Steve Allen didn’t know what to make of Frank Zappa. The clean-cut young musician was promising to “play the bicycle” on the set of The Steve Allen Show in 1963, spinning the wheels and tapping on the spokes. The result, with the help of a tuneless orchestra behind him and…
People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…
A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…
Here’s an experiment. Tonight, after midnight, haul yourself out of bed and into the street and, for a minute or two, scream bloody murder. What would happen? Would neighbors call the cops? Would patriots dash out locked and loaded? Would anyone even hear you over their earbuds and white-noise machines?…
This sadistic pulp-revisionist Western starts so well that you might feel something like loss as it ends: The Duel could have been something. The opening is all evocative mud and blood as a pair of knife-fighters, their left arms tied together, stab in a downpour. Cut to two decades later,…
The most surprising thing about the new buddy action-comedy Central Intelligence is the sight of Kevin Hart playing straight man to another actor’s antics. In previous comedies, Hart has been the pint-sized, fast-talking dynamo at the center of the action. Even in movies where he’s the guy in over his…
There aren’t too many points of comparison between Charlie Chaplin and John Carpenter. But both of them are on that relatively short list of movie directors who composed music for their own films. If Carpenter can’t lay claim to any standards like “Smile,” the electronic scores he wrote and performed…
Each week, we’re recapping season two of Unbreakable Kimmy Schmidt episode by episode. Perhaps it was only a matter of time until Tina Fey appeared again in her own sitcom. She showed up near the end of last season as the attorney in the case against the Reverend in a…
Lisa Hanawalt wears a lot of hats — or, more accurately, outfits, some of which she may have designed herself. She’s an artist, illustrator, James Beard award-winning food columnist (Lucky Peach), ceramicist, textile and apparel designer, and animation producer and designer (Bojack Horseman), and co-hosts a podcast (Baby Geniuses) with…
The white-dude detective of Nordic best-sellers bears a burden other crime-solvers don’t. Besides his personal troubles — he’s usually a sauced mope estranged from his family — and the challenges of his case-cracking and victim-saving, he is also called upon to reassure readers that the rottenness he sees each day…
Finding Nemo may have been a cartoon about a clownfish traveling across the ocean looking for his son, but it was also one of Pixar’s first overt forays into the workings of the human mind. The film, from 2003, was haunted by loss: The protagonist, Marlin (voiced by Albert Brooks),…
Dylan Reeve and David Farrier’s Tickled might be the oddest documentary you’ll see this year. It starts off with Farrier, a New Zealand TV reporter specializing in human-interest fare, discovering the world of Competitive Endurance Tickling — in which teams of strapping young men tickle each other for extended periods…
In a stark white room, four boys huddle on a mattress, addressing the camera. They’re athletic, the picture of youth and every Abercrombie & Fitch catalog. A blond boy says, “We want to thank Jane O’Brien Media for this opportunity,” and they all smile and wave. They’re about to take…
Teenage bodies are bared but fresh insight concealed in writer/director Eva Husson’s first feature, a dopey examination of Instagram-abetted adolescent abandon. Inspired by a news item that Husson came across in 1999 about a group of orgy-loving high schoolers in the U.S., Bang Gang (A Modern Love Story), despite the…
When we heard Hollywood announced a crossover film between 21 Jump Street and Men in Black, the aptly titled MIB/23, we were a little befuddled. How did they come up with such a foolproof concept? It practically writes itself. So why stop there? This is the perfect opportunity to kickstart…
Each week, we’re recapping the second season of Unbreakable Kimmy Schmidt episode by episode. Lots of sitcoms run on sex. Not sexual appeal, necessarily, but sexual plot material: pickup attempts, quirky dates, regrettable hookups, and long-running will-they-won’t-they scenarios between regular characters. This stuff’s the lifeblood shows from Friends and Seinfeld to How I Met…
Director Jake Paltrow (Young Ones, The Good Night) met Brian De Palma at a party. He’d had a few drinks and worked up the courage to talk to the legendary filmmaker, who turned out to be surprisingly open and kind. The next day, Paltrow got an email from the friend…
Ineptitude is almost an endearing quality in television characters, so long as there’s a hint of charm within. And while hapless goons frequent many tried tropes and formulaic sitcoms, very few of them remain as lovable as the shitty lawyer. Bad lawyers have been a staple of television going as…
If you can get past the spectacle of British and Australian actors portraying some of the most important figures of 20th-century American literature, Genius is a good example of a prestige pic that is not only literate but surprisingly vibrant. It’s the story of the tumultuous relationship between hot-tempered, Asheville-born…
In Anna Rose Holmer’s The Fits, emotion becomes motion and psychology becomes space. It’s a coming-of-age story, but Holmer mostly eschews dialogue and standard storytelling devices; she tells her tale through movements and patterns and the way that she films them. The Fits follows Toni (Royalty Hightower), an 11-year-old tomboy…
Octave Mirbeau’s The Diary of a Chambermaid, a 1900 novel about the depravities in all social strata written from the point of view of a servant named Célestine, has famously been adapted twice before, by two of cinema’s immortals. Benoît Jacquot’s uneven take on the material won’t challenge the stature…
In cinema, all things move towards acceptance. In time, debates about filmmakers usually settle in favor of the filmmaker — not because detractors change their minds, but because the urgency of the conflict wanes, and stalemates go to the fans. It’s hard to believe that battle lines were once drawn…
