Directed by Spike Jonze from a 400-word children’s picture book published in 1963, Where the Wild Things Are may be the toughest adaptation since Tim Burton fashioned Mars Attacks! from a series of bubblegum cards. Tougher, actually: Burton was working with ephemeral, anonymous trash; Jonze is elaborating on a classic…
The Yiddish shtetl shtick that opens Joel and Ethan Coen’s new movie — a Jewish peasant stumbles on an old Hasid who may or may not be a Dybbuk — is pretty clumsy, but at least it tips its hat to the great existential comedy that A Serious Man might…
The ushers at a packed screening of Michael Moore’s latest movie, Capitalism: A Love Story, came proudly decked out in T-shirts bearing slogans like “Make Love, Not Capitalism” and “Capitalism, We Have a Problem.” The shirts and the movie are brought to you by those filthy Reds: Overture Films —…
The Invention of Lying’s plot hook sounds like a pile-up of Jim Carrey-Tom Shadyac concept comedies. The assumption is that there isn’t much crossover between the Liar, Liar and Ricky Gervais fanbases. Gervais’ fuzzy parable exists in an alternate universe where nobody has made a word for “truth,” because nobody…
When, in the early ’00s, I worked as a freelancer for a publication two floors below Vogue — this was pre-Devil Wears Prada — each sighting of Anna Wintour, no matter from how great a distance, was terrifying enough to immobilize me for a few seconds, leading to a sweaty…
Set in the bucolic suburbs of early-19th-century London, as fresh and dewy as a newly mowed lawn, Jane Campion’s Bright Star recounts the love affair between a tubercular young poet and the fashionable teenager next door. It’s more conventionally romantic than wildly Romantic — but no less touching for that…
As evidenced by The Informant!, it’s a hell of a tricky thing turning real-life pulp into floss sugar. The story of Archer Daniels Midland biochemist-exec-turned-crooked-federal-snitch Mark Whitacre is a tragicomedy. Journalist Kurt Eichenwald spent five years trailing the bipolar fuck-up, and his 2000 book, The Informant, is so densely, richly…
Finally, there’s a vampire movie worthy of the title The Hunger — even if it arrives under the more potable name Thirst. Carnal appetite, not a parched palate, is the accelerant that fuels this perverse, prankish, and merrily anti-clerical exercise in bloodletting from Park Chan-wook, the South Korean director whose…
Early in Shane Acker’s computer-animated debut feature 9, a diminutive anthropomorphic whatsit with wooden hands, copper fingers, and the titular numeral emblazoned on his chest awakens to the lifeless body of his human creator and sets forth into a decimated industrial landscape — all twisted metal and smokestacks — that…
Jean-Pierre and Luc Dardenne, secular worker-priests of the Belgian cinema, emerge once more from their lower depths. In describing one of their movies, you describe them all. Lorna’s Silence, like their five other features since 1992, was shot in French-speaking Wallonia, in their native province of Liège, the first industrial…
Mike Judge began writing the screenplay for Extract not long after Office Space opened and closed in a matter of weeks in the late winter of 1999. The two movies were always intended as bookends, with Extract countering the earlier film’s woe-is-me tale of the put-upon prole with its fucked-am-I…
As Tetro, Francis Ford Coppola’s baroque genealogical melodrama, reaches its appropriately hysterical denouement, Vincent Gallo fixes his pale gaze on young co-star Alden Ehrenreich and reassures him, “It’s going to be okay; we’re a family.” Gallo’s warmth is not altogether convincing, but for writer-director Coppola, Tetro is a cri de…
Sophie Barthes’ clever metaphysical comedy Cold Souls has been dubbed “Being Paul Giamatti” more than once since its Sundance 2009 debut. But if comparisons to the films of Charlie Kaufman are inevitable, the similarities only go so far. Sure, Paul Giamatti plays “Paul Giamatti,” another “real” actor unwittingly embroiled in…
Energetic, inventive, swaggering fun, Quentin Tarantino’s Inglourious Basterds is a consummate Hollywood entertainment — rich in fantasy and blithely amoral. It’s also quintessential Tarantino — even more drenched in film references than in gore, with a proudly misspelled title (lifted from Italian genre-meister Enzo Castellari’s 1978 Dirty Dozen knockoff) to…
Late in the infectiously frisky documentary The Cove, an older man calmly gate-crashes an international conference on whaling with a television screen strapped to his chest, showing bloody images of the mass slaughter of dolphins in a pretty cove off the coast of Japan. It’s a show-stopping publicity stunt by…
The aliens have been with us already for 20 years at the start of South African director Neill Blomkamp’s fast and furiously inventive District 9, their huddled masses long ago extracted from their broken-down mothership and deposited in the titular housing slum on the outskirts of Johannesburg. Unlike the space…
In the same week that the South African import District 9 gives us a Johannesburg beset by alien invaders, the latest film by animation legend Hayao Miyazaki envisions a small Japanese port town turned upside down by visitors from the bottom of the sea. Loosely based on Hans Christian Andersen’s…
It was the best of movies. It was the worst of movies. Which is to say: There’s half of a great movie in Julie & Julia — but since Meryl Streep has already starred in one titled Julia, perhaps it was merely necessary to tack on the “Julie” half to…
“When you bad,” boasts the young and beautiful, piss-and-vinegar-filled Muhammad Ali early in the documentary Soul Power, “you can do what you wanna do.” The film, which takes too long to get to the meat of its matter — but captivates once it does — is an addendum to Leon…
Lynn Shelton’s Humpday, a sexual sitcom, opens with a pair of breeders in bed. A youngish married couple, Ben (Mark Duplass) and Anna (Alycia Delmore), confess that they’re too tired to procreate that night and then confess their mutual relief. As if in response, the doorbell rings at 2 a.m…
After devoting his first two films as director, The 40-Year-Old Virgin and Knocked Up, to getting laid and having kids, respectively, Judd Apatow brings the circle of life to a close with Funny People, which stars Adam Sandler as George Simmons, a popular, Sandler-esque movie star diagnosed with a rare…
On the surface, (500) Days of Summer really is no different from, oh, The Proposal, in which Ryan Reynolds and Sandra Bullock spun box-office gold from romantic comedy’s refrigerator fuzz. Former music-video maker Marc Webb’s feature debut is as conventional as any made-for-cable rom-com, down to its soft-indie-rock soundtrack on…
