Come this time next year, The Jacket may well occupy the slot in movie discourse that Eternal Sunshine of the Spotless Mind does now — that of the film that coulda-shoulda-woulda gotten more Oscar nominations if only it hadn’t come out so early in the year and been forgotten by…
The Pacifier, starring the human battering ram Vin Diesel as a Navy SEAL ordered to protect five kids from baddies out to steal their dead dad’s invention, was written by Thomas Lennon and Robert Ben Garant, two members of the defunct MTV comedy troupe The State. Lennon, however, is best…
If you want to know what Ong-Bak: The Thai Warrior is all about, it’s pretty easy to sum up. It starts with a big fight, as a group of local villagers plays capture-the-flag in the branches of a large tree. Then there’s a brief stretch of plot, as the head…
First, the good news. Uncharacteristically for a February release targeting African-American viewers, Diary of a Mad Black Woman is not a yuppie romantic comedy featuring Gabrielle Union and Morris Chestnut. Anthony Anderson and Eddie Griffin are nowhere to be seen, and despite the fact that the most memorable character is…
Bride & Prejudice is the third major film released stateside in the past few years to fuse the epic romantic musical stylings of Indian “Bollywood” movies with more Westernized, “Hollywood” elements. It’s also the most successful of them, but when the only significant competition has been The Guru and Bollywood/Hollywood,…
At first (and second and maybe even third) glance, it’s all so familiar: Keanu Reeves shrouded in a black trench coat that flaps behind him like a superhero’s wings, moving between netherworlds and a real world used as a battleground, breeding ground, and playground for higher beings amused and appalled…
It’s hard to know what to expect from Wayne Wang. The Hong Kong-raised director has made one gorgeous mood movie (Chinese Box) and two intelligent literary adaptations (Smoke and Anywhere but Here); he was also responsible, in his early days, for the overwrought sob fest The Joy Luck Club. Then,…
The Sea Inside, the new right-to-die drama from Spanish director Alejandro Amenábar (The Others), is a flawed film worth seeing. Based on Letters From Hell, a book by quadriplegic Ramón Sampedro about his 30-year quest to kill himself, the movie favors the emotional over the legal, foregrounding Sampedro’s relationships with…
One should expect little from the man who has directed an Olsen Twins movie (It Takes Two, the one with Steve Guttenberg, no less), Matthew Perry’s first Friends-to-film entry (Fools Rush In, its title an apparent nod to audiences who went to see it), and Sweet Home Alabama, one of…
The small Appalachian community of Whitwell, Tennessee, boasts two traffic lights and a population of 1,600, nearly all of them white and Christian. Lying just 100 miles from Pulaski, where the Ku Klux Klan was founded, this now-defunct coal-mining town would seem an unlikely place to find a memorial to…
For those viewers hailing from the lucrative under-6 demographic, Pooh’s Heffalump Movie will prove to be a suitably sweet addition to the Winnie-the-Pooh cinematic canon. The youngest of them certainly won’t recognize the story’s central message — accept others, especially purple elephant-looking creatures with dreadlocks, for who they are –…
Bad Education, the new film by the flamboyant Spanish director Pedro Almodóvar, opens on a man sitting at a table, poring over the tabloids for stories of interest. When he finds something he likes, he reads it to his lover: Isn’t this an arresting image? Could we generate drama from…
PARK CITY, UTAH — John Singleton, director of Boyz N the Hood, was all warm grins at the frigid outdoor party on January 22, and with good reason. Hustle & Flow, a movie he produced for 33-year-old writer-director Craig Brewer, was in the process of being sold for $9.5 million…
If you can make it past the first 10 minutes or so of Hide and Seek without busting up laughing, chances are that you’ve never seen a horror movie before in your life. This hack job of a “thriller” may steal from the best, but it does it so badly…
When did we first encounter a feel-good film that united delinquent kids, a devoted (if professionally frustrated) teacher, and the transformative power of music? Was it Julie Andrews? Could it have been the spirited, softhearted Maria and her Austrian brood, trilling their way up the hills above the abbey? If…
In her first stab at narrative drama, writer-director Shainee Gabel has managed to assemble a superstar cast and a seasoned technical team. She spent five years on the project, adapting an unpublished novel written by the father of a friend, working with a clarity of vision and an admirable goal:…
Some people think they’re a new art form; others see them as adolescent time-killers. Whatever they are, video games don’t make good models for feature films (mostly because their interactive essence is lost), and their clumsy transfer to the big screen continues to invite all kinds of speculation — not…
You have to hand it to Sean Penn. Okay, you don’t absolutely have to, and if you’re a Red Stater through and through, you certainly won’t want to, but give him some credit. After being pilloried in the press for visiting Iraq under Saddam Hussein’s reign, torn apart by housecats…
Assault on Precinct 13, the sluggish remake of John Carpenter’s grungy 1976 movie of the same name, begins with a bang to which it never lives up. In a smoky den of all manner of iniquity, Ethan Hawke’s trying to close a drug deal. With his girl splayed out on…
“24 hours. 350 miles. His girlfriend’s kids. What could possibly go wrong?” In the case of Are We There Yet?, here’s the short answer: a flaccid screenplay, bratty kids stripped of depth and personality, a single joke replayed in every scene, unearned attempts at sentiment, and a bizarrely whitened backdrop,…
Paul Weitz, with brother Chris, co-wrote and co-directed 2002’s adaptation of Nick Hornby’s novel About a Boy, in which a cocky grown man (Hugh Grant) learned how to actually act like a grown man by observing a gawky young boy (Nicholas Hoult) who was nearly abandoned by his suicidal mother…
Nobody messes with Samuel L. Jackson — at least not at the movies. He’s Shaft reinvented, the coolest cop on the street. He’s Mace Windu, the only swashbuckler in the Star Wars galaxy who gets to swing a purple light saber. Best of all, he’s Jules Winnfield, the ultra-hip hit…
