Although not nearly as well-known as Woody Guthrie or Pete Seeger — to say nothing of Bob Dylan — Ramblin’ Jack Elliott was a key figure in the American folk movement of the 1950s and ’60s. Unlike his more celebrated contemporaries, Elliott wrote relatively few songs himself but was a…
It’s unfortunate the title Being John Malkovich has already been taken, as it’s a far better one than Bait — and far more appropriate, to boot. As Bristol, a computer expert, wily thief and cold-blooded killer, Doug Hutchison is the human sampling machine. His is a routine cobbled together from…
Humans and their stories, my oh my. Somehow, the familiar themes just keep coming around, again and again, ad infinitum. Of course, most of them have already been captured and processed by Shakespeare. From the bitter young man to the crazy old king, from the flirty young thing to the…
This is the beginning of The Way of the Gun you will not see, because it was written but never filmed: Two men, Parker and Longbaugh, urinate in an open grave in front of mourners, beat up a priest, steal organs meant for transplant and shoot a dog. The introduction,…
Murphy and Pryor. Skywalker and Kenobi. Amos and Zeppelin. Regardless of the creative universe, the maverick apprentice tends to stride off into territory beyond the edges of the master’s map. So it is with Alan Rudolph, whose career blossomed after serving as assistant director to Robert Altman on Nashville in…
The title is Killing Coyote, and that’s quite literally the subject. But as Hollywood’s own Wile E. has taught us, that’s easier said than done.The documentary, directed by Doug Hawes-Davis, is a chronicle of the brutal and little-publicized “predator control” policy toward the ubiquitous canines in the contemporary American West…
Amanda Peet has some really large teeth. Seriously. Even given the fact that it’s in vogue for hot, young, would-be sex symbols to have a set of brightly polished choppers prominent for all to see (think Neve Campbell, Casper Van Dien or Denise Richards), Amanda’s impressive ivories take the cake…
“Be cool, get chicks.” While that’s paraphrased and boiled down, it’s nonetheless the essential creed of Dex (Donal Logue), the corpulent connoisseur of carnality who lumbers through this debut feature from Jenniphr Goodman as if he’s Paul Bunyan and every woman in sight is a tree. Overweight and underemployed, Dex…
According to Patrice Leconte, women live to be vulnerable, men thrive when they are in command, and the two genders can only find happy fusion once they’ve tasted one another’s fates . . . unless they capriciously kill each other. At least, this seems to be the director’s thesis in…
It’s a premise that’s bound to succeed: A young man living on the edge is trying to pull it all together while frequenting 12-step programs and holding down a job that seems calculated to drive him insane. Searching for a way out, he makes contact with a mysterious figure who…
When John Waters is at his best, as he is in his latest, Cecil B. Demented, he can drive you in in a way few filmmakers have ever managed to do. But recognizing that fact can sometimes be difficult in today’s market-driven context. In fact, for the first half-hour or…
In a perfect world, any documentary about televangelists narrated by RuPaul and a couple of sock puppets would be hailed as the unquestionable conceptual masterpiece of the year. Alas, those stodgy Academy voters just don’t understand cross-dressers, religious broadcasting or foot-warmers made to look like dogs. And so the best…
Despite its late summer release date — usually a sign of studio jitters — The Art of War is a mostly well-constructed action flick with a number of flashy, well-choreographed fight and chase scenes. Wesley Snipes stars as Neil Shaw, a supersecret operative of a supersecret “dirty tricks” agency, whose…
Make no mistake: The Cell is easily the most unforgettable film of a pedestrian, forgettable summer. You walk out of the theater grateful for the light and the heat; it is, in places, a rather chilling and claustrophobic film. In places, The Cell is also a rather dazzling film. There…
As any Klump family member can tell you, this has been a hot summer for black comedians. Movies starring Martin Lawrence, the Wayans brothers and Eddie Murphy have already pulled down more than $300 million at the box office, and by the time Chris Rock’s remake of Heaven Can Wait…
Irish charm and British eccentricity are hot properties on this side of the pond — especially among U.S. moviegoers. Witness the phenomenal success here of The Secret of Roan Inish, in which a 10-year-old Irish girl finds her lost brother living among seals off her country’s rugged western coast, or…
Despite a subtly scintillating cast of characters played with pitch-perfect verve, London — in this case, working-class, unpretentious South London — is the main character of Michael Winterbottom’s gritty yet kindly Wonderland. Navigating the labyrinthine streets and suburbs charted in Laurence Coriat’s debut screenplay (which evolved under the title Snarl…
There’s no explicable reason for the existence of The Replacements, which is to the football-film genre what Major League was to the baseball movie: sports rendered as sitcom (or Police Academy sequel). The Replacements, which takes as its cue the 1987 National Football League players’ strike, is stocked with every…
It would be the easiest thing in the world to write off But I’m a Cheerleader, the story of a teenager discovering her sexual identity through a program designed to repress it, as a Saturday Night Live sketch somewhat awkwardly inflated to feature length. But when you start looking deeper…
Okay, so there are these beautiful ladies in tight clothes, right? And — get this — they serve alcohol while dancing suggestively! Sound cool? How about we make a movie about them? The premise oughta be enough to draw in the guys, and we’ll call it “female empowerment” or something…
The bewildering penchant of recent American movies for glorifying the lovable naïf, the perpetual adolescent and the village idiot takes a strange new turn in Miguel Arteta’s dark comedy Chuck & Buck. Arteta’s hero, Buck O’Brien (Mike White), is a 27-year-old manchild who eats lollipops all day long, takes refuge…
It’s a pleasure to say that Clint Eastwood reverses his recent downward slide — A Perfect World (1993), The Bridges of Madison County (1995), Absolute Power (1997), and True Crime (1999), each of which has seemed less satisfying than its predecessor — with Space Cowboys, his latest. It isn’t an…
