Machete Kills Is a B-movie Worth Buying

During his 2012 presidential campaign, Republican candidate Herman Cain rhapsodized about the fence he’d build on the U.S.-Mexico border: 20 feet tall with barbed wire, electricity, and a moat. “And I would put those alligators in that moat!” he cheered. For Machete Kills, Robert Rodriguez built that fence but left…

CBGB Could’ve Been Good, But . . .

CBGB begins with a bit of misdirection. You think punk started at 315 Bowery. You’re wrong. It began in a basement in Connecticut with two ne’er-do-wells, John Holmstrom and Legs McNeil. There, according to the film — a mostly turgid, boring-as-hell, campy slog that gets more wrong than right —…

Podcast: Why Alfonso Cuaron’s Gravity is a Near-Perfect Movie

GravityOn this week’s Voice Film Club podcast, the Village Voice’s Alan Scherstuhl and Stephanie Zacharek both praise Alfonso Cuarón’s Gravity (starring George Clooney and Sandra Bullock), saying the director exhibits a “lovely human touch” with film, which is set in space, and that it’s “so different than anything else he’s…

Parkland Can’t Quite Honor Life After JFK

“What a shitty place to die.” Whatever your feelings about Dallas, that’s a pretty harsh assessment. Then again, the character in Peter Landesman’s well-intentioned but unfulfilling Parkland who says it, an aide to fallen President John F. Kennedy, can probably be forgiven for his snotty Yankee attitude. Next month marks…

Metallica: Through the Never‘s Weird Provocation of White Aggrievement

In their experimental new film, Metallica endeavor to translate the anger and pain in their music into a visual medium. Directed by Nimród Antalis, Metallica Through the Never is the band’s second big-screen effort, the first being being the 2004 behind-the-scenes documentary Metallica: Some Kind of Monster. That debut, created…

Gravity Is a Thrilling Breakthrough

Some movies are so tense and deeply affecting that they shave years off your life as you’re watching, only to give back that lost time, and more, at the end. Alfonso Cuarón’s Gravity is one of those movies. Sandra Bullock and George Clooney play astronauts — one a medical engineer,…

The Moving Wadjda Reveals the Lives of Saudi Girls

Like all kid protagonists in movies, Wadjda’s Wadjda wants one pure thing so much that the very concept of want shades into need. If this plucky Saudi Arabian girl (played by preteen Waad Mohammed) doesn’t get a bicycle, it seems, some fundamental quality of hers might not survive adolescence. Her…

5 Must-See Movies at The Scottsdale International Film Festival

The Scottsdale International Film Festival is back in its 13th year and full of premières, special advanced screenings, and thought-provoking documentaries from all over the world. The four-night event runs October 4 through 8 at Scottsdale’s Harkins Shea 14 Theatre and promises everything from all-star casts to special Q&A sessions…

Don Jon: Joseph Gordon-Levitt Triumphs Over Online Porn

To paraphrase the Bee Gees, Joseph Gordon-Levitt should be dancing. He’s already done it in (500) Days of Summer, where he led an exuberant ensemble routine that out-Dr Peppered any Dr Pepper commercial. Then there was his smashing Saturday Night Live re-creation of Donald O’Connor’s “Make ‘Em Laugh” — like…

Blue Caprice Finds Fresh Terror in the D.C. Sniper Case

With so many violent movies and lurid movies and straight-up bad movies — most just so much murderous product — it’s rare anymore to be seized by that feeling, as a film plays, that maybe there’s a reason for this particular violent or lurid or bad movie to exist. They…

Isaiah Washington Had to Hurt to Play the D.C. Sniper

Isaiah Washington didn’t want to play John Allen Muhammad, the Beltway Sniper who triggered three weeks of terror in 2002. The man — make that murderer — felt too familiar. Like Washington, Muhammad was a veteran and a father of three. Both were analytical, observant, and quick to vent their…

Enough Said: Fall for James Gandolfini One Last Time

When a relatively young actor dies suddenly, as James Gandolfini did in June, it’s tempting to wonder about the roles he’ll never get to play. When we didn’t know we’d be losing him so soon, it was always fun to see Gandolfini show up, a casual surprise: In 2012 alone…

Metallica: Through the Never Is One of the Great Concert Films

The last time Metallica made a documentary, they let the cameras into their therapy sessions, their private lives, their struggles with their families. It wasn’t good for their image, but it made for a compelling film. This time they reverse tactics. In Metallica: Through the Never, the most immersive concert…

Foodstuffs Go Nuts in the Charming Cloudy 2

Kids are assholes, or at least cartoons think so. Animation has inked a grand tradition of cruelty, from Wile E. Coyote’s countless failed firebombings to modern-day kiddy cash-grabs where the most common punchline is a fall or a fart. Can’t we all just get along? In Cody Cameron and Kris…

On FX’s The Bridge, Serial Killers Are a First-World Problem

Mild spoilers up to The Bridge’s ninth episode below. Artisanal murders are all the rage these days. On Showtime’s Dexter, NBC’s Hannibal, and Fox’s The Following, small-batch, labor-intensive, sold-with-a-story slaughters have become TV’s equivalent of the Cronut. Handsome, intelligent, and mannered as court eunuchs, serial killers have become the new…

Rush‘s Racers Draw New Life From Ron Howard

It’s 1976, a year when all the groovy girls are traipsing around in tiny suede skirts and all the cool guys have Badfinger hair. One of those guys was English racing driver James Hunt, the charismatic rapscallion who won that year’s Formula One World Championship — the embroidered badge on…