Berry's rusty metal fish-out-of-water, swimming placidly on a rippling wall toward a canal originally built by the Hohokam Indians, does double time as a sound barrier for an adjacent residential area affected by nearby commercial development. The fish, one of which swims upstream, are set against glass blocks that allow light to stream out against the wall, which is lined with a metal grid fence stuffed with smooth river stones.
Conceptually, this is Berry's "tribute" to our Native American forefathers who first tamed water in the barren desert of the Valley, as well as to the very headstrong nature of Arizonans themselves, who are notorious for going against the flow.
Each work is separately themed, as well as sharing an ample offering of plant and water imagery symbolizing the role both have played in their stomping grounds. The first piece, located at Ninth Street and Maple Avenue, is dedicated to the architecture unique to the homes in the immediate vicinity, with earthenware representations of windows, doors, picket fences, and a curlicue of wrought iron crowning the top.
The second, at 13th Street and Ash Avenue, is a mini-museum of the canal system of the Valley, featuring tiles imprinted with historic photos of swimming in drainage ditches and anecdotes about hunting. There are also seats made from carved-up pipes, as well as a stream-shaped landscaped path. MANA's organizers are planning to redecorate most of the neighborhood's standpipes and keep the creative juices flowing. Other neighborhoods should take note.
Now we know where Phoenix's Phuture Picassos hang out. Go, Heard Vikings!