Enter the Drag

Shanghai Noon is hardly as enervating as its trailer, which has such dreary sight gags and woeful jokes that it begs you to stay far away from any theater in which this film is screening. (Sample: A horse that stays by sitting . . . just like a dog.)But don’t…

Demi’s Monde

“Industrial-strength boredom” is a vicious term to unload on anybody — friend, foe or former actress. Considering the lingering discomfort it inspires, one must beware of its impact, even around a seemingly invulnerable producer returning to the screen to melt our hearts in yet another variation on the emotional doppelgänger…

Tube Talks

Hey! What’re you doing sitting there at home watching TV, when you could go to the library and . . . watch TV? Tempe Public Library is hosting a bimonthly program that presents the “White House Millennium Lectures,” a series on videotape of talks on a wide array of subjects…

Rebel Rouser

You’ve got to hand it to Variety. Very often, while critics walk on eggshells around cultural generalities, the show-business trade publication cuts through it with an admirable bluntness. Here’s what the paper had to say about producer Ken Gentry’s new traveling version of the Frank Wildhorn musical The Civil War:…

Fatal femmes

The following is a list of women who have been raped, mutilated, tortured, enslaved, crippled, or murdered–and quite often, all of the above. In some cases, these women have also suffered miscarriages, been rendered infertile, contracted horrific diseases, and gone insane. Some of them have even been killed twice, perhaps…

Two Little, Two Late

I expected to be wowed by Michael Grady’s new play, one of two programs by local playwrights to première here this week. I’ve never seen a Grady play that I didn’t enjoy, and The Arizona Project — which winds up Actors Theatre of Phoenix’s 15th season — is one I’ve…

‘saur Spot

Dinosaurs used to be cool. In 1969, if you had asked me what I thought was the best movie ever made, I would likely have told you that it was Valley of Gwangi, in which a group of cowboys find a gully full of leftover dinosaurs, animated by Ray Harryhausen,…

Wrath of Khan

Despite the title East Is East, the big message of this flavorful domestic memoir is really that West is West. In the tug of war between East and West for a soul, East, the film suggests, may hold out for a while through a combination of nostalgia, pride, national resentment…

Dearth of a Salesman

When stars get popular enough (or win enough Oscars), they begin to get to call their own shots. Thus we have The Big Kahuna, the debut release of Kevin Spacey’s production company. Kahuna also marks the film debut of stage director John Swanbeck and screenwriter Roger Rueff. And, boy, can…

Relaxed Woody

Woody Allen is back on screen in Small Time Crooks, a bittersweet comedy that in many ways could have been lifted straight from the ’30s. For the most part, it’s Woody Allen Lite, which is not at all a bad thing. While one doesn’t want to penalize Allen for his…

Sweet Mistry of Life

“I came to it late on–17” says Jimi Mistry of acting, and makes his interviewer feel roughly the age of a mummy. The young Brit, who did “most of my growing up in Manchester” before attending the Birmingham School of Speech and Dramatic Arts, made his film debut in 1996…

Get Trucked

Over the past quarter-century, the Hall of Flame Museum of Firefighting has grown into one of Phoenix’s finest museums. The Hall’s extensive collection includes working fire alarms, photos, prints, paintings, patches and uniforms from across America and around the world, along with many superb specimens of wheeled firefighting apparatus. There…

Paging Patti

You can call Patti LuPone at seven in the morning, mere hours after she’s finished a backbreaking series of shows in Manhattan, and she’ll talk to you at length about her life and career. You can call her a Tony winner or the recipient of two Drama Desk awards or…

Diff’rent Strokes

In each of the shows that opened here last weekend, there’s a scene in which the tormented lead demands that his male lover tell him “I love you.” The replies are as different as the productions; one of them a comedy, the other a drama. Both plays deal with issues…

Four Play

Digital video is poised to become a major factor in commercial filmmaking, and Time Code, the new feature from Mike Figgis (Leaving Las Vegas), could be used as a commercial for the process, which is its greatest point of interest. The movie is not so much an intriguing story as…

Rave Review

Given that most film studios have multimillion-dollar marketing budgets with which to target 18- to 25-year-olds, it’s astonishing how little they seem to know about the everyday life of those they’re supposed to be studying. Drew Barrymore has never been kissed? Please. Rachel Leigh Cook undatable until Freddie Prinze Jr…

Mikhail Begone!

When asked to name the most erotic sequence they have ever seen in a film, people tend to pick moments like the love scene between Julie Christie and Donald Sutherland in Don’t Look Now or that indelible image of Kathleen Turner in Body Heat, standing just inside her house, silently…

Dawn of the Dead

This was to be a column extolling the daring and inventiveness of a very groovy Sci Fi Network television show called good vs. evil, in which two dead men, a fro-sporting, cool-spouting brutha and his pale-faced partner, try to save the souls of those who have made Faustian deals with…

The Mother of All Monologues

It’s often said that women turn into their mothers as they grow up, and in the case of writer-performer Nancy Wolter, that’s proved particularly true. Wolter’s 70-minute performance piece In Her Own Voice: Stories of My Mother is a tribute in which the author assumes the role of her own…

Grill Power

The first time I talked to Mad Coyote Joe, I asked him how he got started as a TV chef.”To tell you the truth, here’s what I think happened. I think they just said, “You know that fat motherfucker who’s desperate to be on TV? Let’s give him a chance.'”…

The Final Cut

Peter Becker is the most important man in the movie business, even though you have no idea who he is. Becker himself would not cop to such a description; he, like few else in the business called show, does not put himself before the work. To describe what he does…

Slap Happy

On the last night it played Tucson, The First Hundred Years by Arizona Theatre Company drew more than an appreciative crowd. As the audience filed out, local paramedics filed in, reportedly to remove an ailing patron who’d collapsed during the evening’s performance. He certainly hadn’t laughed himself sick. This one-act…