Film, TV & Streaming

Jingle all the way through their holiday marathon.

Steve Weiss will present selections from Chicago filmmakers.

In a profile early this year, the novelist Dana Spiotta told the New York Times, “That’s seductive, being paid attention to.” Several of the films below — those that seduced me — feature pivotal scenes, whether in diners, at picnic tables or at kitchen tables, of one character raptly listening…

In this, the harrowing year of 2016, I could jump into the Oscars talk. I could pick groundbreaking films that reminded me time and again that movies are alive and more vital than ever, like the heartbreaking Moonlight, the soul-stirring Queen of Katwe, the force-of-goodness 13th, the subtle and sweet…

I was fortunate enough this year to be at both Sundance and Cannes, so it was something like agony for me to watch the litany of critics and commentators who spent the summer and early fall complaining about the year in film — all while movies such as Manchester by…

Somewhere inside the 128-minute Live by Night is a reasonably solid 168-minute movie struggling to get out. No, that’s not a typo: You can sense the contours of an absorbing story as writer/director/star Ben Affleck’s slapdash and fragmented assemblage limps along. Most of the pieces are there, but they remain…

Both a film noir and a candy-colored confection, Pedro Almodóvar’s Julieta is one of the most absorbing films he’s made in years. It’s also, perhaps, one of the saddest: Its bright hues and vivid textures offset a deep, unshakable melancholy. Based on a trio of Alice Munro short stories, Julieta…

For better and for worse, Peter Berg has found his genre. After oscillating between sports (Friday Night Lights), superheroes (Hancock) and even board games (Battleship) without much distinction, the writer, director, producer and actor has made a loose trilogy in which Mark Wahlberg reenacts recent tales of American heroism. Lone…

Meet Jimmy The Mimbo Gibbler.

When you call cows, you say co’boss. And when you call sheep, you say co’da. This information is relayed to us in the first few minutes of Peter and the Farm by Peter Dunning, who’s lived and worked on 187 acres near Brattleboro, Vermont for the lion’s share of his…

Here’s a recurring nightmare I’ve had since seeing Nicolas Pesce’s The Eyes of My Mother: I’m parking my car — I don’t even have a car — on a desolate street in broad daylight. As I put change in the meter, a man walks close beside me, then closer and…

The cussedness of La La Land is almost enough to recommend it. Damien Chazelle’s sumptuous tribute to romantics trying to keep lit the fire of a guttering culture is defiantly old-fashioned in form and style. It is, among other things, a throwback to the great MGM musicals of the Gene…

Here’s a promise few movies can make. If you sink two hours into Collateral Beauty now, it’s guaranteed that for the rest of your life, when conversation stalls, you can save the night by asking, “Did you ever see that movie where Will Smith plays an ad executive so shut…

Whenever I tell someone I’ve been binging on Hallmark Christmas movies all day, there’s a certain amount of apology involved. “I know, they’re the worst,” I’ll concede, before the other person has had a chance to say anything. “The one I watched this morning was a real winner.” Usually whomever…

Controversial opinion: Lists are a great way to both organize and digest horrifically large amounts of information. And they’ve never been more relevant than this, the Lord’s year, 2016, in television. There’s just too damn much, and nobody could possibly watch it all — except maybe Scott Bakula on a…

The first thing to say about Rogue One is that it might be the most visually splendid Star Wars movie to date — with its mist-covered mountains, its tsunamis of dust and fire, its X-wing fighters blazing through rainswept nights. I’ve never been a big fan of director Gareth Edwards…

And why millennials still love DCOMs.

From Divorce to Nature, these are worth your time.

Miss Sloane opens with a clever gambit: Jessica Chastain’s face fills the screen in a tight close-up as she talks about strategy, breaking the fourth wall. From its opening minutes, the audience is put at the mercy of a charismatic figure and forced to piece together what she might represent…

Saroo Brierley’s memoir A Long Way Home examines, in its uncertain prose, one of the signal concerns of our age: How do those of us who have grown up in relative comfort square our good luck with the lot of the rest of the world? That question gets feinted at…

Watching Lucile Hadzihalilovic’s mesmerizing sci-fi arthouse stunner, Evolution, I thought of the paintings of surrealist Rene Magritte — a few in particular: The Collective Invention (1934) and The Human Condition diptych (1933, 1935). The former features a creature — the bottom limbs of a woman and the body of a…

In the pantheon of American First Ladies, Jacqueline Kennedy was no Eleanor Roosevelt. She didn’t push for policy, didn’t relinquish her pillbox hat to walk among the needy, didn’t travel to foreign countries as an ambassador and certainly didn’t advise her husband on matters of war. Jackie Kennedy’s role was…