Cities Roll, Fight, and Eat Each Other in the Otherwise Meh Mortal Engines
The film plays as if a three-hour epic has been sliced down to size in the editing, but only the scenes establishing character and context have been cut
The film plays as if a three-hour epic has been sliced down to size in the editing, but only the scenes establishing character and context have been cut
The actresses share only one scene in the film, but Mary Queen of Scots sets them up in counterpoint, two divergent approaches to the question of how women who wield power can actually govern the men around them
This time, we meet the sharecropping peasants of the remote village of Inviolata, living lives of seasonal toil, lives that look — except for the occasional radio or lightbulb — like they might have a century or so ago
And much of the present-day free-skate footage, shot at what have come to be known as “Adult Nights” at skating rinks, also proves invigorating, an invitation to relish the momentum, the joy and the peacocking pride of grown-up skaters
What will you go see this weekend?
Today, I’m still awed by the film’s scope and scale, by its relentless energy and attention to detail, by its interest in faces and names and coats and belongings
The writer-director shot Roma in chronological order, without showing the cast the script, unveiling it to the actors the same way it is for the audience, piece by piece, a chance to marinate in each moment as it plays out
El Angel is a crime spree as improvised reverie, one with a subject who is as quick to give away his loot as the director is to make the subtext explicit
Akhavan created and cowrote The Bisexual (with her Miseducation cowriter Cecilia Frugiuele) and stars (she also directed four out of its six episodes) in this comedy about an American immigrant in London
The story of two girls who are too smart for their circumstances, one of whom will manage to transcend them, the show casts the minutiae of their tiny world as high drama
Based on a collection of true news items about exactly what the film’s title promises, Kore-eda’s story centers around a household that at first might appear to be a somewhat ordinary family that has merely fallen on hard times
What will you go see this weekend?
It’s the early 18th century, there’s a war on with France, and the persistently ill, somewhat childish Anne struggles both to assert her authority and to preserve her kingdom and her crown
What will you go see this weekend?
Its centerpiece is a breathless break-in at the National Anthropology Museum in Mexico City, as two 30ish suburbanites, played by Gael Garcia Bernal and Leonardo Ortizgris, attempt to loot artifacts from what is known as the Mayan room
Probing the painter’s senses as he tramps about the south of France, Schnabel’s film is drunk with light, a little touched in the head itself, giving over to van Gogh’s perspective through gorgeously disorienting POV shots …
The actual 2018 Robin Hood remains a haphazard action thriller taking place sometime during the Crusades, with Taron Egerton basically reprising his breakout Kingsman role as a scrappy normie getting recruited and trained for skilled combat
The story concerns sort of a play date between the kids fathered by the first generation of Rocky boxers: Creed versus the son of Dolph Lundgren’s Ivan Drago, who in Rocky IV was built up as pretty much the most devastating weapon in the Soviet nuclear arsenal
Pike’s Colvin is haunted by visions of carnage she has seen, sometimes imagining that her London home is a bombed-out shell of itself, that a little girl she once saw die is lying in her own bed
From sex comedies to dark dramas, the Swedish director did it all.
One lord scowls with even more surliness than the rest: Chris Pine is Robert the Bruce, a Scot who will, eventually, declare himself king of his country and wage guerrilla war against Edward
What will you go see this weekend?