Nightlife

The DIY dive bar concept has been done to death. Still, Yucca Tap Room has flourished for perpetuating that model with ample heart and a little twist. On the surface, it’s an average-sized bar run by great people slinging a bevy of beers and cocktails. But there’s something about the spacing of the bar in relation to the stage that readily transforms most concerts into sweat-soaked extravaganzas from the tiniest basement imaginable. (Which means when you’re done rocking out atop your friends and neighbors, enjoy a little leg room at the rest of the bar.) By fostering that specific mood or aesthetic, the venue’s become a haven for punk fans. Nearly every local band and regional act have made their way to Yucca, and that deep reputation and sense of history is infused into the very walls. It’s why you know whatever the day and whichever band is headlining, it’s going to be some act with heart-on-their sleeve authenticity and angst galore. So come for the experience of a proper punk show and then stay for the powerful sense of community afterward (and maybe a few drinks).

You know the old adage “Don’t judge a book by its cover”? Boycott Bar is the personification of it. Situated between an auto shop and an antique store, the bar’s seemingly random location hides the truth — this bar is a ton of fun. From hosting the “Gay Olympics” featuring local sporting teams, to Jell-O shot parties, Boycott’s special event game is on point. But even normal Friday and Saturday nights at the bar are magical. As millennials, nothing gets us going like 2000s reggaeton and hip-hop records being spun while go-go dancers shake their groove thing on top of the bar. Of course, Boycott’s affordably priced pizza and strong drinks aren’t too shabby either.

Right-wing lawmakers at the Arizona State Capitol spent much of their 2023 session attacking drag queens. Thankfully, Phoenix’s vibrant drag scene didn’t miss a beat, entertaining us despite the truckload of hate dumped on them. That perseverance to perform is best seen on Fridays at 10 p.m. with 4Some Revue and its cast of queens Gia, Joey, Toothpick, Salem and Mynx. Kobalt, which opened in 2006, is popular for its karaoke. But the show lineup stretches across four nights and 4Some Revue is the highlight. Special guests often join the local performers to spice up the weekly show. The patio offers open seating, but snag a reservation online for seats inside near the stage. It’s the perfect way to start your weekend.

The oldest gay bar in Phoenix (est. 1971) has the kind of decor that makes it look like a hybrid pop culture curio shop and an antique store. There are old gas pumps and vintage signs, a chandelier made of plastic penises and dripping with naked Ken dolls, stuffed animals, various lights and sirens, an old Coke machine and much more — way more than a few sweeps through this dark and lively bar could ever reveal. We recommend stopping by for a cocktail from the full bar or a game of pool, but make sure to look around when you do. You’re bound to stumble upon something you haven’t seen before.

What Last Exit Live may lack in size, it more than makes up for in reputation. Brannon Kleinlein’s South Phoenix venue is known around town for being a great place for musicians and fans. A peek at the calendar shows an eclectic lineup of local, regional and national acts most nights of the week. The audio engineers make sure the acts onstage always sound great and the friendly bartenders keep the drinks flowing. Last Exit Live’s impact doesn’t stop at the parking lot, either. It’s one of the organizers of this fall’s inaugural Luna Del Lago Festival, a three-day event happening at Pleasant Harbor at Lake Pleasant. If it’s as good as everything else Last Exit does, it’ll be a must-see.

Why does The Van Buren deserve to be tops in this category yet again? Simple. The 1,800-capacity live music hub in downtown Phoenix is the gold standard for local midsize music venues with amenities geared toward the concertgoing experience and ambiance to spare. Excellent sightlines, great acoustics and an even better sound system mean you’ll see and hear everything perfectly. Classy and historic touches throughout the circa-1930 building, like its glass chandeliers, desert murals and exposed rafters, add to the vibe. The adjacent Ziggy’s Magic Pizza Shop and Stardust Pinbar allow both preshow bites and post-show drinks. Even the venue’s status as part of Live Nation’s empire of owned and operated concert spots could be considered a plus, as it helps populate The Van Buren’s varied calendar with a parade of big-time artists and acts — including such names as Bebe Rexha, Killer Mike, Tove Lo, The Drums and Crumb. For this and every other year, The Van Buren deserves the nod as the best in town.

When referring to this beloved downtown venue, it might take a minute to recall its current moniker. Now on its fourth name since opening in 2002, it has formerly been Comerica Theatre, Dodge Theatre and the Arizona Federal Theatre. Despite the multiple name changes, the downtown venue has made quality a consistent component of its operation. A top-notch place to catch touring — and some local — acts, the theater seats 5,000 attendees but maintains an intimate vibe, great acoustics and a convenient location within walking distance of a number of the city’s best restaurants and bars. The programming is loaded with a broad mix of musical acts from different genres and comedians, theater show, and circus performers each year.

