Arts & Culture

In a summer of disappointing reboots, underperforming sequels and rejected franchise bait, Ben-Hur is something rare: a remake no one asked for but weary moviegoers might accept as a small gift for lack of any better option. Timur Bekmambetov’s reimagining of William Wyler’s 1959 epic, itself preceded by two silent…

We’re recapping Difficult People, episode by episode. Hey, you look homeschooled! It’s been slow going for Billy and Julie on season two of Difficult People. Between the two, they’ve failed at resolutions not to have anonymous sex at the gym, killed Nathan Lane, kept their porn to themselves, pretended to…

The Bronx is burning in the introductory episodes of The Get Down, Netflix’s new series that presents as urban-cinematic fable the genesis of rap. The cluttered, over-caffeinated 90-minute pilot, directed by creator and executive producer Baz Luhrmann, takes place in the summer of 1977, when a serial killer terrorized New…

Once, American comedies concerned underdog heroes who challenged the status quo and seized the territory of the upper-class characters who thought they were in control. Slobs vs. snobs. During the wartime administration of the lesser President Bush, the wealthy thoroughly dominated the culture, occupying America the way the army patrolled…

From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…

Baseball is boring. And I’m saying this as someone who loves and plays the game, as someone who’s watched all of Ken Burns’ Baseball and as someone who agrees with Red Barber that “Baseball is dull only to dull minds” — we’re all gonna be a little dull in a…

Natalie Portman proves herself a filmmaker of intelligence, ambition, and inventiveness in her debut as a director and writer — just not one who is always certain as a storyteller. A Tale of Love and Darkness adapts, with a passionate somberness, several threads from Amos Oz’s autobiographical novel of the…

Hey. Do you guys remember puppet comedian Jeff Dunham, whose downtrodden Mexican “on a steeeek” character José Jalapeño delighted many a middle-class white American in the ’90s? Well, imagine he blazed up a joint with Bill Maher, wrote a manifesto on atheism and then made a multimillion-dollar animated feature film…

The central conceit of Imperium — Daniel Radcliffe playing an FBI agent who goes undercover as a white supremacist — is laughable, and the film, to its credit, knows this. Harry Potter as a skinhead? Don’t worry, that’s all part of the plan. Well, maybe. Writer/director Daniel Ragussis tries to…

In contemporary film, it’s typical for an African American character to be the sole person of color in the story, only existing to reveal hidden racism or make white people uncomfortable with themselves. Black characters rarely get to talk to other black characters. Last year, Manohla Dargis suggested a new…

Late in Lo and Behold, Reveries of the Connected World, his unsurprisingly wry, quizzical documentary survey on life inside and beside the virtual world, Werner Herzog stumps two brain researchers with a lyrical question in that instantly recognizable (and often parodied) German accent: “Does the internet dream of itself?” An ever-adventurous…

Michael German went undercover with white supremacists for a year and with right-wing militants for another eight months, and now he wants to set some things straight. “One of the things I learned working undercover is that the studies that the FBI or even academia had on these groups were…