Arts & Culture

Where were you when you learned that you’d be making your DJ debut at the biggest rave of the year? And that said rave was only eight hours away? Ethan, the sheepish main character of Netflix’s straight-to-streaming EDM movie XOXO, gets the news in his kitchen, where his mom is cooking breakfast…

Leonard Nimoy’s 1975 memoir, I Am Not Spock, stirred fan outrage: How dare the actor, who was indeed Spock in the original Star Trek series, publicly dismiss his beloved half-human, half-Vulcan alter ego? According to Adam Nimoy, Leonard’s son and the director of the heartwarming but uninventive documentary For the Love…

The techniques of verbatim theater go back decades, to at least the 1950s, when young German theater troupes would re-enact complicated court cases word for word onstage. Even earlier, in the United States, the WPA paid for a form of this performance with its Living Newspapers, in which theater artists…

Like American Sniper (2014), Clint Eastwood’s Sully is a movie of nightmares. In Sniper, Chris Kyle (Bradley Cooper) sits rigidly in the living room, imagining the gunfire, roaring helicopters and wailing bystanders of Fallujah playing out on a turned-off television as his children race through the house. In Sully, Chesley…

A decade after the fact, the scandal of JT LeRoy — the HIV-positive, young male (though gender-fluid) writer adored by scores of global alt celebrities who was revealed to be the creation of a woman named Laura Albert — is relitigated in Jeff Feuerzeig’s queasily absorbing documentary Author: The JT…

Christian Carion’s refugees-on-the-march World War II drama Come What May is the kind of old-fashioned war movie that’s crafted not just to emphasize history’s horror and brutality. Yes, Carion stages the occasional slaughter with heartsick brio, and sometimes can’t resist taking pleasure when the violence goes against the bad guys,…

Horror has in recent years been so informed by found footage, smartphones, and Skype that a trend toward folklore was probably inevitable. Far from trying to capture the moment, arthouse movies like The Babadook, It Follows, and now Demon aspire to a kind of timelessness — what was old has…

What happens when a director takes his own life before he’s able to see his work open in theaters? In the case of Marcin Wrona and Demon, his mesmerizing Polish art-horror film, Olga Szymanska, Wrona’s producing partner and wife, has pressed on. She has traveled with the film, watching the…

Eight minutes into the pilot episode of Cinemax’s new crime show Quarry — an uneven but largely rewarding translation of Max Allan Collins’ crime books into emotionally challenging, character-driven television — Marine Lloyd “Mac” Conway, Jr. (Logan Marshall-Green) returns home a day early from his second tour in Vietnam. By…

Here’s a gorgeous and audacious slice of East Bay life that’s dreamily attentive to Northern California sun and concrete, to the shambled beauty of a street couch under a BART station, to the slow thump of cruising stoned with hip-hop bumping, to the way suburb-city edges into city-city and the…

Before The Eric Andre Show came along, I always thought acting like a complete lunatic on television was mostly a white-people thing. As a culture, African Americans generally frown upon the idea of being unabashedly clownish for the masses — black folks call it “showing your ass.” All those years…

We’re recapping Difficult People, episode by episode. I hate having all these human emotions. Here we are at the end of Difficult People season two, and Billy and Julie are waiting for a ride-share car that wears a goatee. There was some sort of incident and the city’s on high alert, which…

The most destructive villain in this year’s summer movies isn’t some super-powered fiend. It’s us, the consumers of North America, whose desires shape the world. The U.S. looms over Jayro Bustamante’s patient, observant, exquisitely painful debut feature Ixcanul, just as it looms over the Guatemalan coffee plantation in which Bustamante’s…

Starting with 1985’s No End, composer Zbigniew Preisner served as one of Krzysztof Kieslowski’s closest collaborators — he worked on all of the director’s films until Kieslowski’s death in 1996, with several of their collaborations actually revolving around the world of music. (The duo even created a fake Dutch composer, Van den Budenmayer,…

“I don’t have any answers,” Krzysztof Kieslowski once said, “but [I] do know how to pose questions.” Not an uncommon stance for an artist, certainly, but perhaps surprising for one who made a massive, 10-part miniseries based on the Ten Commandments. Later, trying to explain why he and screenwriter Krzysztof…