Fans call it “that Star Wars feeling,” the raw emotional high achieved by watching, or even just thinking about, the films of George Lucas. It’s a sort of gut-swirling, swooning sensation, the effect of tripping on a fantasy world, a wonderland, a place unlike Earth or even the movies. And…
The Castle is a modest little comedy from Australia and director Rob Sitch that falls into the subgenre of Capraesque idealism, in the little-guy-triumphs-over-evil-powers-that-be division. The story revolves around the unpretentious Kerrigan clan. Darryl (Michael Caton), the father, has his own little towing business. Sal (Anne Tenney), the mother, is…
In 1932, when director Karl Freund wanted to scare the socks off the brave movie patrons who had come to see the original Universal Pictures production of The Mummy, he didn’t have the miracle of state-of-the-art computer imagery to create his bogeyman. All he had was gauze–a lot of gauze…
A Midsummer Night’s Dream came early in Shakespeare’s career. He had written it by at least 1598, in roughly the same period as another lyric-romantic masterpiece, Romeo and Juliet. Despite Samuel Pepys’ famous dismissal of Dream as “the most insipid ridiculous play that ever I saw in my life,” it…
The latest release from Paramount Pictures’ bouncing baby, MTV Films, is set in a high school and has been inoculated with the usual doses of teenage angst, teenage wit, and teenage lust. Here’s the surprise: It declines to get down on hands and knees to woo Generation Y to the…
The most surprising thing about the new teensploitation horror film Idle Hands is the lack of masturbation jokes. It is a movie about a 17-year-old boy who loses control of his right hand to an evil demon, yet there’s only one such obvious crack. As the gloriously lazy hero Anton…
The “SLC” in SLC Punk! stands for Salt Lake City, but it might as well stand for Some Lucky Chump. The filmmaker, James Merendino, has stated that this tale of two punk buddies trying to spread anarchy through the Utah capital in 1985 reflects his own rebellious teenage years there…
Based on the first Julian Barnes novel, Metroland is essentially a dramatization of the Talking Heads song “Once in a Lifetime”: “You may find yourself/In a beautiful house/With a beautiful wife/You may ask yourself/Well, how did I get here?” The hero of Metroland spends the movie asking himself that question,…
Sean Connery has always been a terse, minimalist actor, spitting out his lines in tight bursts of Scottish brogue. But in Entrapment, the kingly Scot goes beyond minimalism to the point where he’s practically doing semaphore with his eyebrows. As the legendary art thief Robert MacDougal, Connery isn’t just reserved,…
Remember Keiko Ibi, the pretty Japanese woman who gave the touching acceptance speech after she won for Best Documentary Short at this year’s Oscars? The chance to see her 37-minute winning film, The Personals, on a big screen comes up this weekend, when it’s shown as part of the Saguaro…
Just as David Cronenberg’s The Fly (1986) came off as an organic reaction to a terrible new wasting disease, his new movie crystalizes the confusions of an epoch that can’t decide whether it’s the Entertainment Era, the Information Age, or the Digital Millennium. Named for a fictional “game system” also…
The heroine of Roland Joffe’s comic noir Goodbye Lover is Sandra, a modern femme fatale for whom seduction, murder and double-crossing are as natural as her severe blond china doll hairstyle is artificial. She’s the heroine of the story, that is; the heroine of the production is Patricia Arquette, who…
In Pushing Tin, the edgy new comedy from British director Mike Newell, the dominant image is a black screen pulsing with obscure fluorescent markings, like the characters on some early prototype of Pac-Man. In this case, though, nobody’s playing any games. The markings represent very real jet airliners filled with…
Stuffed full of fantasy comics, addicted to action, and steeped in digital technology, the frenetic moviemakers Andy and Larry Wachowski have done what they must–create an eye-popping, morph-mad, quasi-mythical sci-fi flick that will thrill computer nerds as it kicks serious ass. The Matrix also presumes to (ahem!) think deeply–although this…
It takes a few minutes’ worth of patience to get to the pleasures of Wrestling With Alligators, the feature debut of writer-director Laurie Weltz. The prologue may have you checking your watch before the credits are over. The characters are introduced, cavorting on the beach in that same sort of…
Imagine, if you will, one of Bob Hope and Bing Crosby’s classic road movies that never leaves the terminal, and you have pretty much described Life, the strikingly uneventful new comedy starring Eddie Murphy and Martin Lawrence. It’s their Road to Nowhere. Life, which was directed by Ted Demme from…
Has any major American director had quite so many career swings as Robert Altman? Maybe not, but if there’s one thing the last 30 years have made clear, it is that it’s never safe to count Altman out. The mid- and late ’90s have been particularly unfriendly to him. After…
Steve Martin says he doesn’t want audiences to expect the same old Steve Martin whenever he stars in a comedy. But that means one thing when he’s referring to Roxanne and L.A. Story, two inspired flights of romantic farce (based on his own scripts), and another when he’s talking about…
Courage comes in an infinite variety of forms and faces, but who among us would be brave enough to go back and relive our high school years, face the horrors of homeroom, and confront hallways so fraught with danger that the most treacherous battlefield would look as placid as a…
10 Things I Hate About You, an adaptation of The Taming of the Shrew set at a modern-day high school, may have pioneered the idea of turning Shakespeare into teen comedy. But it is far from the first film to update or rework one of the Bard’s plots to fit…
The teen comedy 10 Things I Hate About You gets off to a nice peppy start thanks to a burst of “One Week” by Barenaked Ladies under the titles, but the song gets cut off halfway through. The plot suffers the same fate. The first quarter of the film–the exposition…
“We are what we pretend to be, so we must be careful what we pretend to be.” Kurt Vonnegut claimed that this was the moral of his novel Mother Night. As it happens, he was specifically referring to Nazis–the hero of that short book was an American-born resident of Germany…