Massive events require a suitably massive venue, and State Farm Stadium in Glendale not only has the requisite space but a track record for hosting larger-than-life spectacles. Since its debut in 2006, the 64,000-person facility and home to the Arizona Cardinals has been the site of three Super Bowls, a Final Four and even a WrestleMania. But where it really shines is when superstar recording artists bring their stadium-sized concert tours to the venue. Guns ‘N Roses, Garth Brooks and Kenny Chesney have all staged super-sized shows here; U2, Metallica and the Rolling Stones have each done it twice. In the last year alone, Taylor Swift kicked off her record-breaking Eras tour with two showstopping concerts in March at the stadium while Beyoncé put on a memorable (though glitchy) performance during a stop on her Renaissance tour in August. The enormous size of State Farm Stadium adds to the over-the-top atmosphere of such shows, helping them feel all the more epic for those in attendance.

The jukebox at Gracie’s Tax Bar is a true local legend. It’s won this award already on a handful of occasions, and rightfully so. Not only is it cheap — $1 for three plays, 20 songs for $5 — but it’s filled with old-school faves in an ever-changing lineup. (At one time, you could play both Prince and Television.) What makes this jukebox a proper institution isn’t just the song choices or prices, but what it represents. Owner Grace Perry used to front the local metal outfit Landmine Marathon, and as such a jukebox isn’t just another amenity like half-off well drink specials but an integral part of the bar’s DNA. It’s like an old regular you’d see every time you walk in the door, and that glowing presence reminds you of why you’ve come here every single time. It’s the jukebox that sets the mood and tone for Gracie’s, and whatever old-school classic is playing, you can be sure that it fosters an unassuming good time with friends and neighbors alike. So when you’re there, drop in at least a $5 bill and you won’t just enjoy some tunes, but the very sound of life and art and culture coming together as one.

The basement space at the corner of Fifth Street and Mill Avenue in Tempe has been a piano bar since time immemorial (or at least the last couple of decades). But Beeloe’s and The Big Bang have passed off the scene, and Low Key Piano Bar has been occupying the space for nearly a decade. If you’re not familiar with the piano bar concept, it’s where a small group of musicians perform covers of popular songs on the piano and other instruments. The crowd can make requests and sing along, and the whole vibe is one of pleasant banter and good cheer. It’s fun for pretty much everyone, which is why on any given evening you may see a pack of ASU students, some out-of-town businessmen and a 60th birthday party singing along to everything from Cardi B to Elton John. Just remember to tip the musicians.

The ’80s retro nights don’t happen all the time, especially considering the number of other such nights at clubs elsewhere. But they’re extra special at Stacy’s @ Melrose — and not just because they’ve always got some decent music choices. No, what makes these themed events, and really any other such festive outings, so effective is that Stacy’s itself is so steeped in history that it exudes that mix of nostalgia and connection to the past in a way that other clubs could never fully muster. That rich sense of history is adorned across every part of Stacy’s, from the unabashedly Gothic design choices (true style and coolness will never fade) to the line of signature cocktails (having both a caipirinha and basically a Long Island iced tea on the menu just screams “deeply ’80s” in the best way possible). It’s an attitude and a commitment to this long-standing community that informs the kind of joy and celebration that might be delightfully kitschy but will also never truly go out of style. Plus, where else can you sing Madonna karaoke and have it be fully appreciated as a proper art form?

It’s hard to decide what’s most important and charming about The Trunk Space. It could be that it’s been a part of the local landscape for so many years, and as such has helped define the arts scene in downtown Phoenix. Or, that it’s a haven for truly weird and progressive music both from our own city and from touring artists seeking a place to show off. It may also be that it’s housed in Grace Lutheran Church, which adds a certain endearing charm and significance to the already weird space. But one of the biggest reasons it’s so important to this city, and to the very fabric of local arts and culture, is the people. Trunk Space is run entirely by a board of dedicated volunteers, and they work together with meager budgets to book the best events and lineups possible. In that way, you can meet and engage one-on-one with the people who are working tirelessly to both entertain the masses while uplifting our city as a haven for deeply important music and performance art. There’s lots of charm and heart across the foundation of The Trunk Space, but it’s the people who remind us of why this venue will always matter.

The Rhythm Room has been the first and last word in blues music in Phoenix for much of its 32-year history. Open since 1991, it’s become a local institution and Valley treasure to aficionados of the genre. A nonstop parade of blues and R&B greats have graced the joint over the decades, from world-renowned artists like the late Bo Diddley and R.L. Burnside to local legends like Hans Olson and Bill Tarsha. Admittedly, the setup hasn’t changed much at the no-frills venue, as longtime owner Bob Corritore, a veteran harmonica player and host of KJZZ’s “Those Lowdown Blues,” has kept things straightforward with a stage, seating area, bar, dance floor and not much else. The focus has always been on the music and the people playing it, Corritore tells Phoenix New Times. As singer-songwriter Whitey Morgan, who performed at The Rhythm Room in 2015, once sang, “If it ain’t broke, don’t fix it.” We certainly wouldn’t and neither would any of The Rhythm Room’s regulars.

Off the beaten LGBTQ+ path sits Bar1, an upscale spot with a casual neighborhood feel. Whether you’re in the mood for weeknight drink specials or a lively Sunday Funday, Bar1 offers a fun atmosphere and diverse crowd. Husbands Todd Colin and Todd Christensen run the pet-friendly place, which opened in 2008. You’ll be greeted by pool tables at the front with darts off to one corner, a bar that runs nearly the entire length of one wall, and a lounge with plush furniture in another corner. Thanks to swamp coolers and well-placed vegetation, the spacious patio is a comfortable escape nearly year-round — and a good spot for smoke breaks. Two windows provide access to bartenders so you’re never far from the cocktails. Bar1 is a quick drive from the strip of LGBTQ+ bars in Melrose, yet feels like it’s a world away.

