EIGHT-TRACK MIND

Gary Martin’s eyes are getting big again. They tend to do that when Martin shows off his music collection. He’ll point with passion at familiar recordings from the classic-rock era. He’ll wave his arms and give pithy sermons on the merits of fusion-jazz titles from the early Seventies. Gary Martin’s…

WHEN LESS IS MOREGETTING SMALL WITH TERRY RILEY, INVENTOR OF MINIMALISM

Throw a rock at any group of music fans and you’ll likely hit someone who claims to enjoy minimalism. Someone who’ll rattle off the charms of a three-hour, “plink-plink” piano piece and act bemused if you don’t agree. He’ll blather on about spirits set free by minimalism’s incessant repetition, using…

CHANTS OF LIFETIMESOME BROTHERS FROM SPAIN ARE BRINGING BACK THE OLDIES

The record company is “shocked.” Classical-music minds call it “freakish.” Skeptics are crying “fad,” and cynics are thinking “Faust.” The hubbub concerns an inexplicably best-selling CD of Gregorian chant performed by a heretofore little-known group of Benedictine monks in Spain. The CD is titled Chant, and quite simply, it consists…

WONDERLUSTTHE WONDER STUFF–BRITAIN’S EMISSARIES OFPOP AND BILE

It’s not easy being a horse’s ass. It certainly hasn’t been easy for Miles Hunt. The lead singer and chief wise guy for England’s alterna-pop band the Wonder Stuff has developed quite a rsum as a snotty, grade-A jerk. “I pay no attention to it, really,” Hunt sniffs. “It’s just…

BOXING YOUR EARS

Good things come in small packages, as the saying goes, but at Christmastime, big packages look a whole lot better under a tree than little ones do. Back in the old days, when Santa left a 12×12 LP, it was a mouth-watering sight the next morning. Sure, CDs may sound…

BUZZCOCKS RELOAD

Steve Diggle’s name-dropping again. The Buzzcocks’ guitarist is lounging around a Cleveland hotel room, telephone in hand, mentioning how he’s still “mates” with Clash co-founders Joe Strummer and Mick Jones. “I run into them in clubs now and then,” Diggle says, shrugging. “It’s always a pleasure to see em.” Diggle’s…

SUEDE BY HYPE HEROES AT HOME, ENGLAND’S LATEST POP FAD TESTS AMERICA

Hype can be a beautiful thing. A peculiar beauty, to be sure, but perversely attractive in a variety of ways. Hype is especially awe-inspiring in the music business. An overactive promotions department, assisted by a fawning, wide-eyed media, can turn even the most pedestrian of poseurs into front-page news with…

BARTHOLOMEW’S RHYTHM AND BLUES CRUISE

Various Artists The Genius of Dave Bartholomew (EMI) Smiley Lewis The Best of Smiley Lewis: I Hear You Knocking (EMI) One listen is all it takes to understand why New Orleans music dominated the R&B charts in the mid-Fifties. With its steady backbeat, wailing sax breaks and bluesy vocals, it…

THE BEST OF NINETEEN NINETY TUNE

After 365 days and nearly that many albums listened to, the Sun Tracks staff (with a little help from their friends) gets serious and decides on the best of 1992. Robert Baird Sun Tracks editor 1. Jimmy Scott, All the Way (Reprise). Album of the millennium. Lured out of retirement…

DADA KNOWS BEST

“I don’t want to be just a drummer,” says Phil Leavitt, the accomplished if reluctant stick figure for promising new pop band Dada. “Songwriting is what’s ultimately important to me. Drums are just an instrument I grew up playing. It doesn’t matter to me what other drummers are doing, who’s…

BORN TO BE BAD

Green Jello may be the absolute worst band ever to sign a recording deal. And that may be too generous. The lead singer can’t sing. The band can’t play. And what’s worse, the Green Jello song list is an utterly inane collection of insipid, sophomoric, neonovelty songs based on the…