It’s been nearly three years since Pedro Almodóvar’s All About My Mother won the Oscar for Best Foreign Language Film. Perhaps it’s in the spirit of spreading things around that Spain has not nominated Almodóvar’s latest, Talk to Her, as its entry this year. Certainly it’s hard to imagine any…
Dark Blue, according to its credits, is based upon a story by Los Angeles-born author James Ellroy, who pens grisly and guilt-ridden pulp-noir haiku that spread across hundreds of pages. Its screenplay was penned by copper caper fetishist David Ayer, a native Angelino with an affinity for Hollywood-dark stories that…
Right-wing pundits will be coming out of the woodwork to holler about this one. Bad enough, they’ll say, that The Life of David Gale attacks the death penalty; it also features a caricature governor of Texas with big ears and a familiar, scripture-quoting smirk. Another character notes that 73 percent…
Anybody who’s cracked open a recent Disney G-rated DVD has probably witnessed the ultimate in sequelmania: On Lilo & Stitch, for instance, the feature was preceded (skippably, thank God) by trailers for The Jungle Book 2, Atlantis 2: Milo’s Return, 101 Dalmatians II: Patch’s London Adventure, Inspector Gadget 2, and…
If nothing else, because there’s nothing else to this movie, Shanghai Knights allows Jackie Chan, he of halting dialogue and poetic movement, to pay direct homage to his idols. He hangs from the arms of Big Ben, dangling off the stories-tall clock like Harold Lloyd in 1923’s Safety First; he…
The fanboy suckled at the teat of comic-book writer-artist Frank Miller, circa 1980-81, will be satisfied, for the most part, with this cinematic Daredevil; if nothing else, the thing’s got enough Marvel Comics in-jokes to amuse ’em down at the comics shop for ages, or at least till Hulk smashes…
A staire & Rogers. Hepburn & Tracy. Heck, Ball & Arnaz, Houston & Washington or Vardalos & Corbett. Over the decades, Hollywood has proven that its romantic comedies needn’t suck. But alas, they often do, as is the case with How to Lose a Guy in 10 Days. Clearly, bigwig…
While virtually no one in this country foresaw the American disaster in Vietnam, the late British writer Graham Greene glimpsed it with astonishing clarity a decade before the first U.S. “adviser” set foot on Vietnamese soil. Greene’s 1955 novel The Quiet American, which has now been made into a disturbing…
Director Gary Hardwick’s first film, The Brothers, was a refreshing take on the single black man romantic comedy, offering a surprisingly mature perspective full of depth and well-rounded characters without resorting to the time-honored stereotypes of black man as player and black woman as ball-busting bitch. Hardwick wrote the script…
First off, make no mistake: Biker Boyz is not, and has no intentions of being, The Fast and the Furious on two wheels, which will be considered a serious shame by the 12- to 12-year-old demographic who were hoping to chug a little more Diesel fuel until the official sequel’s…
Let’s start with two raves and a beef. Final Destination 2 is a tight, rockin’ popcorn flick packed with nasty kicks. It’s also a rare beast, a second horror-franchise installment that matches and in some ways supersedes the original (unlike such sputterings as Jaws 2, A Nightmare on Elm Street…
There are enough good scenes within the 94 minutes of The Guru to make an entertaining coming-attractions trailer. Wait, that’s unfair. Such previews are only one minute long. It’s simplistic and snarky to say there are only 60 seconds of fun to be found in this “Bollywood-meets-Hollywood” romantic comedy. In…
It used to be that the only Korean films to be seen in the U.S. were somber art-house films like Jeong Ji-yeong’s White Badge or veteran Im Kwon-Taek’s Chunhyang and Sopyonje. But as South Korea has developed a more technically sophisticated commercial film industry, these have been joined by hard-edged,…
Once upon a time, in the town of Darkness Falls . . . “Wait,” you’re probably saying to yourself, “Darkness Falls is the name of the town?” Yes, it is. And it’s haunted by an evil tooth fairy. Are you sure you want to know more? Okay, good. Because once…
Compiled in the cold light of day, the sum of Chuck Barris’ contributions to American culture are the Top 40 ditty “Palisades Park,” which he wrote in 1962, and his discovery, a few years later, that many people are willing to make complete fools of themselves in front of a…
It all begins with the word. “I believe I may have a first sentence,” murmurs Virginia Woolf (Nicole Kidman yes, really) to her husband, Leonard (Stephen Dillane), commencing labor on her fourth novel, Mrs. Dalloway. The year is 1921, but skillfully intercut segments illustrate that the book’s heady emotional content…
These are the dog days of January, the poor, put-upon month used by studios as a dumping ground for product considered too lethally toxic for release during those real moviegoing months December, say, when audiences are buzzed on two weeks of vacation and award-contenders do their Oscar striptease and reveal…
Paul Morse (Jason Lee) has this terrible problem. He’s all set to marry the take-charge, raven-haired beauty Karen (Selma Blair, thanklessly playing second fiddle as usual), but late in the game finds himself also falling for her free-spirited blond cousin Becky (Julia Stiles). Gee, what’s a guy to do? It’s…
Let’s start this movie year off right. Let’s talk about women. In film, that is. Oftentimes, women in film act a lot like men in film. (Behold, an almost complete history of men in film, condensed into six words: talking smack and/or cracking skulls.) Of late, however, it has come…
Spike Lee’s adaptation of David Benioff’s 2001 novel The 25th Hour hews closely to the original tale, which the author has adapted in screenplay form: Montgomery Brogan, a working-class white boy who dreamed of being a New York City firefighter ’til he fell into a soft pile of easy money…
Those who seek a polar opposite to Michael Caine’s kind-but-firm patriarch Dr. Wilbur Larch in The Cider House Rules will find it in Jim Broadbent’s horrid, one-eyed headmaster, Wackford Squeers, in the new adaptation of Nicholas Nickleby. Author John Irving cribbed extensively from Charles Dickens to create his delightful (and…
“Cops die daily and they die bad,” barks manic police Lieutenant Henry Oak (Ray Liotta) to undercover narcotics officer Nick Tellis (Jason Patric), revealing both his hardened ‘tude and a little confusion when it comes to adverbs. Welcome to Narc, Paramount Pictures’ bid for a gritty, post-Training Day dirty-cop thriller,…