Despite being the fifth-largest city in the U.S., Phoenix has never really stopped being cowboy country. Country music is wildly popular here, and there are plenty of joints where you can stop in and hear a twang or two. But mostly, we find ourselves making the trek to East Mesa for a night at Roosters Country. Roosters is where you can go to hear both kinds of music — country and Western — made by local musicians and touring artists. There’s a big dance floor for swinging your partner around, and in between sets you can grab a drink at the bar or catch a game of pool. The crowd is down-to-earth and so friendly that at Roosters Country, we always feel right at home.

It’s hard to imagine the Valley’s jazz scene before The Nash arrived on Roosevelt Row in 2012 and bopped its way into the hearts and souls of local aficionados of the genre. Since then, the namesake of legendary Phoenix-born drummer Lewis Nash has become the quintessential jazz spot in town and has filled a variety of roles over the past 11 years. It’s been a headquarters for local nonprofit Jazz in Arizona, an incubator for student musicians and a speakeasy-style venue showcasing the area’s best jazz artists across a variety of traditional, contemporary and experimental styles. We’re not the only ones singing the praises of The Nash. DownBeat magazine regularly cites it as one of the “great jazz venues in the world” while iconic trumpeter and composer Wynton Marsalis swears by the place. Other giants of the genre who have also gigged here include pianist Kenny Barron and vocalist Cécile McLorin Salvant. Put simply, Phoenix’s jazz landscape is all the more vibrant because of The Nash.

Where’s the Valley’s best haven for heshers? Spoiler alert: It’s not found in live music hotspots like Tempe or downtown Phoenix, nor is it located anywhere east of Central Avenue, period. Instead, follow the sound of heavy-duty riffs, sweet licks and guttural wailings over to the main room of The 44 Sports Grill & Nightlife in Glendale, a ground zero for metal maniacs in recent years. Armed with an enormous stage, a top-of-the-line sound system and a dance floor large enough for headbanging or moshing, it offers long-haired metal fanatics an ideal space to rock out. Bands from across the subgenres of the metal multiverse have invaded The 44, ranging from such nationally known groups as Tantric and Green Jellÿ to tributes like Iron Ozzy or the Maynard James Keenan-centric A Perfect Tool. The venue also has supported the local scene by showcasing the next generation of musicians from the School of Rock and hosting a benefit show by Hollywood Gods N’ Monsters for a dearly departed metalhead. Those are both causes that would make even the blackest of hearts grow three sizes.

Karaoke crowds are among the most supportive people on earth. Whatever your song choice, whatever your musical talent, if you get up there and sing “Don’t Stop Believing” with all your heart, you’ll get cheers, applause and possibly a bunch of people singing along with you. At least, that’s the vibe whenever we go to The Grapevine, an Old Town Scottsdale hotspot, for karaoke. The two-story space is always busy on the weekends, but the most crowded part of the bar is the karaoke room, where patrons pack in to sing and be serenaded in turn. The karaoke hosts are good about keeping the action moving, and the songbook is extensive — you’re sure to find something you want to sing. Just remember to cheer for your fellow crooners when it’s your turn to listen.

AJJ’s eighth full-length album, “Disposable Everything,” is very much a record of our times. The newly expanded folk-punk heroes applied their trademark wit and intensity to chronicle a not-so-post-COVID society, expertly capturing the layers of psychic pain we’ve collectively grappled with since early 2020. Sprinkled across that dissection of our sociopolitical quagmire is even more cultural criticism that’s been essential to the band’s 20-ish-year career. It’s a record about grief and longing and how we’ve twisted and tortured ourselves collectively into a state of pure madness. Yet at the same time, the band cling to memories of family, and the simple magic of merely playing music together, and that imbues the record with a whole new sheen of, perhaps not optimism, but something close enough. The end result is a multifaceted achievement for AJJ — a collection that sings of deep pain with a slight tinge of hope that maybe we can make it out the other side together. The record doesn’t offer guidance or insight into achieving that fate, but you’ll find yourself a mighty companion for the weird days ahead.

Why do we keep crowning Raheem Jarbo, better known as Mega Ran, as the best the Valley’s hip-hop community has to offer? It ain’t from any lack of competition, as Phoenix’s scene is rife with top-shelf talents. Instead, Jarbo’s sheer mastery of his craft, nonstop hustle and success in both hip-hop and geek circles make him an easy choice. On the mic, the teacher-turned-rapper is absolute fire, weaving deft rhymes, clever lyrics and effortless flows into collaborations with iconic artists like Del the Funky Homosapien or tracks about wrestling, video games and other nerdy subjects. Outside the studio, Jarbo’s having one of his biggest years ever and making big moves, including launching the Dream Master Mixtape music festival in Yuma and getting his jams into movies (“Clerks III”) and popular games (“River City Girls 2”). He’s also earned rave reviews for his latest release, “Buddy’s Magic Toy Box,” a children’s album inspired by his recently adopted son. With many other artists, such a project might seem saccharine, but Jarbo, like anything else he touches, turns it to gold.

