Citizenfour Captures Urgent, Nerve-Racking History in Progress

Director Laura Poitras’s Citizenfour boasts an hour or so of tense, intimate, world-shaking footage you might not quite believe you’re watching. Poitras shows us history as it happens, scenes of such intimate momentousness that the movie’s a must-see piece of work even if, in its totality, it’s underwhelming as argument…

Kristen Stewart’s Not Bad Taking on Gitmo in Camp X-Ray

Let’s get this out of the way now: Kristen Stewart is fine in Camp X-Ray, the tough-minded/soft-hearted drama that packs America’s sweetheart off to Guantánamo Bay. The fact that such casting seems unlikely might be part of why she succeeds. Tasked with patrolling a cellblock of detainees for 12 hours…

Östlund’s First-Rate Force Majeure Exposes the Act of Manliness

Ruben Östlund makes films the way sociologists devise thought experiments: by posing a hypothesis and thinking fully through its consequences. The Swedish director’s previous feature, 2011’s Play, follows a group of black teenagers in Gothenburg as they blithely coerce a trio of affluent white children to hand over their valuables…

Horns Lets Radcliffe Be Bad, but Not in a Good Way

Alexandre Aja’s Horns is the rare YA-ish romance that doesn’t make like a guidance counselor and force the characters to shake hands and forgive. It’s a biblically tinged, eye-for-an-eye vengeance thriller about an emo boyfriend named Ig (Daniel Radcliffe) whose childhood sweetheart Merrin (Juno Temple) has been murdered underneath the…

Birdman and Listen Up Philip Open Oscar Season (PODCAST)

It’s awards season and the hyped movies are starting to land in theaters. On this week’s Voice Film Club podcast, we talk about Alejandro González Iñárritu’s Birdman, starring Michael Keaton, and Alex Ross Perry’s Listen Up Philip, and carve out some time to recommend Nothing Bad Can Happen and Glen…

Michael Keaton Is Great in the Flashy Birdman

Before there was a Birdman, there was a Batman — several, in fact, though the best was played by Michael Keaton in the two Tim Burton films in the late ’80s and early ’90s. Since then, Christian Bale’s somber strutting and muttering, as seen in Christopher Nolan’s Batman movies, has…

Nick Cave Invites Us In — and Who Could Resist That?

Should we trust artists to tell the story of artists? On the plus side, who understands them better? If there’s a secret language of imagination and creativity, then the members of this sprawling tribe must be the ones who speak it best. On the other hand, could there be anything…

Campus Comedy Dear White People Braves Tough Questions of Race

Among its many attributes, Justin Simien’s exuberant debut feature, Dear White People, proves that we’re not yet living in a “post-racial America”: Forget for a moment that there are so many vexing problems entwining race, class, and economics that we haven’t been able to put a Band-Aid on, let alone…

Jason Reitman’s Men, Women & Children Despairs at Our Wi-Fi World

The tragedy of Jason Reitman’s Men, Women & Children is that it was released the year it was made. A snapshot of today’s cultural disconnection, in which Facebook, texting, World of Warcraft, and streaming smut lure people away from dinner with their families, the film’s so current that its observations…

Whiplash Offers a Painful and Joyous Jazz Education

Jazz isn’t dead. Miraculously, there’s always a small but steady stream of young people who continue to fall in love with this most dazzling and elusive American genre, spending hours, days, and months running ribbons of scales and memorizing Charlie Parker solos in the hopes that some of the alto…

The Tragedy of Gary Webb Stings Even When Kill the Messenger Flags

It was a mystery that reporter Gary Webb would have jumped on: a man who’d made powerful enemies allegedly committing suicide with two gunshots to the head. The tragedy is that Webb was the deceased. Michael Cuesta’s earnest, ire-inducing Kill the Messenger is a David-and-Goliath story where truth is the…