James Baldwin Speaks to Now in I Am Not Your Negro

Like Ava DuVernay’s 13th, Raoul Peck’s I Am Not Your Negro travels a straight, well-researched path from the darkest tragedies of American history to the ones that plague the country today. Both films filter African-American life through the prism of the societal construct called race, but while DuVernay’s dissertation focuses…

They Can’t Even Make the Sex Hot: On Fifty Shades Darker

Boundaries are violated repeatedly in Fifty Shades Darker, a film that demands even more submission of its audience than its predecessor, 2015’s Fifty Shades of Grey. No safeword can protect you from the sequel’s depleting incoherence, its punishing pileup of plot, and its inability to successfully stage, even once, the…

The Magicians Pushes Fantasy to Its Limits

Take it from the network that rebranded as Syfy: The best trick in The Magicians is its phoniness. The actors share a broad house-style stiltedness and uniform, plasticine good looks — even the same haircut. The sets, costumes, and special effects, while often inventive (a baddie with a head made…