It’s hard to believe that Phoenix Afrobeat Orchestra have only been around since 2010. In those 13 years, PAO have truly become an integral part of the local arts scene. Part of that is that the band, founded by musician-activist David Marquez, have always done things exclusively their own way, like waiting six years to release a proper debut album. That “rebellious” streak carries into the music itself, as they’ve explored the fringes of this robust, multifaceted sound while gigging across the Valley and beyond. Blending everything from funk to folk, that sound remains perfect block-party music even as their political insights and activism infuse their various projects with greater depth and intent. (Their latest album, February 2023’s “The Times,” expertly encapsulates our weird era with ample warmth and purpose.) Their relationship with the city is one that’s ebbed and flowed accordingly, keeping pace with new trends and ideas even as they blaze a trail ever forward through the power of earnest art. PAO are an avatar for this city, and we’re glad to have them playing on and on.

Derek Wise seems to live in a state of near-perpetual nostalgia. That persistent, retro-tinged obsession informs the entirety of Wise’s band, Secret Attraction. Since the outfit debuted just a few years ago, Wise (who more recently was joined by some other players/collaborators) has cultivated an aesthetic across both the songs and the band’s media presence that lands somewhere between a late ’80s Cure cover band and an early ’90s shoegaze band from the dreary Pacific Northwest. It’s a look and feel that’s practically made for our fair city, and serves as the perfect soundtrack for late-night rides down city streets or at some dark, totally obscure dive bar with a few close strangers. And also like our city’s love of nostalgia, Wise and company aren’t just doing it for mere show — there’s an earnest passion for these sounds and visuals that makes them feel like powerful expressions of essential ideas and intentions over needless yearning for what’s already come to pass. Secret Attraction fully exemplify that vintage life, and they bring us along for the ride with every new project/release.

When COVID hit, drummer Henri Benard (Okilly Dokilly, Dry River Yacht Club) embraced his inner DJ. Benard, who has previously DJ-ed as DJ Ill Choppo, joined forces with LeMarshawn Jean to form CHKLZ. Over the past few years, the duo have leaned heavily into making some decidedly wild and inventive dance music across a suite of remixes and original cuts. Benard’s love and history of big, bold rhythms stands front and center among CHKLZ’s output, informing a hypnotic blend of EDM and house music that feels far too propulsive to ever truly escape. But it’s not just about big drums, and the duo claim that “CHKLZ is for EVERYONE!” which makes for a motto that cuts to the true heart of all great dance music as a proper builder of communities. It’s that mix of a novel approach, big-time musicality and a penchant for inclusiveness and camaraderie that has not only made CHKLZ popular so far (they were invited to DJ a Canadian music festival this past summer) but leaders of a daring and inventive new scene for local dance music. Now enjoy those vibes, doggies.

As a rule, a lot of music can be considered appropriate for parties. (Heck, even emo music has become the inspiration for its own national series of themed events.) Still, it takes a very special kind of band to facilitate a properly epic party, and that’s just what Lucky Devils does every single show. The band operates across the West Coast (with a keen focus on our beloved city) playing weddings, corporate events and other such gigs and outings. (There are also regular showcases at our very own Rhythm Room.) And, sure, wedding bands may not be the dictionary definition of cool, but there’s something freeing about a band that understand that the need for fun and frivolity can exist beyond the nightclub. The music itself isn’t just a big part of their razzle-dazzle, but it’s generally good, including semi-inventive takes on “No Diggity” by Blackstreet and “Don’t Stop Believing” by Journey. Party bands should be able to blend the saccharine and the earnest like threading a needle, and Lucky Devils do it with a huge air of showmanship. Plus, any band that covers both Bach and Beyoncé deserves huge props.

The name Djentrification is not just an edgy moniker for beloved DJ Alex Votichenko (known also simply as “Djents”). He does mean, quite literally, de-gentrification, a politics that runs through his unorthodox, captivating DJ sets but also his work with the community, which is always intertwined with the music. He’s a longtime staple at various Phoenix haunts, including Bikini Lounge on Grand Avenue, where he has hosted popular Tuesday-night sets for more than a decade. This summer, the historic tiki bar, thanks in part to the DJ, became the home base for a water drive by activists for people living on the streets in the Phoenix heat. As they went to dance, partygoers hauled in cases of water over to the DJ booth. Here, his sets — masterfully spun on vinyl — incorporate deep cuts, strange beats, music from other eras and places, as if wondering, searching, for how to create art in a gentrifying city. As he told New Times in 2018, “It makes sense to consider sounds and rhythms as potential tools, to hurt or help, to create or destroy.” Though of course, that’s all unspoken. There’s usually a more pressing matter at hand: the night, the music, the dancing, the moving crowd.

