himself, Death. The Grim Reaper delivers the opening monologue of The Book Thief,…
Weight-loss and weight-gain performances are tricky things. Robert De Niro’s heavily mannered turn in Raging Bull just has to be great — he gained 60 pounds for it, didn’t he? For his role in The Machinist, Christian Bale dropped to a sub-skeletal 122 pounds; he looked like a walking, talking…
Richard Curtis has so much to tell us about life. Seize the day! Show people you love them before it’s too late! Don’t let the right one get away! His movies — those he writes, directs, or both — are so packed with info-feeling that they become restless jumbles of…
Attention, children! Thanksgiving will soon be upon us, and unless the cook in your household provides a vegetarian option, that means turkey — a bird that has been raised to be axed, packaged, and raced to your grocer’s freezer, ultimately to wing its way onto your family’s table. There it…
One of the tragedies of the Internet age is that sometimes movies get attention for all the wrong reasons. When Abdellatif Kechiche debuted Blue Is the Warmest Color in Cannes in May, the festival jury was so taken with the film and its two lead performances that it split the…
The inability to have a child is often treated as a “white people problem,” the province of middle- and upper-class couples who end up resorting to expensive fertility treatments. But Andrew Dosunmu’s supple, observant drama Mother of George puts a different spin on the issue: A woman who longs for…
Tom Hanks has built a career out of playing aggressively noble roles, so it’s only natural to want to see him taken down a peg. But it’s no fun to watch him suffer at the hands of Somali pirates in Paul Greengrass’ true-life adventure Captain Phillips. Hanks plays the commander…
Some movies are so tense and deeply affecting that they shave years off your life as you’re watching, only to give back that lost time, and more, at the end. Alfonso Cuarón’s Gravity is one of those movies. Sandra Bullock and George Clooney play astronauts — one a medical engineer,…
When a relatively young actor dies suddenly, as James Gandolfini did in June, it’s tempting to wonder about the roles he’ll never get to play. When we didn’t know we’d be losing him so soon, it was always fun to see Gandolfini show up, a casual surprise: In 2012 alone…
To paraphrase the Bee Gees, Joseph Gordon-Levitt should be dancing. He’s already done it in (500) Days of Summer, where he led an exuberant ensemble routine that out-Dr Peppered any Dr Pepper commercial. Then there was his smashing Saturday Night Live re-creation of Donald O’Connor’s “Make ‘Em Laugh” — like…
It’s 1976, a year when all the groovy girls are traipsing around in tiny suede skirts and all the cool guys have Badfinger hair. One of those guys was English racing driver James Hunt, the charismatic rapscallion who won that year’s Formula One World Championship — the embroidered badge on…
The late, great Elmore Leonard advised writers never to open a book with weather. Does a lightning storm count? Recently, I was welcomed to Venice, where I’m just settling in for http://www.labiennale.org/en/Home.html?back=true”>the 2013 edition of the city’s film festival, with a spectacular lightning storm over the Grand Canal. This is…
In 1953, the Venice Film Festival jury didn’t award its top prize, the Golden Lion. Instead, it made the highly unorthodox decision to award the second-place prize, the Silver Lion, to six films, among them I Vitelloni and Ugetsu. How did I know this? To celebrate the festival’s 70th edition,…
Intricate, intelligent thrillers made specifically for grownups are so rare these days that it’s tempting to award extra points to anyone who even scales an attempt. Tomas Alfredson’s 2011 John le Carré adaptation, Tinker Tailor Soldier Spy, may have been the last great example of an adult thriller that refused…
