Neil Jordan’s Michael Collins opens with Collins’ trusted aide Joe O’Reilly (Ian Hart) speaking of his departed leader: “He never did what anyone expected.” But, in fact, Collins (Liam Neeson) does pretty much what is expected of a movie hero: He fills the screen with noble bluster; he aches for…
Last year, Arizona State University’s Gammage Auditorium hosted a special showing of Sergei Eisenstein’s masterpiece The Battleship Potemkin, accompanied live by the Phoenix Symphony, performing a score cobbled together from various Shostakovich works. I wrote about the event, focusing mainly on Potemkin’s importance in film history, and on the validity…
Trying to decide whether the Million Man March was good or bad, heartening or depressing, can give you a headache. At the center of the ambiguity is Nation of Islam leader Louis Farrakhan, the march organizer. It’s a stretch to believe that the anti-Semitism and xenophobia attributed to him in…
That Thing You Do! is perfectly beguiling, perfectly skilled, perfectly smart and perfectly harmless. Coming from anyone else, it might seem slick and calculated, but as the debut of Tom Hanks as a writer-director, it seems like an unusually personal piece of moviemaking. The story, which Hanks claims to have…
Corky, a parolee, gets a job fixing up a Chicago apartment next door to one occupied by Ceasar, a gangster, and Violet, his luscious moll. The moment Corky’s and Violet’s eyes meet on the elevator, the sexual tension between them is palpable. Eventually, they become lovers and hatch a daring…
All over the country, film reviewers who have just seen Big Night are frantically straining to think of a different way to say what they know perfectly well all their colleagues are going to say. Which is that Big Night will make you hungry. Here’s my variation: Recommending this movie…
The first play by David Mamet to receive wide notice was American Buffalo, a three-hander set in a junk shop, about marginal smalltime crooks planning to rob a coin collection. After an Obie-winning off-Broadway run, it hit Broadway in 1977, with Robert Duvall, Kenneth McMillan and John Savage, and it…
Short Cuts meets Pulp Fiction! That, no doubt, is how the script for 2 days in the valley was sold, but it’s not quite either movie. It’s more engaging than the former, less imaginative and intelligent than the latter, and a good deal more sentimental than either. This comedy-thriller sets…
In a kitschy, sappy way, Grace of My Heart is a likable movie. It has a lively period flavor, some terrific music and an excellent lead performance. Now and then, for a scene or two at a time, it’s even touching. But it’s still a show-biz soaper, and it’s not…
In 1994, PBS ran the 90-minute documentary Before Stonewall about events leading up to the 1969 riot outside the Stonewall Inn in New York’s Greenwich Village, an incident regarded by some as the beginning of the modern Gay Pride movement in America. The late filmmaker Nigel Finch has taken another…
Score one for the character actors. Paul Newman’s chubby, dim sidekick in Nobody’s Fool, which was set in a small town in upstate New York, was played endearingly by Pruitt Taylor Vince–one of many times that Vince has shown his reliability in supporting roles. Beautiful Girls, JFK, Natural Born Killers,…
The names of the three main characters in The Spitfire Grill are Hannah, Shelby and Percy. That last name, the heroine’s, is short for–get this–“Perchance.” Still haven’t heard enough? Okay, here’s writer/director Lee David Zlotoff holding forth, in the production notes, on the theme of his film: “This film is…
The documentary A Perfect Candidate is like Al Gore doing the macarena at the Democratic National Convention–proof that political satire has become impossible. Under the opening titles, we see a combo called the Angry Young Pachyderms at the Virginia Republican Convention, performing a ditty called Don’t You Know It’s Your…
Part of Andy Warhol’s genius was his witty skill at daring us not to think he was a genius. Plenty of people took this dare, and it was no skin off his pasty nose–he may well have agreed with them. But if the art world was sufficiently gullible, or frightened…
Not far into The Trigger Effect, we see a street sign which reads “Maple Ct.” This is probably a nod by writer/director David Koepp to “The Monsters Are Due on Maple Street,” a 1959 episode of Rod Serling’s The Twilight Zone. If it isn’t, it ought to be. “Maple Street”…
H.G. Wells’ brusquely brief novel The Island of Dr. Moreau is one of the kinkiest of all classic horror tales. The likably flawed narrator/hero, Edward Prendick, finds himself stranded on the title island, where he is the guest of Moreau, a researcher, and his tippling associate Montgomery, a disgraced medical…
Those of us who were children during the late ’60s and early ’70s remember the kiddy movies of the time as a sorry, syrupy lot–as, I suspect, our parents do even more acutely. 1971’s Willy Wonka and the Chocolate Factory has much of the same saccharine quality around the edges,…
The Fan marks Robert De Niro’s fourth stalker. He’s Gil Renard, a San Francisco knife salesman whose avocation is his twisted, fanatical enthusiasm for the Giants. Gil is especially fixed on a new addition to the team’s roster, a power hitter named Bobby Rayburn who has recently led the Braves…
After the focused ugliness of Short Cuts, the casual, audience-contemptuous sloppiness of Robert Altman’s Ready to Wear (Pret-a-Porter) was a relief. It wasn’t a very good film, but at least Altman hadn’t stooped to indicting the fashion game–it was possible to enjoy his enjoyment of the subject’s naked absurdity, its…
Regarding last week’s announcement that Meteorite ALH84001 may have been crawling with Martian germs: What’s the big deal? Science may consider this the first sign of Martian life, but we moviegoers have always known that Mars was a jumpin’ place, teeming with everything from snarling monsters to Ruritanian civilizations of…
A perky little armadillo bustles around under the titles of Ron Shelton’s Tin Cup, snout out, tail high. After a while, it becomes clear that this creature is supposed to represent Kevin Costner’s character, Roy “Tin Cup” McAvoy. Of the two, it’s the armadillo who’d have grounds to take offense…
In Maybe . . . Maybe Not, a character mentions that he’s going to a Men’s Movement discussion group. “Oh, that’s so ’70s,” says another, and while the first guy concurs, he observes that such things are coming back into vogue. Apparently, a number of other things from the ’70s…