After most of the Valley’s bars and nightclubs close up shop and revelers head to bed or to their favorite post-bar diner, the music plays on at Charlie’s. The uptown Phoenix gay bar’s catchphrase, “There’s always a party at Charlie’s,” rings true. Sunday through Thursday nights, the fun calls it quits at 2 a.m., But on Fridays and Saturdays, you can strut your stuff on the dance floor until 4 a.m. If all that dancing works up an appetite, on-site food truck Charlie’s Tacos serves tacos until the doors close. So pick your spot and hang out on the patio with scantily clad dancers or head inside to make eyes at your crush across the dark space. Multiple bars keep the cocktails flowing and the dancing going until the wee hours when you can stumble home happily, exhausted by all the fun you’ve had.

Do you have a friend who won’t stop talking about everything they learned after watching the mixology competition show “Drink Masters” on Netflix? This is the bar for that friend. The cocktail’s sparse descriptions read almost like a grocery list. Cool Your Jets is a mix of cantaloupe, vanilla Greek yogurt, green tea, mint, agricole and Grey Goose. Yet, after being clarified, the arrestingly clear, golden-hued cocktail that arrives, with a single oversized ice cube balancing a shard of vanilla meringue, is both maddeningly simple and complex. For all of the time and technique that goes into each sip, there’s a welcome lack of pretentiousness at Pour Bastards. The bar staff is as stoked to pour you a beer or help you pick a natural wine as they are to walk through their cocktail crafting process. There’s even a book you can peruse to see all that went into your tipple. Upon realizing the sheer work that goes into each drink, the bar’s name seems quite apropos, but we’re grateful the team invested the time.

This year, metro Phoenix was the center of the world’s attention for two reasons. One was the July heat wave that kept the city cooking for a month. The other was the fact that a pair of shows at Glendale’s State Farm Stadium in March was the kickoff for Taylor Swift’s zeitgeist-altering Eras Tour. Glendale temporarily renamed itself Swift City before the international music press descended on the Valley (along with thousands of out-of-town fans). And the show lived up to every iota of the hype. The three-hour, 44-song magnum opus on March 17 was just the beginning of the Eras’ Tour takeover of pop music, TikTok and the cultural landscape. Six months later, the tour is still going strong, and we feel fortunate that we were among the first to experience it.

During Super Bowl weekend in Phoenix, you could pretty much get into any event if you were willing to put up the money. The big game, celebrity-studded parties, the fanciest VIP area at the Waste Management Open: Everything was accessible for a price. But no one could pay any amount of money to attend a Feb. 10 show at Crescent Ballroom featuring a performance by Foo Fighters legend Dave Grohl. Hosted by Crown Royal, the mission of the invite-only event was to celebrate the hospitality and military communities. Attendees enjoyed free food and drinks, assembled care packages for members of the military and heard an opening set by country artist Scotty Hasting. Then, it was time for Grohl, who performed four Foo Fighters classics solo on an acoustic guitar, stopping in between songs just long enough to banter with the crowd. It was an awe-inspiring opportunity to see one of the biggest rock stars on the planet up close and personal.

We’re thinking of making T-shirts that read, “I survived Day 1 of Zona Music Festival.” The inaugural event, held last December, had already faced setbacks before it even began: Headliners Tegan and Sara had to drop out nearly at the last minute when Sara Quin tested positive for COVID-19. Then, on the first day of the festival, Phoenix got three-quarters of an inch of rain, breaking a record for precipitation for Dec. 3. It turned Margaret T. Hance Park into a swamp and kept away a number of ticketholders. But despite all that, Zona was the best music festival of the year. Organizer Stephen Chilton of Pskyo Steve Presents put together an excellent lineup that was extremely heavy on both established and up-and-coming local acts, and included national indie favorites such as Japanese Breakfast, Portugal. The Man, Beach House and others. The fest had great food options, cool merch, an arcade area presented by Cobra Arcade Bar and four stages that kept concertgoers busy all day and night. Did everything go perfectly? No festival is ever perfect, especially not in its first year. But we tip our hat to Chilton and his team for their vision and execution under trying circumstances. There’s been no official word about future installments of Zona, but we dearly hope that it’s not a one-and-done.

Arizona music has a grand tradition of local compilation albums. Hit up the right garage sale or secondhand store and you could find examples curated by rock radio station KDKB or local record store chain Zia Records. Author Ryan Clark took his love of local music and turned it into a record label, Hookworm Records, whose first compilation, “Hookworm ONE,” came out in early 2022. Now, Clark and Hookworm are back with the aptly titled “Hookworm TWO.” This installment boasts six original songs by six Arizona indie rock bands: local outfits Chrome Rhino, Daphne + The Glitches, Fairy Bones, Sliced Limes and Weekend Lovers, and Tucson group Birds and Arrows. The new record is another testament to Clark’s dedication to the scene and to the depth of Arizona’s musical talent.

It seems like there’s an Arizona specialty license plate for every interest, from veterans and Cardinals fans to hunger relief and cancer awareness. But we haven’t been tempted to get one until this summer, when the Arizona Department of Transportation unveiled a new Alice Cooper license plate showing the legendary shock rocker on a red background. The plate, which is available for cars, motorcycles and even golf carts, doesn’t just help drivers show off their love of rock ‘n’ roll. Proceeds from sales of the license plate ($17 of the $25 fee) go to support the work of Cooper’s Solid Rock Teen Centers, his long-running nonprofit that gives young people a safe place to hang out and learn skills relating to music, art and performing arts. Solid Rock recently announced it would open a third center in the West Valley in 2024, so now’s the time to give the organization a little boost by ordering yourself a cool new plate.

