Crazy in Love

The Australian film Angel Baby is about the love affair between a young man and a young woman, both attractive and intelligent, and both afflicted with fairly severe mental illness–when they meet, they compare slash scars on their wrists. The sweet-souled, exuberant Harry (John Lynch) sees Kate (Jacqueline McKenzie) in…

Junior Mince

Film actors are generally said to have good chemistry or no chemistry. But bad chemistry in movies does exist, and a sleep-inducer called Inventing the Abbotts is a case in point. In ascending order of age, Liv Tyler, Jennifer Connelly and Joanna Going play Pamela, Eleanor and Alice Abbott, well-off…

Cloak and Swagger

When Val Kilmer walked away from the Batman franchise, it was only a matter of time before he offered up his own competing brand. The Saint isn’t just his answer to Batman–it’s a full-length commercial for all the Saint movies to come. There’s a breezy effrontery in the ploy; Kilmer…

Hong Kong Phooey

Over the past five years, action star Jean-Claude Van Damme has become one of America’s leading importers of foreign talent. In 1993, he hired Hong Kong action ace John Woo to direct Hard Target. For last year’s Maximum Risk, he brought over Ringo Lam. And now he has used a…

Dead Brogue

There’s one stand that every film about the quagmire in Northern Ireland is willing to take: that there’s been enough killing. Sometimes, like in A Prayer for the Dying, it’s said out loud–“Thur’s bin enoof killin’.” Sometimes, as in The Crying Game, In the Name of the Father, Some Mother’s…

God Vibrations

Lars von Trier is, perhaps consciously and defiantly, one of the least-commercial, brilliant directors in the world. His best-known movie, the 1992 Zentropa, and his earlier The Element of Crime both open with hypnotic voice-overs, seemingly daring us to succumb to sleep before the credits are even over. Nonetheless, if…

Box Tops

Norman Mailer begins The Fight, his great book on the Muhammad Ali/George Foreman “Rumble in the Jungle,” by writing of Ali: “There is always the shock in seeing him again. Not live as in television but standing before you, looking his best. Then the World’s Greatest Athlete is in danger…

How to Make a Film

So the Academy has once again shut you out of the Best Director category on the technicality that you haven’t actually made a movie? Hollywood philistinism, of course, but there’s always a chance at next year: This weekend, Arizona Film Society is once again presenting the Hollywood Film Institute’s two-day…

Auto Eroticism

Cult auteur David Cronenberg crashes and burns–his talent, that is–in Crash, a vain attempt at a techno-age Persona. It follows a demented explorer named Vaughan (Elias Koteas) into an insane new world where twisted metal, curvy skin, automotive oil and bodily fluids merge in an explosive carnal cocktail. To Vaughan,…

Life, in Stereo

I spent the 68th anniversary of the St. Valentine’s Day Massacre watching The Godfather with the new soundtrack prepared for its 25th anniversary. The scene was a mixing room in the Saul Zaentz Film Center in Berkeley, California, and the master of ceremonies was much-honored editor and sound expert Walter…

Ewok Don’t Run

In the last chapter of this Star Wars trilogy, an intergalactic window display of creepy and cuddly critters upstages the human characters. All the conflicts are resolved between the virtuous rebels–Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher)–and the wicked Imperials, notably Darth Vader (David…

Blood Simple

If we take Bob Rafelson at his word, Blood & Wine completes a trilogy about family relationships that started with the director’s two crowning achievements, 1970’s Five Easy Pieces and 1972’s The King of Marvin Gardens. Those two films are so often pointed to as evidence of the brilliance of…

Howard’s Blend

During the first few minutes of Howard Stern’s romp through his inexplicable life, he spells out his mission: Private Parts will both convert the nonbelievers and entertain the cult. Stern wants to give you plenty of hot lesbian action (and freed from FCC restrictions, he takes real pleasure in saying…

Stern und Drang

The most obnoxious man alive suddenly, for a rare moment, is calm and contemplative. “I don’t know,” says Howard Stern, his familiar voice unfamiliarly soft. “I don’t know why.” Those are words Howard Stern doesn’t say very often. He, after all, knows everything, and he’ll remind you of that on…

The Asphalt Jumble

In the two decades since Eraserhead, David Lynch has established himself as American cinema’s premier surrealist, our own Wizard of Weird. Although his first two Hollywood projects–The Elephant Man (1980) and Dune (1984)–had little room for the sort of spooky shit at which he excels, his style found its greatest…

Wiseguys Finish Last

The ingredients are familiar: Donnie Brasco stars Al Pacino as a Mafia soldier and Johnny Depp as an FBI undercover agent who infiltrates the mob. But there’s a twist. Based on a true story, the film is a grunt’s-eye view of the Mafia, and it’s not remotely “operatic” or Scorsese-ish…

Triumph of the Ill

Marvin’s Room, starring Diane Keaton and Meryl Streep as sisters who reunite uneasily for the first time in 20 years, is one of those movies about people who confront the choices they’ve made and become better people for it. Adapted by the late Scott McPherson from his popular 1992 play…

Aisle of Lesbos

If all you knew about lesbians was what you saw in movies made by lesbians, you’d have a pretty dreary picture of the lifestyle. Most of us know a lesbian or three who actually has a sense of humor, whose idea of socializing extends beyond sitting in a semicircle with…

Rosewood Burns Brightly

John Singleton’s new film, Rosewood, chronicles a shocking and little-known incident in the history of American racism–the destruction of the title village and massacre of many of its black residents by a white mob. A moderately prosperous hamlet in the pine forests of western Florida, Rosewood came under attack in…

Darth Victory

Irvin Kershner’s The Empire Strikes Back, the continuation of George Lucas’ Star Wars, is a classic fantasy in its own right. I vastly prefer it to the first film. Its textures are richer, its emotions deeper, and it’s an honest-to-Jedi movie–not a dozen jammed-together entries of a serial. On its…

Volley of the Drawls

An impressive directorial debut from writer-actor Billy Bob Thornton (who co-wrote and starred in One False Move), Sling Blade is the stark, enveloping tale of Karl, a dimwitted killer released after 25 years in an Arkansas asylum for murdering his mother and her lover. Thornton plays Karl with a guttural…

Thief Jerky

In Absolute Power, Clint Eastwood plays Luther Whitney, a master thief who burgles on little cat feet. He’s as stealthy as the Pink Panther pilferer, though not nearly as amusing. Luther, you see, is presented to us as an artist. We first see him at the National Gallery dutifully copying…