Bewitched may go down as the first movie about a fictional failed actor that created a real-life failed actor. This hackneyed, hapless, and utterly useless redo of an overrated 1960s sitcom is excruciating to sit through for a dozen reasons. But nothing is more intolerable than the sight of Will…
I envy people whose favorite television show is something well-written or intelligent. My cousin John loves The Mary Tyler Moore Show; my sister has seen every episode of The Dick Van Dyke Show a dozen times each. Even my mechanic favors smarty-pants programs like Seinfeld and Curb Your Enthusiasm. I,…
Not many people saw Lost and Delirious, the 2001 boarding-school drama about two girls in obsessive love, and that was probably for the best. Yes, Piper Perabo (Coyote Ugly) made a stunning androgynous rebel, but she couldn’t rescue the film from its unctuous self-importance. My Summer of Love, a bewitching…
Anyone who would insist that movie reviewing is not a real job (‘Sup, Mom) hasn’t been forced to sit through screenings of Bewitched and Herbie: Fully Loaded in the span of five days — and by forced, I mean either you see both movies, write 800 words about each, or…
It’s okay to be slightly afraid of Hungarian movies. Even critics don’t necessarily relish the thought of them, or look upon Budapest as a hotbed of filmmaking. As a matter of fact, it’s hard to recall the last time there was a good movie from the land that gave us…
DC Comics has kept its superheroes locked in a fortress of solitude for almost a decade, forcing the likes of Superman and Batman to warm the bench while longtime rival Marvel Comics’ Spider-Man and the Hulk and the X-Men and Blade galloped up and down the playing field. Not counting…
For all their exceptionality, there is also a numbing sameness to the movies of Hayao Miyazaki, the revered animator who has bewitched Japanese audiences since the late 1970s and bewildered American ones since 1999, when Princess Mononoke was among the first of his movies to receive significant stateside release. There…
It won’t ruin anyone’s experience of 3-Iron, the new film by Korean writer/director Kim Ki-duk, to reveal that it closes with a single epigraph: “It’s hard to tell that the world we live in is either reality or a dream.” Presumably, the correct translation would replace “that” with “whether”; even…
The consequences of marital discord in Mr. & Mrs. Smith go way beyond sleeping on the couch or maintaining icy silence at the breakfast table. Thanks to a cartoonish premise by British screenwriter Simon Kinberg — and the dictates of the summer-movie marketplace — the battling Smiths of the title…
About a year ago, buzz started building among horror fans about a French slasher movie titled Haute Tension, about two girls who go to a country house and get terrorized by a maniac in workman’s coveralls. It had been well received in Europe, and horror geeks with Web sites here…
Robert Rodriguez just keeps cranking ’em out. This hasn’t always been a good thing — Spy Kids 2 and 3 felt rushed in a way that the first one didn’t, and Once Upon a Time in Mexico looked cheap compared to its cinematic predecessor, Desperado. But the more Rodriguez keeps…
It’s always difficult to pan a movie that features good actors, important issues, and noble intentions. But In My Country, a romantic drama about two journalists covering the Truth and Reconciliation Commission hearings in post-apartheid South Africa, leaves little choice. Clunky and obvious, it makes the mistake of asking drama…
If you’re trying to navigate the gulf between the absolutist view inside Fortress Bush and the relativist politics of Western Europe, you need go no further than Brothers, a provocative new drama from Denmark. Superficially, it’s an intimate and rather self-contained film, but director Susanne Bier (Open Hearts, The One…
There was no reason to expect much from Cinderella Man, Ron Howard’s biography of boxer James Braddock, who in the summer of 1935 became the most unlikely heavyweight champion in the history of boxing. After all, it’s a true tale whose outcome has been predetermined; surely there could be no…
The Sisterhood of the Traveling Pants is a flawed movie born of a flawed novel, but let this be clear: Girls will eat it up with a spoon. It features three young stars, indulges in rampant romantic fantasy, drips with teary-eyed sentimentality, and pays a heapload of lip service to…
Lords of Dogtown is an odd, disorienting commodity — a fictional version of a documentary (Dogtown and Z-Boys) about the birth of skateboarding in 1970s Venice, California, that was written by the man who directed said doc, in which he was a central figure. Stacy Peralta, whose Dogtown and Z-Boys…
Layer Cake, the new British crime drama from first-time director Matthew Vaughn, is a block of granite struggling to liberate the statue inside it. Vaughn (producer of Snatch and Lock, Stock and Two Smoking Barrels) has plenty of dark threat and compelling visual style, but his ambitious trip into the…
Ten is a magical age, when kids are old enough to make articulate statements about their experience and young enough to express their feelings without shame. In a couple of years, excitement will go the way of the bag lunch and become uncool, and acceptable poses will shrink to a…
Adam Sandler cast as a former pro quarterback — that laughable setup is about the only funny thing about this pointless, witless remake of The Longest Yard, which wasn’t intended to be taken as a comedy in 1974 and won’t be mistaken for one in its latest incarnation. (It was…
It’s fair to say that Madagascar, directed by one man who made Antz and another who used to work on Ren & Stimpy, is virtually plot-free — nothing more, really, than a scene or two from The Great Escape cut and pasted into an episode of Survivor. Its threadbare story…
If it’s been a while since you’ve seen a great work of art, perhaps you’ve forgotten what it feels like: It feels euphoric. At least, that’s the glorious, heel-kickin’ boost that resulted after a screening of Look at Me, by French writer/director/actress/superhero Agnès Jaoui. There was euphoria — and jubilation…
Alex Gibney’s Enron: The Smartest Guys in the Room is a thoroughly professional, frequently spectacular piece of muckraking. But any American who hopes to watch this portrait of unfettered corporate greed, cynical power-lust, and outrageous deception without going postal about an hour into the thing would do well to bring…