One of the things we actually like about Las Vegas is the ability to carry our adult beverage with us wherever we go. That’s never been a thing in Phoenix — until now. Under a law that took effect in January, Tempe Marketplace and Desert Ridge Marketplace now have a program called Sip & Stroll. Here’s how it works: People of legal drinking age can order a drink from a participating bar. Drinkers get a wristband and their drink of choice, at which point they can take the drink out of the bar and walk around designated areas of the shopping center. You can’t take your drink into any stores, and heaven help you if you’re caught giving any alcohol to someone who’s underage. But responsible adults willing to follow the rules can now have a glass of wine while watching an outdoor concert or sip a beer during a game of cornhole. It’s pretty darn cool.

Casey Moore’s Oyster House has everything we need in a bar. A cool space? It’s located in the 113-year-old W.A. Moeur House, one of the oldest buildings in Tempe. A great patio? The outdoor area, strung with lights and dotted with picnic tables, wraps around two sides of the building. Food and drink? Casey’s does bar food well (we love the spicy cauliflower bites and golden wings) and seafood very well, and the indoor and outdoor bars have everything you need to achieve a pleasant buzz. A wild lineup of colorful regulars? You can hardly avoid them (nor would you want to, for the most part). There’s a reason that generations of locals have called Casey Moore’s their home bar: It welcomes all through its doors for a meal, a drink or simply a moment of human connection.

In today’s age of experiential and immersive cocktail experiences, bars and bartenders are being asked to do a lot more than mix a satisfying drink. And while those experiences can be captivating in their own right, there’s something to be said for subtlety. Downtown bar Coabana has that in spades. The details in the breezy blush-pink space — gold palm fronds shading the bar and painted tiles forming jungle murals above cozy booths — point to its inspiration from Cuba and Miami but aren’t distracting. The drink menu is easy to approach and celebrates the complexity of rum through cocktails that are familiar (craft your own mojito) or brand-new (try the tropical fruit-forward Angelina). The food options are minimal but welcome Cuban-inspired fare. The staff is knowledgeable and ready to share insights about the drinks or the spirits they use. It’s another knockout from the team that brought Valley drinkers Pigtails and Rough Rider — and there’s now more time to savor the experience at Coabana with the recent addition of lunch service.

When visiting Garden Bar, one of downtown Phoenix’s most picturesque and pleasant spots to grab a cocktail, you’ll often find Aspen Bingham behind the bar. As she shakes and stirs drinks and chats to customers, her deep level of expertise could be easy to overlook. But a quiet confidence hints that she is quite comfortable at crafting complex cocktails. In February, she was a top 10 finalist for Bombay Sapphire’s Most Imaginative Bartender competition, presented by the Tales of the Cocktail Foundation. The contest included 250 bartenders from the U.S. and Canada. For her entry, Bingham married her two passions, mixology and sustainability, to create a drink that represented the heat island effect that traps hot air in large cities like Phoenix. She also spoke on a panel at Tales of the Cocktail discussing food sovereignty and has created cocktails for benefit events such as one that protects bees. Her level of thoughtfulness certainly affects her bartending, where she takes mixology from the art of drink-making to something that is intentional and pushes boundaries, inspiring people to think as they sip.

There’s something cool at The Pemberton around every corner. The historic home turned gathering place in Downtown Phoenix has a wealth of bars in trailers, shops in trailers and food stands scattered on the property, plus a few boutiques inside the house. You can shop for crystals at Black Amethyst, sip a cocktail from Baby Boy and grab a slice at Pie-Curious Pizza in one evening. There’s plenty of art to look at on the grounds and lots of places to sit. Whether it’s our destination for the night or just a good place to start, we always make time for The Pemberton.

Growing up in the Midwest, we spent a fair amount of our childhood hanging out in someone’s basement. When the nostalgia hits too hard and we need to recapture the feeling of being up to no good in a subterranean rec room, we make a beeline for Arcadia’s The Little Woody. The main room of the bar is dark but fairly chic (we love the lit-up bar), but when you explore further, that’s when you go back in time. Wood paneling, beer mirrors, velvet paintings of sad clowns, trophies, the exact same floral-print armchair your grandparents had back in 1985 — it’s all at The Little Woody, plus games like billiards and Skee-Ball, tasty bar eats and a convivial atmosphere.

It may be the only full-service official bar on a higher education campus in the Valley, but The Pub at Thunderbird still has a lot going on to win this category. For starters, there’s no signage in the building’s lobby nor in the elevator telling you to go to the fifth floor. And when the doors open, the sounds of enthusiastic mingling and laughter serve as the only directions to this downtown Phoenix watering hole. All of this gives off an unexpected speakeasy vibe. Inside, there’s something for everyone with a full bar that features libations from alumni, an impressive food menu that reflects international flair, shuffleboard and a bevy of flatscreens to catch every game. A rooftop bar flaunts the city skyline and the weekly Pub Night on Thursdays is where you can see students and professors hanging out over sips, bites and live music long after the sun goes down. The pub is closed on the weekends but is open to the public — a fact that flies under the radar beyond the boundaries of this campus and neighboring ASU Law School.

