Meet Skinaflix, the Netflix for Aficionados of Old-School Porn

“Sex films sell, and other stuff doesn’t . . . or at least not nearly as well,” says film preservationist Joe Rubin. Rubin, 24 years old, is one of the creators working Skinaflix, a VOD-style streaming video service he calls “the Netflix of porn.” At Vinegar Syndrome, a separate DVD/Blu-Ray–centric…

A Shoah Follow-Up Lays Bare a Survivor’s Story

Claude Lanzmann built Shoah, his nine-hour 1985 Holocaust documentary, from over 350 hours of footage — interviews, staged scenes, silent European landscapes as seen from a passing train, their secrets reborn in tender shades of green. One interview, with the only surviving former chairman of a Czech ghetto’s Nazi-appointed Jewish…

Darkman: Celebrating Sam Raimi’s Descent Into Utter Madness

No matter what else he does, director Sam Raimi has two unassailable fan favorites under his belt: 1987’s Evil Dead 2 and the 1992 trilogy-capper Army of Darkness. (His first film, 1981’s The Evil Dead, is more “respected” than “loved” by the fans.) Released between those two films, Raimi’s 1990…

Vesuvius Blows, But Pompeii Doesn’t

Here’s the last thing I ever would have expected out of Pompeii, that sword-thrust of 3D gladiator-vs.-volcano madness coming right at your disbelieving eyeholes. An hour or so in, when Vesuvius exhausts its portentous rumblings and blows its top (3D!), I legitimately wasn’t ready. Yes, all that third-act destruction is…

3 Days to Kill Is Nonsense, but Cos Remains the Boss

In 1990, the same year that Kevin Costner released the massive global hit Dances with Wolves, a curious thing happened in France. The name Kevin became the country’s most popular for new babies, a Gaelic moniker edging out national stalwarts like Antoine and Jules. Imagine if everyone in America suddenly…

Liam Neeson Stomps, Neeson-Style, in Non-Stop

Action heroes with nothing to lose are the best kind, perhaps the only kind worth watching. In the opening seconds of Jaume Collet-Serra’s Non-Stop, Liam Neeson’s federal air marshal Bill Marks slumps in his parked vehicle, sloshing a few glugs of whiskey into a paper cup and stirring it up…

6 Must-See Movies at the Sedona International Film Festival 2014

The Sedona International Film Festival is rapidly approaching, and if you’re as overwhelmed by the cinematic possibilities as we are, don’t fret. With about 150 films showing between February 22 and March 2, there are a lot of options to sift through, making it well worth the nearly two-hour drive…

The 1987 RoboCop‘s ED-209: The Movies’ Greatest Badass Robot?

Director José Padilha’s long-delayed RoboCop reboot has arrived, and it’s neither an unalloyed (see what I did there?) triumph nor the travesty that partisans of Paul Verhoeven’s subversive Reagan-era classic had feared. At least, and at most, it’s different, taking bold liberties with the original text, as remakes should. One…

Endless Love Earns Its Title the Bad Way

The endless love in question unfolds in that universe where shy, bookish teenage girls are always catalog-model beautiful, not a pimple in sight or a pound overweight, not a garment from Hot Topic darkening their closets. The movie tells us that 17-year-old Jade Butterfield (Gabriella Wilde) is “awkward” and has…

Stations of the Cross Leading at the 2014 Berlin Film Festival

Variety and The Hollywood Reporter, both of which publish special daily issues at the major international festivals, may be the most famous movie trade magazines. But every morning at any of these festivals, including Berlin, most critics I know – and probably plenty of industry people, too – turn to…

5 Life Lessons Learned From Shirley Temple

One of America’s first child stars, Shirley Temple Black, passed away Monday, February 10, at age 85. The box office golden child of the 1930s will always be remembered for such film classics as Heidi, The Little Colonel, A Little Princess, The Littlest Rebel, and Wee Willie Winkie, which, as…

The Gentler New RoboCop Limited Only by Focus Groups

Congratulations, Detroit. In 1987, Paul Verhoeven’s RoboCop cemented it as the most violent city in the world, an honor the Motor City resented for decades until its powers that be realized they may as well erect a statue of Peter Weller and milk the tourism. Twenty-seven years later, the attention…