David Lowery’s A Ghost Story Gets Lost in Time and Space

“Every love story is a ghost story,” David Foster Wallace wrote, more than once. That evocative observation is probed in David Lowery’s A Ghost Story, a film that occasionally reaches a similar level of eloquence. Lowery’s fourth feature reunites Rooney Mara and Casey Affleck, the leads of his second, the…

Sisterhood is Powerful — and Pugnacious — in Girls Trip

Truth in advertising: Girls trip hard during their New Orleans getaway in Girls Trip, which maybe doesn’t need that possessive apostrophe after all. Malcolm D. Lee’s comedy, written by Kenya Barris and Tracy Oliver — the same creative team behind last year’s uneven Barbershop: The Next Cut — pops with…

Dunkirk Is the Movie Christopher Nolan Was Born to Make

The nerve-racking war thriller Dunkirk is the movie Christopher Nolan’s entire career has been building up to, in ways that even he may not have realized. He’s taken the British Expeditionary Force’s 1940 evacuation from France, early in World War II — a moment of heroism-in-defeat that has become an…

Rape Choreography Makes Films Safer, But Still Takes a Toll on Cast and Crew

From Game of Thrones to The Handmaid’s Tale, narratives of sexual assault have become particularly common in film and TV lately. But rarely do we think about the filmmakers, actors and crew who make on-screen rapes happen. How do they feel? Are they tired of rape scenes? Or could portraying rape could actually be a positive thing?

War for the Planet of the Apes Is the Most Vital Blockbuster in Years

Somehow, while we were worrying about superheroes and star destroyers and hot rods and whether Captain America could beat up Superman or whatever, the goddamned Planet of the Apes movies became the most vital and resonant big-budget film series in the contemporary movie firmament. And they did it with the…

Sally Hawkins Dazzles Even When Maudie Drags

Maudie is hit-or-miss, but you’ll probably bawl anyway. Its creators have elected to dramatize nothing but the things that traditional narrative features usually botch. The film, directed by Aisling Walsh, surveys the life of a beloved artist, Nova Scotia’s self-taught folk painter Maud Lewis, who produced scores of cheerily primitive…

Sofia Coppola’s The Beguiled Skims the Civil War Past

Ever since her feature debut, The Virgin Suicides (1999), a dreamy, diaphanous tale about the mysteries of girlhood, Sofia Coppola has ranked among the finest distillers of mood (especially languor) and milieu. Those qualities abound in The Beguiled, her sixth film, an adaptation of Thomas Cullinan’s Civil War–set novel of…

Don’t Expect Naomi Watts’ Gypsy To Be Your New Erotic-Drama Addiction

Hollywood has many more outstanding actors than it does outstanding scripts. That’s the only way to explain Naomi Watts’ career, which launched stateside with a masterful twin performance in David Lynch’s Mulholland Drive. Even with a pair of Oscar nominations, though, the actress has spent years languishing in Nondescript Mom…

The House on Coco Road Reveals the Grenada Reagan Never Knew

The House on Coco Road premieres on Netflix on June 30 Quick, tell me everything you know about Grenada. If you’re over the age of 35, you can probably remember Ronald Reagan’s thin lips pronouncing the country’s name with a dangerous emphasis on the first two syllables, essentially weaponizing the…

Edgar Wright’s Baby Driver Makes the Car Chase Soar Again

Edgar Wright’s Baby Driver is a remorselessly entertaining, impeccably assembled action-musical in which cars and people defy the laws of physics and common sense. They leap into gunfire and hop over hoods and careen down streets in perfect time to the beats of an unimpeachably cool soundtrack. It’s all absurd,…