Arts & Culture

Think of Flower as a little like Sofia Coppola’s teen-thief satire The Bling Ring with the realism and consequences to bad behavior of Catherine Hardwicke’s Thirteen

The film tells the story of a terrorized woman in a mental hospital who’s trying to convince the staff and patients that she shouldn’t be there and is being held against her will

“The robots were the good guys, because humans drove them. So maybe they weren’t technically robots. Well, some of them were.”

Uthaug’s film, like the recent reboot of the video-game series, gives us a grittier Lara Croft.

It’s worth reconsidering The X-Files’ feminism today, especially when so much of the series’ fan goodwill is based on the quietly political leaps it made in the last century.

If you’ve ever wondered what it might look like to crossbreed an edgy cable comedy with a jovial network sitcom, A.P. Bio, created by former SNL writer Mike O’Brien, suggests just that sort of Frankenfood

Making it rain has long been mainstream, but the FX show presents a more novel sight: average Atlanta residents, reckoning with what often gets treated as a national rite of passage

Here is a movie made for and about the people who believe they are the essence of American normalcy, a movie that dutifully flatters and celebrates them even as it works to expand who that normalcy actually includes

The director seems to be in pursuit of a broader tapestry: The Russia he presents is a wasteland of survival, where a woman’s only hope is pairing off with a moneyed man