Lenny Abrahamson’s shattering drama Room borrows its fictional plot from the tabloids and strips it of sensationalism. Seven years ago, a man (Sean Bridgers) snatched 17-year-old Joy (Brie Larson) and stashed her in his backyard shed. Two years later, she bore their son. The door stayed locked. Now 5, Jack…
Twenty-year-old Josh’s (Josh Thomas) world explodes twice in the Please Like Me pilot: first when he realizes he’s gay and again when his bipolar mother, Rose (Debra Lawrance), attempts suicide. Josh takes both revelations in stride, though he dreads having to inform his mom, whom he’ll be living with and…
A documentary about a magazine is doomed never to capture the thing it’s documenting. The best that can be said for Douglas Tirola’s Drunk Stoned Brilliant Dead is that it captures, at times, the heady disbelief of paging through its subject, the National Lampoon, the headwaters of much of American…
Mia Wasikowska is proof of reincarnation. The Australian actress must be possessed by the spirit of Lillian Gish. At 22 — the same age that Gish starred in Birth of a Nation — Wasikowska became a bankable name playing the lead in Tim Burton’s garish Alice in Wonderland. In the…
Steven Spielberg’s true-story Cold War procedural Bridge of Spies has a wintry chill. The colors are gray and green, the skin tones pale as frozen fish, and the film stock fuzzed and snowy. Our protagonist, James Donovan (Tom Hanks), spends half the movie waylaid by a cold and takes his…
Here’s a scary story for you. Somewhere in Hollywood, a cabal of producers are forever zombie-ing up the corpses of long-dead licensed properties, ever hopeful that you will continue to throw your money at familiar trademarked characters even as they eat your brains. Sometimes, when a silver moon shines just…
Corpses putrefying, the social order gutted, bands of flesh-cravers roaming the countryside: Our pop apocalypses look a lot like life during wartime, which goes to show that Americans do have an interest in the suffering of refugees — just so long as it’s sugared up with zombie thrills. A mean…
In the Golden Age of scripted television, reality TV is supposed to be dying, but you wouldn’t know it from Survivor’s tenacious resilience — or its just-debuted 31st season. The show that launched reality TV as mainstream programming at the turn of the millennium returned two weeks ago with an…
Michael Shannon isn’t a stickler for rules. In his career, he’s ignored most of them, especially the mandate that a theater-trained, Oscar-nominated actor should shun the large roles in dumb movies that let him afford the smart ones. (See: Kangaroo Jack, Bad Boys II, Premium Rush, Man of Steel.) Shannon’s…
You’d have to be a monster not to be sniffling by the end of Peter Sollett’s Freeheld, a weepy/rousing retelling of real-life gay rights triumph that serves as a helpful reminder that the dark ages were just, like, 10 years ago. It’s love that lights up that darkness, of course,…
There’s much to sadly shake your head at in Pan, a sort of Peter Pan Begins that manages the unlikely feat of making battles between flying pirate ships a crushing bore. Most miserably, there’s the great heap of action set pieces that are easier to wait out than to track…
Right up into the 1960s, the Hays Code demanded that criminals in American movies face punishment by the final reel, a stricture that, however well-intentioned, served to propagate our national myth: that the only route to success is hard work and decency. Crime still doesn’t pay, exactly, onscreen. The code…
Those of us who have been waiting forever for Joseph Gordon-Levitt to make a musical now have the next best thing: In Robert Zemeckis’ The Walk, this breezy Puck of an actor plays high-wire artist Philippe Petit, who walked the space between the World Trade Center’s twin towers in 1974…
Sophia Amoruso If BossyPants made you want to Lean In, maybe you should add #GIRLBOSS to your nightstand. And if you have no idea what we’re talking about, maybe you should spend more time at Changing Hands Bookstore, 300 West Camelback Road. That’s where Sophia Amoruso will be signing her…
Summer officially starts to end with the dawn of film festival season, when we critics pack our suitcases and trek to the Toronto International Film Festival to see what great, smart, small movies are going to make a run at the art house, or even the Oscars. The 10 best…
Since 1963, the Austrian birthrate has halved. You can’t blame Severin Fiala and Veronika Franz’s new thriller, Goodnight Mommy, for the trend, but it sure isn’t helping. The quiet creepshow follows 11-year-old twins Lukas and Elias (Lukas and Elias Schwarz, great), who suspect their mom (Susanne Wuest) wishes they hadn’t…
Desperation, anxiety, stubbornly saying yes to survival: If grand struggles are your thing, there are plenty in Ridley Scott’s The Martian, based on Andy Weir’s popular novel, which was first self-published in 2011 and then picked up by Crown in 2014 — itself a rare seedling that took root against…
With a spooky holiday at the end of the month, we had to throw in a new slasher flick and a classic horror movie on this list of the best films to see this October. The rest of your movie nights can be spent checking out a space adventure, a…
The minds of math and science geniuses have long fascinated the makers of crowd-pleasing narrative features, which is curious, as the complexities that fascinate those minds are antithetical to the feelings-first bounce of popular filmmaking. The movies, having settled into candied naturalism, already struggle to suggest interiority, even of characters…
The hardest type of guy for an actor to play is one without charisma. That’s the challenge faced by Tobey Maguire in Edward Zwick’s Pawn Sacrifice, which tells the story of Cold War-era chess champ and totally strange human being Bobby Fischer. He’s good at it — maybe too good…
The American Dream killed Jay Gatsby and Willy Loman, but their TV counterparts have mostly fared better. Sure, Walter White ends up in a metaphorical ditch and Tony Soprano may too. But the serialization of TV storytelling largely means that characters on shows like Roseanne, The Fresh Prince of Bel-Air,…
With found footage having long ago supplanted torture porn as the horror subgenre du jour, the prospect of a new Eli Roth movie might seem even more dubious than it was during the director’s heyday. The Green Inferno arrives in theaters two years after making the festival rounds and a…
