The 1926 masterpiece Bronenosets Potemkin (The Battleship Potemkin), the second feature of a wise-ass 27-year-old Soviet director named Sergei Eisenstein, is one of those works whose effect on modern culture almost can’t be overstated. Although Eisenstein already had experimented with the technique he called “montage” in his 1924 debut feature,…
Director Gus Van Sant’s crackling new film To Die For matches up perfectly with the performance of its star, Nicole Kidman. It’s as lean and graceful as a cheetah, and it wears a lewdly sinister grin that intimates you’re being let in on a naughty joke. Watching the film, you…
Ralph–I beg your pardon, “Rafe”–Fiennes plays Lenny Nero, his first full-fledged Hollywood hero, in Strange Days, a futuristic thriller from the penof James Cameron and the eye of Kathryn Bigelow. He’s a schmoozing ex-cop street hustler who deals in illegal virtual reality discs of addictive quality, and Lenny’s fiddling around…
Director Carl Franklin’s 1992 crime thriller One False Move was a complex, fascinating and scarily unpredictable exploration of the tensions between the urban and the rural, between black and white, between criminals and police. While maintaining a harsh and violent moral tone, Franklin didn’t allow himself the luxury of any…
Though much about How to Make an American Quilt is lovely, both visually and emotionally, I don’t know what to make of the picture. The press materials say that it’s about “how women love men.” And so it is, but not centrally–it’s much more concerned with how women get screwed…
The word “tantalize” comes from the Greek myth of Tantalus, who tried to trick the gods into committing cannibalism. The gods apparently regarded this a fairly serious sin on his part, for they devised a horrid punishment for Tantalus in the underworld. He was placed in a pool of water…
Country living is often idealized in the movies, but director Michael Blakemore’s Country Life is about the price of the so-called simple life. The setting is Australia in 1919–just as the lads are returning from the Great War–and cinematographer Stephen Windon captures the outback in ravishing, warm yellows. The rewards…
You have wondered, perhaps, while watching footage of the Paris fashion shows, just where in God’s name the designers got the inspiration for their ill-conceived Halloween costumes. Director Douglas Keeve’s new documentary Unzipped gives us the answer: Nanook of the North. The subject of the film, renowned New York fashion…
The task of writing about the Grateful Dead phenomenon has fallen mainly either to Deadheads, who obviously lack objectivity, or to rock critics, who love to scratch their heads elaborately over the question of why a cult would grow up around this band’s pleasant if somewhat forgettable music. This question…
The actor’s nightmare is of performing in a play for which he has no memory of rehearsing or learning lines. For a movie director, the equivalent nightmare must be presiding over a set on which every imaginable disaster occurs, while attempting to shoot a difficult scene on a tight schedule…
The title character of Jeffrey, played by Steven Weber, is a young, gay actor/waiter in New York City. He loves sex, but nonetheless swears off it out of fear of AIDS. Shortly thereafter, he meets Steve (Michael T. Weiss), a beautiful young bartender he can’t quite resist. Before their first…
. . . Heaven admits no jest; wits that presum’d On wit too much . . . with foolish grounds of art Discover’d first the nearest way to Hell. –John Ford, ‘Tis Pity She’s a Whore A young man starts sleeping with his sister, and she gets pregnant. When she…
The title of young director Bryan Singer’s The Usual Suspects refers, of course, to a famous laugh line in Casablanca: Police prefect Claude Rains has just witnessed Humphrey Bogart shooting a Nazi bigwig. Instead of having Bogie arrested, Rains turns to his subordinate and deadpans, “Major Strasser has been shot…
Early in Last of the Dogmen, Barbara Hershey and Tom Berenger are exploring the Montana wilderness when she tumbles down a bank to the edge of a cliff. He goes to help her and takes a spill himself. The two are clinging to a rope tied to Berenger’s horse, so…
The big summer studio releases of 1995 cost millions to make. Some low-budget films play at selected art houses. Then there is the no-budget film like The Brothers McMullen. Brothers cost only $20,000 to make, which is less than one wet second of Waterworld. It was filmed mostly on weekends…
Probably the first risqu material worthy of the term “art” that many American males of my generation ever saw was the work of Robert Crumb, king of the underground comics movement of the ’60s. The obsessions and family psychology of this prolific cartoonist, most famous in the mainstream for the…
Teenage Lust is the name noted photographer Larry Clark gave to one of the collections of his work published in book form. The title has the ring of a drive-in exploitation picture of the ’60s. One can almost see the breathless ad copy on the poster: “SEE modern youth driven…
As with most science fiction, Waterworld requires a certain amount of ignorance of, or indifference to, science to enjoy the fiction. The film is an action-adventure set in the distant post-Apocalyptic future–a time when the polar ice caps have been melted by some cataclysm. Surviving humanity lives on skiffs and…
High school teacher LouAnne Johnson gave the title My Posse Don’t Do Homework to the 1992 book she wrote about her experiences teaching gifted but underachieving inner-city kids in California. The producers of the film version have changed the title to Dangerous Minds, which is meaningless, but somehow more painless…
The Postman, a film by a Brit director, based on a Chilean novel and starring an Italian, is an example of a genre that’s become highly popular on the art-house circuit. It might be called the Paradisaical Film, or the Vicarious Vacation Picture–an easygoing romantic period piece set in a…
Sister My Sister is based on a celebrated criminal case from provincial France in the early ’30s–the same case on which Genet based his play The Maids. Scripted by Wendy Kesselman, adapting her play My Sister in This House, and directed by Nancy Meckler, the movie has plenty of lurid…
There is a certain kind of white-male face–leathery, long, hollow-cheeked and often mustachioed–that immediately suggests evil petty authority. Many such faces are in evidence among the actors who play the cops in The Glass Shield, a melodrama about police corruption from the unfortunately obscure writer-director Charles Burnett. The air in…
