Lakeboat is a film adaptation of one of David Mamet’s earliest plays. It’s set on one of the title vessels, the broad, flat-bottomed freighters that traverse the Great Lakes, and the characters are the tough-talking crewmen. But it’s not a sailing adventure. It’s the opposite of a sailing adventure.There’s no…
Remember glee? Perhaps not, given our penchant in recent times to chuck giddy hearts aside in favor of being stupid, obnoxious and mean. But hey, it’s all right, because the fizzy, caffeinated beverage known as Baz Luhrmann seeks to re-create this elusive emotion for all of us, in the form…
Pearl Harbor isn’t really a movie at all, but a highlight reel prepared for a Jerry Bruckheimer career retrospective. The film is as impressive and as empty as any the producer has ever made, most of which seem to have been cut and pasted into it. There’s Top Gun: Two…
Time and Tide — the latest action picture from producer/director Tsui Hark, one of the world’s great entertainers — is a compendium of many of the best (and a few of the worst) traits of Hong Kong action cinema. It’s relentlessly visceral, making you feel as if you’ve been shot…
Like nearly all Merchant/Ivory productions, The Golden Bowl, their latest book-to-film adaptation, is a feast for the eyes, with choice real estate, exquisite interior design and dazzling costumes all bathed in a golden light that not only enriches the colors but helps to give the settings a sense of depth…
The somber figure of Ingmar Bergman no longer looms over the film world like a guilty conscience, but the great Swedish director has spawned enough artistic descendants to keep us supplied with thorny philosophical and ethical questions for decades to come. Faithless, the second film that actress Liv Ullmann has…
Kids might well be amused by the frenetic pacing of Shrek, the latest computer-animated film from DreamWorks, which moves so quickly it’s nearly a blur, though they need not get the jokes to enjoy frolicking in the muck (and the maggots) with a green, snaggle-toothed ogre who wants only to…
Presently sitting in a very peaceful meditation facility. First time here. The location (which shall remain unnamed so as to maintain nondenominational vibe) was selected specifically for the loving creation of this review, as it provides an almost perfect contrast to The Center of the World, the new motion picture…
Chances are you don’t know a whole lot about Angel Eyes other than the fact that it’s the brand-new Jennifer Lopez movie. Maybe you also know that it co-stars Jim Caviezel (periodically known as James; he doesn’t seem to have fully decided yet). It’s been described in some articles as…
With the canon of Jane Austen all but exhausted, literary filmmakers continue their assault on Edith Wharton, another sharply observant writer of yore with something timeless to say about the plight of women. Terence Davies’ The House of Mirth, from Wharton’s beautifully detailed, ironically titled 1905 novel about a mannerly…
Let us first in olden verse this critic’s cynical curse disperse: The greet unwashede consummethe crappe, Fro Jerrye Springgere to ganggsta rappe; Bothe yonge and olde, ’tis sore pitee, Doth foule thir hertes with drede teevee, Thus slye produceres, with bisynesse cunning, Devysde a shew to pyne come running Consummeres…
At first glance, 1999’s The Mummy, starring Brendan Fraser as a lantern-jawed Indiana Jones-in-waiting facing off against an undead Telly Savalas look-alike, played like knowing spoof, a lighthearted, if half-assed, remake of the 1932 film starring Boris Karloff. At first listen, it was one big joke, a horror-movie parody masquerading…
Just when we culturally deprived, mystery-starved Americans were convinced that that most delicious of movie genres, the French thriller, was dead and buried, a literate and exciting new filmmaker named Dominik Moll has emerged to revive it — and set our nerves exquisitely on edge. It’s a minor miracle that…
The directorial debut of actress turned screenwriter Agnès Jaoui (Same Old Song, Un Air de Famille), The Taste of Others is a work of delicate observation, falling somewhere between romantic drama and comedy of manners.Mr. Castella (Jean-Pierre Bacri, the director’s husband and co-writer) is a wealthy businessman whose life leaves…
Visualize a pretty young woman and a handsome young man heading for the bedroom. She has just suggested that she wants to show him what she really wants, so, naturally, he begins unzipping his trousers en route to the bed. Oblivious to his loud boxers, she sits and begins swooning…
Somewhere, in deepest New South Wales, Australia, there exists a humble sheep paddock. (In this particular case, the paddock is nearly devoid of sheep — barring the odd sound effect — but never mind that.) The setting is rural, it’s pastoral, it’s quaint as all heck — and it also…
So which is correct — “more leathery” or “leatherier”? What the heck, let’s try them both: Paul Hogan, who was leathery in “Crocodile” Dundee, and leatherier in “Crocodile” Dundee II, is more leathery still in the dreary Crocodile Dundee in Los Angeles.Leathery or not, the Australian, now around 60, looks…
There’s a majesty to Michael Winterbottom’s new film, a majesty and a terrible, icy chill. There’s also a fair bit of invention, as the director of the wrenching Jude — based on Thomas Hardy’s Jude the Obscure — has shifted the locus of that author’s fierce, beloved English west country…
Justice may be blind, but vengeance, it turns out, has a very short memory. So it goes in Memento, the much-anticipated “puzzle” movie from Christopher Nolan (Following), which — as is already fairly well known — plays out its plot more or less in reverse. Pitting the protagonist (and us)…
If you don’t like Tom Green, there’s no point in going anywhere near Freddy Got Fingered, as it won’t win you over. If you don’t know much about Tom Green but are curious, you might be well advised to watch videotapes of his show first, and be aware that inasmuch…
“Keep a diary and one day it’ll keep you,” said Mae West, and while the sentiment rings true, it does little to explain the mystery of why Helen Fielding’s sliver of literary history managed to keep anyone. Fluffy, shrill and approximately as deep as Cosmo magazine, the book somehow hit…
Josie and the Pussycats is not a comedy, and it’s even possible the movie’s not a work of fiction, despite being “based on” Dan DeCarlo’s 38-year-old Archie Publishing comic book. It’s tempting to brand the film as documentary, this year’s Scared Straight. There’s very little that’s funny about a movie…