The death of Paul “PC” Cardone in November 2022 shook the Tempe music community. The bassist, who played in dozens of bands over the years, was a fixture of the scene for decades, but more than that, he was a connector, a mentor, an encourager and a friend to pretty much everyone he ever met. His friends and fellow musicians quickly decided that the only possible tribute was a memorial concert, which took place in January on two stages at Tempe’s Yucca Tap Room. The show will go down in local music history as one of the scene’s greatest events. The lineup was a who’s-who of 30 years of Tempe music, including Robin Wilson of the Gin Blossoms, Dry River Yacht Club, Satellite, Ghetto Cowgirl, Banana Gun, Wyves, The Sugar Thieves, Dead Hot Workshop, Chocolate Fountain, Walt Richardson and many more. Friends and family came from around the world to cry and sing, dance and drink, reminisce and reconnect, and celebrate Cardone’s inimitable life and legacy. In April, the city of Tempe honored the concert’s organizers with an award for the Neighborhood Event of the Year, a fitting tribute for a man whose nickname was the “Mayor of Tempe.”

Entering Valley Bar through a back alley and down a deep flight of stairs adds a sense of intrigue and excitement to every trip to this hotspot, whether to meet a friend for a well-crafted cocktail, catch a band, partake in a trivia match or see a group of storytellers entertain a crowd. The Music Hall is the side of the bar where live music, dance parties and performance events happen. It is intimate, holding about 250 people, and when fans fill the room to see a favorite band, it ups that cozy vibe, squeezing everyone together in a sonic fervor that intensifies the entire experience. A mobile telling the story of notorious Phoenix murderer Winnie Ruth Judd anchors the main part of the bar called the Rose Room, which also holds a pool table, Skee-Ball and a few intimate booths. Next time you’re looking for a fun night out at a bar, we recommend you head underground.

You spot the sidestreet with the single red light shining above a descending staircase and a queue of people and think the mystery of how to enter this downtown Gilbert speakeasy is solved. But that’s not actually when the puzzle of how to get into The White Rabbit begins. It starts sooner as knowledge of the monthly password — available on the website — is non-negotiable to even earn a place in line. One of the must-stops in the Heritage District nightlife scene, The White Rabbit speakeasy requires a bit of a hunt down a dark path and an apparent dead end at a bookcase. Once you figure out that the bookcase is a well-disguised door and how to open it, your journey is rewarded with a Victorian era-inspired space that’s dark and elegant with an atmosphere that makes you feel like you’ve discovered a secret VIP club you may not qualify to be in. A sophisticated handcrafted cocktail menu boasts high-end spirits, private labels made exclusively for the bar and original concoctions crafted with house-made mixers and syrups. An exclusive to-go cocktail menu is available should you want to take a taste home.

Speakeasies are where you can feel like you’re a part of something special, and Gin and Reel certainly exudes that cool factor when you walk down the stairs and enter a room that feels like you’re visiting another era. It’s definitely a small space, but comfortable in all the ways that matter. Here’s the secret: To gain entry, approach the barista at Stir Coffee (the storefront for the speakeasy) and grab the password to sample the drinks. The cocktails are fun and have interesting flavor profiles. We’re partial to the Dream of You, a mix of Tito’s, yuzu Japanese liquor, limoncello, lemon, simple syrup and lavender water. Other highlights include the Royal Rascal and the Fit as a Fiddle. Cocktails can be paired with charcuterie boards, pizza or dessert, and or for those who want to ease up on the liquor, wine and beer are also available. On a weekend night, expect the place to be busy, so get your name on the list fast. You can linger during the busy nights, but after two hours at the speakeasy, you’ll have to head out and give someone else a turn.

There’s not much we can say about Platform 18 that its avalanche of accolades hasn’t already expressed. The most recent, and perhaps most important recognition came this summer, when the Tales of the Cocktail Foundation awarded Platform 18 the title of Best U.S. Cocktail Bar at its 17th annual Spirited Awards. One of the concepts (along with UnderTow and Grey Hen Rx) inside the Century Grand space, Platform 18 is a 1920s Pullman train car-inspired craft cocktail bar. Once you’re inside the carriage you can find a seat at the bar or at one of the low tables. Screen projections in front of the “windows” make you feel like you’re actually traveling by train, which is cool, but you’re here for the cocktails, which are intricate, inventive, pricey and unforgettable. We already knew that Barter & Shake, the team behind the concepts in Century Grand, were doing some of the best cocktail work in town. Now, the rest of the country knows it, too.

Don’t laugh because this bar closes at 10 p.m. (and 9 p.m. on Sundays). That’s part of the charm of The Joy Lush Club. Because not everything in Phoenix’s massive nightlife scene has to be open till 2 a.m., and having a spot for laid-back festivities is crucial in having something for everybody. This little spot may close before others and often caters to a more casual drinking experience, but that doesn’t mean Joy Lush exactly skimps on the beer and wine choices. The club features 16 beers on tap and a rather large curated wine list, plus other offerings outside your standard bar experience. Plus, there’s live music and regular visits from food trucks to round out the evening while furthering that sense of comfort and downtown connectivity. If you’re ready to call it a night before 10 p.m., you can take home some of your favorite beer or wine, a feature that is both awesome and solidifies the bar’s status as a leisurely spot not unlike your very own abode. Partying is all well and good, but why not try a bar that promotes zero expectations and comfortable seats alike?

