Arts & Culture

Patricia Rozema is what you might call a “working director.” Her first credit was Second Assistant Director on three episodes of the acclaimed children’s series, Sharon, Lois & Bram’s Elephant Show in 1984, and since then she’s written, directed and produced art-house shorts, film-industry docs, a music-and-dance film (Yo-Yo Ma…

Through six seasons of Game of Thrones, there’s been plenty of nudity to go around. But compared to the first few seasons, the three more recent ones have been fairly tame when it comes to portraying sex. Still, there’s been a serious amount of nakedness in most episodes (even by…

Allison Janney is deflecting questions about herself to proclaim the talent and intelligence of her Tallulah co-star Ellen Page, whom she already step-mothered onscreen in 2007’s Juno, when she suddenly interrupts herself. “Oh my god,” she says. “I’ve been talking since six this morning. I’m bleary-eyed from all the conversations…

Brady Corbet has emerged as the face of millennial malaise on the strength of roles in films like Simon Killer, Clouds of Sils Maria and Melancholia, but what he really wants to do is direct — and direct he does in The Childhood of a Leader, his ambitious behind-the-camera debut…

Writer Keith Gessen once said that Philip Roth wasn’t a misogynist and didn’t hate women because he spent all his time “thinking about fucking them.” But he did concede that Roth probably thought “women were a foreign country.” In James Schamus’ debut feature Indignation, an adaptation of a late Roth…

Ellen Page’s complicated onscreen relationship with children continues in Tallulah, which reverses the Juno dynamic — this time her title character wants a kid who isn’t hers. Orange Is the New Black scribe Sian Heder makes her directorial debut with the sympathetic indie, a maternal character study that loses its…

Can We Take a Joke? is a surprisingly self-righteous and unfunny documentary in which shelf-dated comedians spend 74 minutes misinterpreting the First Amendment to mean that behaving like an asshole should have no social consequences. The film and all of its subjects — including Penn Jillette, Lisa Lampanelli, Jim Norton,…

With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…

The ludicrous but amusing teen social-media thriller Nerve is committed to pinning its characters into a world we understand as ours. It opens with Skype, Spotify, Gmail, and Chrome, all on the MacBook screen of a mousily beautiful teen, Vee (Emma Roberts), who you just know is one horrific adventure…

Anna Gunn actually gets to do things in Meera Menon’s expansive high-finance drama Equity, which is almost reason enough to recommend it right there. The Breaking Bad co-star tears into the role of a rainmaking banker taking a Silicon Valley company public. For once, it’s Gunn whose character gets to…

Jack Pettibone Riccobono’s The Seventh Fire opens on dark, grainy footage of a highway at dusk before cutting to an overhead shot of a long stretch of forest, and then to two Native American men in a canoe, harvesting worms from a quiet lake. They take the worms home, where…

In Patricia Rozema’s quiet, sci-fi-lite thriller Into the Forest, the power goes out pretty quickly, but the film itself is electric. Nell (Ellen Page) studies for the SAT and chats with her boyfriend on a futuristic floating computer screen, while her sister Eva (Evan Rachel Wood) twists her body into…

Barbara Kopple’s Miss Sharon Jones! tells the kind of true story that makes you want to kick creation itself square in the crotch. Here’s that firecracker soul singer, nearing her 60s, her boogie still majestic, her band still a tight retro marvel, her wail still the southern end of a northbound…