Follow-up to Goon Lands a Lot of Jokes — and This Time, They Sting

Here’s a shocker: What might’ve seemed an ill-advised sequel to a surprisingly not-bad little hockey comedy is … surprisingly not bad! In fact, in some ways Goon: Last of the Enforcers actually manages to improve upon its forebear, connecting on jabs at a rate roughly equal to that of the…

Spielberg’s Close Encounters Returns in All its Confounding Glory

In one sense, Steven Spielberg’s 1977 UFO bliss-out, Close Encounters of the Third Kind, is reprehensible. It is, after all, the story of a daydreamer dad (Richard Dreyfuss) who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another: Teri Garr for…

Menashe Makes Slacker Comedy out of Orthodox Life

On a crowded Brooklyn street, an Orthodox Jew adjusts his yarmulke, a tefillin bag under his arm. He speaks on a smartphone and practically struts. The man, as dandified as one can look in a black suit and a white shirt, is a red herring in Menashe. Several other Brooklynites,…

The Trip to Spain Feasts Upon its Stars’ Fear of Obsolescence

Once more, into the Brie — or, in this case, the Manchego. For the third time, now, for Steve Coogan and Rob Brydon, it’s the feast as improv proving ground, the sumptuous meal as arena of competitive discernment: Who can better parse and parody the particularities of some beloved British…

Whitney: Can I Be Me Surveys the Pressures Faced by a Pop Great

Whitney: Can I Be Me premieres on Aug. 25 on Showtime In the February 2016 issue of ESPN The Magazine, Danyel Smith penned a powerful essay on Whitney Houston’s chill-inducing rendition of “The Star-Spangled Banner” at Super Bowl XXV, perhaps the pinnacle of national anthem performances. Smith frames Houston as…

Feel-Good Rapper Comedy Patti Cake$ Doesn’t Earn Its Mic

The story beats of Patti Cake$, a socioeconomic-sermonizing comedy about a thick young white woman with huge hip-hop dreams and little prospects, are as predictable as the ticking of an egg timer, as generic and tinny as the pulses of a drum machine. I rooted not for Patricia Dombrowski (Danielle…

Despite Breakout Role, Noomi Rapace is a Star Hiding in Plain Sight

In one of two new action films Noomi Rapace leads this summer, she plays seven different women — sisters — in a dystopian future in which single-child policies are stringently and violently enforced because of food-and-resource shortages (let’s be honest: global warming). This is Netflix’s What Happened to Monday. In…

Soderbergh Returns at Last With a Breezy, Comic Real-America Heist

In Steven Soderbergh’s hillbilly heist comedy Logan Lucky, the West Virginia prison where vault specialist Joe Bang (Daniel Craig) resides is pristine and peaceful. This is a high-security facility in a seemingly alternate world, a jail without racial tensions where the prisoners feast on edible food. While only a small…

The Hitman’s Bodyguard: A Giddily Irresponsible Action Comedy

Here’s what Patrick Hughes’ The Hitman’s Bodyguard has going for it: It’s exactly the movie it promises to be, but more so. It’s more wild, more hilarious, more giddily irresponsible — it’s the hard R action comedy that kids sneaking into it might imagine it’s going to be, minus ’70s…