Thirteen members of the Artlink artist council chose partners for a collaborative exhibit installed in a large space at Park Central Mall in March. The opening took place amid early COVID-19 concerns, so Artlink filmed the exhibit and posted it online so more people could see the impressive results of these creative collaborations. The exhibit featured intriguing pairings, including visual artist bacpac working with fashion designer Tricee Thomas, and choreographer Liliana Gomez working with multimedia artist Sam Heard. Joan Baron and Gloria Martinez created a performative installation inspired in part by civil rights icon John Lewis. Titled Good Trouble Bucket, the piece explored immigration, environmental justice, and other issues at the heart of today's political conversation. Best of all, the exhibit inspired ongoing collaborations between several participating artists, creating new opportunities for community members to experience exciting new works.

Phoenix really shows off its creative side during Phoenix Festival of the Arts, a multiday event typically held in December at the urban park that's named for Phoenix's first female mayor. The free, dog-friendly event brings live music to the park and gives visitors plenty of other things to explore — including an eclectic lineup of booths where they can get to know the artists and organizations responsible for our city's cultural landscape. Families can participate in lawn games and other activities, there are food trucks and a beer-and-wine garden, and everyone gets the chance to paint a community mural. Phoenix Festival of the Arts is big enough to have something for everyone, but small enough to make this metropolis feel cozy.

For years, Phoenix artist Ann Morton has found inspiration in politics; a notable series called Proofreading features handmade white handkerchiefs embroidered with some of Donald Trump's most outrageous quotes. For "The Violet Protest," Morton called on the citizens of 50 states, the District of Columbia, and Puerto Rico to help her create a "a friendly protest" that would be sent to every member of the 117th U.S. Congress. Participants used textile techniques — quilting, felting, etc. — to make 8-by-8-inch squares with red and blue fabric. They were adorned with messages emphasizing values that are sadly lacking in American politics today: civility, compassion, creativity. The squares' first stop is an exhibit at the Phoenix Art Museum scheduled to open in March 2021. Then, they'll be split up and sent to Congress, in the hopes they might inspire our leaders to prioritize people over party. Idealistic, maybe. But if nothing else, Morton's project produced some thought-provoking art.

This year's Scottsdale International Film Festival, the 20th anniversary of the event, will look a little different than in previous years. For starters, it'll be a five-day virtual event rather than a 10-day in-person one. We don't know what films will screen (check the website in early October for the lineup), but based on what we've experienced in the past, it'll be an exciting mix from around the world. SIFF is often the first place in town to see films that go on to great acclaim — last year, Marriage Story was the opening-night movie, and audiences saw Portrait of a Lady on Fire months before it came to theaters. But really, it's the foreign gems that keep us coming back year after year — films that remind us that we have more in common with people around the world that we would have ever dreamed, and that cinema truly is a global language.

Arizona is just close enough to Los Angeles to catch the cross-breeze of Hollywood magic (and perhaps a small amount of oversized narcissism). As such, we've managed to cultivate a few of our own sun-kissed entertainment enterprises. One we particularly love is the International Horror and Sci-Fi Film Festival, which over the last 16 years has become a home for the most weird and wonderful sci-fi from across the world. The films shown at the fest push the boundless insanity and peculiarity associated with modern science fiction to new levels. Yet every entry remains connected to a longstanding tradition of cinema and a core ethos that emphasizes a delightfully bizarre outlook on life and art. In our typical outsider fashion, Arizona has built this little fest into something that has its own strong identity and cultural purpose — an event that shows we're capable of sustaining a major creative bastion here. Plus, the fact that all this energy and growth is based around space aliens and killer smartphone apps seems perfectly on brand for Arizona.

Decades after opening — and long after the slow decline of drive-in movie theaters began — the West Wind Glendale 9 is suddenly more popular than it's ever been. The transformation from outdated throwback to in-demand destination happened in a matter of weeks: COVID hit, indoor theaters ceased being a viable venue for moviegoers, and the public beat a path to the gates of West Wind, the Valley's lone drive-in, which opened in 1979. They discovered what a longtime die-hard following already knew: There are simple joys to watching a flick in the great outdoors. West Wind has digital projection on nine screens and cheaper tickets than your average theater ($7.75 for adults and $1.75 for children 5 to 11; kids 4 and under get in free). Every screening is a double feature, and the owners have come up with some interesting combinations, such as pairing up the Keanu Reeves blockbusters John Wick and The Matrix. And if the munchies at the concession stand aren't to your liking, you can pack your own snacks. Score!

This will be one of the first places we visit when we can go to movies safely again. We can't help but wonder if our favorite movie character wax figures like Jack Sparrow and the Blues Brothers are getting lonely. Michael Pollack, the theater's owner, created true movie magic when he opened it two decades ago, treating customers to a lobby decked out with video games and memorabilia, along with a low price, currently $3.50, for a movie you missed during its first run a month or two ago. The theater always makes us feel like a little kid again, when the only thing that mattered was the smell of popcorn and the fact that you were going to see a movie, any movie, and it was going to be good no matter what. We hope to feel that way again soon.

If seeing movies was all people cared about, they could make it happen sitting on their sofa instead of heading out to a theater. But there's more to the moviegoing ritual than just watching a film. Studio Movie Grill creates a rich experience that's hard to replicate at home by offering an extensive menu, a lobby bar with a fun assortment of cocktails and nonalcoholic beverages, and discreet food service during movie showings. You can reserve your seat ahead of time, so you're not left to battle over the best spot or learn after you arrive that your movie is sold out. The theater even has spaces for special events like birthday parties. The movie lineup includes first-run films, alternative fare, and family flicks, so everyone gets a chance to see their favorites. Plus, you don't have to deal with digging all those popcorn kernels out of your couch cushions.

We like a big ol' blockbuster as much as the next moviegoer, but our cinephile heart belongs to the smaller stuff: indie flicks, cult classics, oldies-but-goodies. FilmBar is the best place in town to see them. The seats are a little creaky, but the ticket prices are reasonable, there's food and alcohol available for purchase, and you know that you'll be sharing space with other people who share your affinity for cinema outside the mainstream. Since the pandemic, FilmBar hasn't abandoned its mission of bringing great films to the people. Go to its website, and you'll find dozens of Old Hollywood classics, cheesy made-for-TV movies, vintage sci-fi, foreign films, silents, and more. Most are free to watch, and they're tiding us over until we can get back to FilmBar.

We're not sure: Is it that the trees in downtown Glendale are strung with 1.6 million twinkly Christmas lights? Or is it the fact that we can shop late surrounded by bustling holiday crowds? Is it the carolers? The rows and rows of outdoor yuletide vendors? The guy selling hot chestnuts? Oh, probably, it's all of the above that makes our annual trek to Glendale Glitters such a special part of our holiday season. We like it so much that we sometimes make a second trip — easy to do, given that Glendale Glitters commences the day after Thanksgiving and doesn't close up shop until after the New Year.