Forget opening at 2 p.m.; Rum Runner’s Bar stars slinging suds at 6 a.m. every single day. Even if you’re looking to do more than simply get smashed by noon, you can use all that time to your strategic advantage. That means whether you’re augmenting weekend brunch with more drinking, or starting your night out on the town at 1:30 p.m., Rum Runner’s will be there to cater to your many needs. And it’s not just that this bar is basically like some real-world “Cheers” — it’s got a decidedly impressive set of amenities. On top of your standard bar offerings, there are great deals (like the one for to-go margaritas), free all-day pool, shuffleboard and semi-regular goldfish racing, which has to be seen to be truly believed. Is the pirate theme a little silly? Sure, but then that’s sort of the point, as it makes for a perfect level of gimmickry to enhance your partying. In the end, Rum Runner’s is not just a neighborhood bar but a one-stop shop for having fun on your own dang schedule.

Teddy’s Preserve was inspired by Teddy Roosevelt and aims for a “national park vibe,” but don’t wear your REI zip-off pants and Keens here. This sprawling tree-lined oasis behind the towering Ten-O-One building at Central Avenue and Roosevelt Street is the place for stylish downtown denizens who want expert cocktails, late-night bites and a chill vibe without being cooped up after dark inside a bar or club. You order indoors, where a chic, modern ambiance with custom-tiled walls and oval-backed barstools beckon to those who want to stay in. But it’s better to wander out to the courtyard, where you can relax and sip under the string lights and stars. The inventive drinks list harks back to the 1970s rather than the turn of the 20th century with names like Foxy Mama and Boogie Down, and true to Teddy’s legacy, the business is serious about conservation. It composts, uses no plastic, and turns its bottles into glassware. A food truck churns out comforting plates of corn dogs, turkey legs, quesadillas and more until 11 p.m. Tuesday through Friday and midnight on weekends.

We like to take new acquaintances to Palo Verde Lounge if they’ve never been there before. If they’re horrified, they’re probably not our kind of people. If they immediately settle in for a pickle shot, a game of pool or a smoke on the back patio? Friends for life. The Dirty Verde, as it’s known, has all the necessary criteria of a quality dive bar: zero windows, a truly impressive amount of graffiti (even on the ceiling), bags of chips in lieu of a kitchen, an outdoor area populated by random pieces of patio furniture, plenty of eccentric regulars and a cash-only policy. We sometimes go there for events like DJ nights and concerts, but mostly Palo is our last stop during a wild evening out, when we’re not quite ready to head home and we want to commune with night owls like ourselves.

Darkstar has been part of local nightlife for less than two years but has already eclipsed other clubs in the Valley with its emphasis on electronic dance music and wild weekends of beat-filled bliss. Operated by EDM fans, for EDM fans, the two-story drinking and dancing emporium along Mill Avenue is outfitted with stellar amenities — an elite PK Sound setup, state-of-the-art production, gigantic HD screens and multiple bars — with plenty of space to rage on both its dance floor and mezzanine level. The DJs behind the mixers are also out of this world, owing to local promoter Relentless Beats bringing in premier artists and producers like trance duo Gabriel & Dresden, house music guru Mark Farina and synth-pop siren Elohim. Suffice it to say, if you’re into EDM ragers, you’ll wind up in Darkstar’s orbit before too long.

When Super Bowl week rolled into the Valley in February, party monsters jammed into this new downtown Phoenix nightspot and lounge to sample its swanky thrills. Eight months later, Phoenicia Music Lounge is still serving up dancing and drinks every weekend to big crowds. Perched on the second level of CityScape, its stylish vibes and posh digs rival Scottsdale’s best clubs. There’s a hive of activity every night in each of the areas making up Phoenicia: The club side offers breathtaking views of skyscrapers and opportunities to people-watch while DJs keep the dance floor hot with R&B and hip-hop cuts. Over in the lounge, there’s hookah and bottle service, posh seating and a 360-degree photo booth. In between is an island bar where patrons engage in social rites and bartenders pour signature cocktails like the Diamondback Strike and Mercury Riser. Whether you’re a sports fan seeking a post-game drink or a clubgoer eager to debauch, check out Phoenicia, the go-to destination for downtown.

All Phoenix strip clubs are not created equal. Depending on your priorities, you may be looking for a club with the most beautiful ladies, the best drink specials or the coolest clientele. Our pick when it’s time to go a little wild is Le Girls in Phoenix near the Tempe border. First, you’ve got your pick of the fully nude side (which doesn’t serve alcohol but lets in everyone 18 and older) or the topless showroom (full bar, ages 21 and up). Whichever part of the club you find yourself in, a few things will be the same: Reasonable prices on drinks and dances. Performers who are friendly without being pushy. An upbeat atmosphere. Put all together, they’re the reason Le Girls is our go-to strip club.