Kisses: Happily Ever After Not Included

Strictly speaking, the two scrappy Irish kids in Lance Daly’s Kisses aren’t homeless, but in every sense that matters, they have only each other for shelter. Kylie and Dylan (played by Kelly O’Neill and Shane Curry, both plucked from Dublin schools and oozing forlorn defiance) live next door to each…

Behind the Scenes of FilmBar Phoenix

Not too much beats a good movie and a drink. It’s why we’re pretty excited about FilmBar Phoenix, the independent theater opening this November at 815 N. Second Street. Since the departure of The Palms Theatre and the Sombrero Playhouse, downtown has been indie theater-less, and the multi-plex AMC at…

Wild Grass: Alain Resnais Does His Carrot-Topped Muse No Favors

Alain Resnais’ Wild Grass has plenty of fans — it copped an award at Cannes in 2009 — but I don’t see what they see. The 87-year-old filmmaker’s latest is an insufferable exercise in cutie-pie modernism, painfully unfunny and precious to a fault. Adapted from a novel by Christian Gailly,…

Dinner For Schmucks: Mental Disability as Comedy?

In Steve Carell’s first few episodes of the American version of The Office, his character, Michael Scott, hewed closely to the template created by the series’ British mastermind, Ricky Gervais. Scott, like David Brent before him, was cruel and obtuse, a nightmare of a boss who thinks he’s a leader…

Beat The Clock 48 Hour Film Challenge At Phoenix Art Museum

Some consider “amateur” to be a dirty word. I disagree. I’ve got nothing but respect for people who do something purely out of love, who don’t let their lack of training or skills get in the way of expressing their passion. One heartfelt work by an amateur is worth five…

Inception Tries to Get Inside Our Heads

Inception is a chilling trip into the psyche . . . of writer-director Christopher Nolan, an Anglo-American action director who shattered the Tomatometer of mass-consensus with The Dark Knight. Nolan’s follow-up offers more muted colors, gift-wrapped themes, and GQ leading men with stockbroker comb-backs over the frowns carved in their brows — indicators…

The Kids Are All Right‘s Warm and Fuzzy Lesbian Family Values

Serious comedy, powered by an enthusiastic cast and full of good-natured innuendo, Lisa Cholodenko’s The Kids Are All Right gives adolescent coming-of-age and the battle of the sexes a unique twist. It does this in part by creating a romantic triangle between a longstanding, devoutly bourgeois lesbian couple, Nic and…

Big Screen Love: Where to Catch Some Summertime Cinema

For summer activities, an inside setting is often necessary. Perhaps it’s the butter-drenched popcorn or the near-arctic temperature, but summertime screams movie time and we have just the right places to cool off and catch a film. And while getting out to see a movie can be costly, especially at…

Winter’s Bone Searches for Truth in the Ozarks

“Never ask for what ought to be offered,” 17-year-old Ree Dolly (Jennifer Lawrence) tells her little brother in Winter’s Bone, Debra Granik’s dark and flinty Ozark fairy tale. Those are words to live by for Ree and her people, scattered across the hardscrabble crooks and hollers of the southern Missouri…

Despicable Me: Childish and Funny 3-D Delights

As the lights were dimming before a preview screening of Despicable Me, the 6-year-old who lives in my house leaned over and said, “I hope this is funny — not like Toy Story 3.” Now don’t misunderstand: He adored that movie. It’s just that whenever the subject comes up, the…

Hoarder Stories, Part 2

Remember when “hoarder” was a word one only heard when talk turned to rodents and wildlife? When a pack rat was the crazy old guy at the end of the block who never threw away his newspaper? Today, hoarders and pack rats are entertainment–and, if some of the items on…

Hoarder Stories, Part 1

I worry about my interest in hoarders. They are, as the stars of reality shows like A&E’s Hoarders and TLC’s Hoarding: Buried Alive, the latest in a long line of Americans–right after celebrity drug addicts, obese weight-loss competitors, and tone-deaf teenagers who think they can sing–who are being exploited for…

I Am Love: Tilda Swinton’s Got to Be Free

As unrepentantly grandiose and ludicrous as its title, Luca Guadagnino’s visually ravishing third feature suggests an epic that Visconti and Sirk might have made after they finished watching Vertigo and reading Madame Bovary while gorging themselves on aphrodisiacs. That it works so well — despite frequently risible dialogue (“Happy is…

Cyrus: Peter Pan Complexes Collide

In Cyrus, a freakishly engrossing black comedy about excessively mothered men and the women who enable them, the excellent John C. Reilly plays John, a middle-aged editor who lives like a stalled graduate student in his cluttered Los Angeles cottage. That’s where his former wife and close friend, Jamie (Catherine…

“Throw Down Your Heart” Into A New World Of Sound

No Festival Required has had many homes over the years, its screenings hosted by so many different venues that its director, Steve Weiss, often refers to it as “the floating crap game of cinema”. Over the past year, one of its reliable haunts has been the Phoenix Art Museum, where Weiss…

Joan Rivers: A Piece of Work: Getting Old Isn’t for Sissies

Opening with a close-up of the crow’s feet around its subject’s eyes and expanding to reveal her Botox-frozen upper lip, the documentary-portrait Joan Rivers: A Piece of Work celebrates Saint Joan the Resilient, Showbiz Survivor. Ricki Stern and Annie Sundberg dogged the indomitable stand-up comic throughout the course of her…